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Personal Velocity: Three Portraits (2002)

 -  Drama | Romance  -  28 March 2003 (UK)
6.6
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Ratings: 6.6/10 from 3,033 users   Metascore: 70/100
Reviews: 68 user | 59 critic | 28 from Metacritic.com

Three women's escapes from their afflicted lives. Each struggles to flee from the men who confine their personal freedom.

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Title: Personal Velocity: Three Portraits (2002)

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Cast

Cast overview, first billed only:
...
Delia Shunt
...
Greta Herskowitz
...
Paula
...
Narrator (voice)
...
Avram Herskowitz
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Mr. Gelb
...
Kurt Wurtzle
...
Mylert
...
Lee
...
Celia
...
Max
...
Thavi Matola (as Joel De La Fuente)
...
Pam
...
Pete Shunt
...
Vincent
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Storyline

A tale of three women who have reached a turning point in their lives. Delia is a spirited, working-class woman from a small town in New York who leaves her abusive husband and sets out on a journey to reclaim the power she has lost. Greta is a sharp, spunky editor who is rotten with ambition. To spite the hated infidel ways of her father, she has settled into a complacent relationship and is struggling (not too hard) with issues of fidelity to her kind but unexciting husband. Finally Paula, who ran away from home and got pregnant, is now in a relationship she doesn't want. She's a troubled young woman who takes off on a journey with a hitchhiker after a strange, fateful encounter on a New York street. Written by Sujit R. Varma

Plot Summary | Add Synopsis

Genres:

Drama | Romance

Motion Picture Rating (MPAA)

Rated R for brief violence, some strong sexuality and language | See all certifications »
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Details

Official Sites:

Country:

Language:

Release Date:

28 March 2003 (UK)  »

Also Known As:

Enter Fleeing  »

Filming Locations:

 »

Box Office

Budget:

$125,000 (estimated)

Opening Weekend:

$29,943 (USA) (22 November 2002)

Gross:

$765,540 (USA) (17 January 2003)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Color:

Aspect Ratio:

1.85 : 1
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Did You Know?

Quotes

Greta Herskowitz: How could he still love me? If he does, it's because he doesn't know me. I'm rotten with ambition, a lusty little troll, the kind of demon you'd find at the bottom floor of hell pulling fingernails off the loansharks.
See more »

Crazy Credits

To my mother See more »

Connections

Referenced in Film Geek (2005) See more »

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User Reviews

 
Better Than the Ordinary Movie Fodder
13 May 2003 | by (San Antonio) – See all my reviews



This movie is the story of three woman, told in separate segments. Each of the characters has to some extent engaged in self-delusion as to who they really are as persons and each one finds herself in the midst of a major life crisis. As each character deals with their situation, they begin to find out who they really are as persons and to find a possible path to self liberation, happiness and fulfillment in their lives. Delia(Kyra Sedgwick), is an abused wife and mother, who finds personal liberation by finding the courage to finally leave her abusive husband, and then finds her personal dignity and power by rediscovering her sexuality. Greta(Parker Posey), is a wife and daughter, who has long suffered, first by being caught in the middle in a struggle between her powerful, ambitious father and her weaker, more fragile mother for her love and affection, then later in an act of rebellion against her father, ends up in a loving but passionless marriage in which she has suppressed all her own personal ambitions. An opportunity for success rekindles in her all her own passions and ambition, as she struggles to finally break free from the influence of her parents, to come to terms with her husband and marriage and to be who she really is as a person. Paula(Fairuza Balk) is a young woman, who finds herself pregnant and who after a terrible accident, in a state of shock starts out on a journey to try and escape and make sense of what is happening to her. An encounter with an abused runaway, helps her refocus on her own plight and discover her own ability to care about others besides her self. All the acting in the film is excellent, but Parker Posey as Greta really stands out. This is the first film that makes use of Parker's ability as an actress to convey emotion and internal conflict, without dialog, simply by the expression on her beautiful face, and it is absolutely stunning to watch. She turns Greta, who could have been very unsympathetic, into a character that one can care about. This beautifully written, beautifully acted movie is very intelligent and very complex. One that makes the viewer think deeply. Which in an age of almost total shallowness in the majority of films (all flash, no thought!), a movie that stimulates thought is a true breat of fresh air. There are no tight, neatly wrapped up endings in this movie, you have no way of knowing if the characters have made the right choices in their lives. This makes it tough for audiences and critics to embrace this movie, but if you do look deeply at it, and think about it, you will come to appreciate and love it.


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my kinda movie mildlypsychotic
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