A sound engineer falls in love with a radio show host after they work together on a project capturing natural sounds.

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Cast

Credited cast:
...
Eun-su
...
Sang-woo
Sang-hui Baek ...
Grandmother
In-hwan Park ...
Father
Rest of cast listed alphabetically:
Jong-hak Baek
Yôko Moriguchi ...
Eun-su (voice)
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Storyline

A sound engineer falls in love with a radio show host after they work together on a project capturing natural sounds.

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Drama | Romance

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Release Date:

29 September 2001 (South Korea)  »

Also Known As:

Haru no hi wa sugiyuku  »

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Box Office

Budget:

$2,000,000 (estimated)
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Aspect Ratio:

1.85 : 1
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Featured in Neoneun nae unmyeong (2005) See more »

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User Reviews

 
One Fine Spring Day
2 December 2005 | by (Manila, Philippines) – See all my reviews

Although I didn't like April Snow, I have to admit that I got curious about it's clinical, meditative, and almost Ozu-like approach to start searching out its director's previous films. One Fine Spring Day is Hur Jin-Ho's second feature film. Surprisingly though, the film feels like it's been crafted by a master who's been making films for decades. One Fine Spring Day evokes a certain sense of maturity and control that deflects the low points of its spare plot. Sang-woo (Yu Ji-tae) is a sound engineer who lives with his father and his senile grandmother. He gets a job to record certain sounds of nature with beautiful radio DJ Eun-su (Lee Young-ae). Sang-woo, who seems to be an extrovert and Eun-su, who is more outgoing and openminded, get along very well and start a relationship. Their relationship, however, is not the type that would last forever as both characters are very different and both have issues that need to be resolved. Those seeking something that will provide for a fuzzy joyous romantic feeling would easily get disappointed with One Fine Spring Day. One Fine Spring Day, despite its rather light atmosphere, holds a bittersweet conclusion that feels all too real for comfort. It matches the joys of falling in love with the pangs of an unexplained break up. The beauty of the film doesn't emanate from the plot, or the characterizations, or even the technical merits, but from Hur's surehanded direction that never seems to stray from its melancholic tone. Hur doesn't waste time in dealing with heartwarming moments or scenes of melodramatic intensity. He satisfies himself with sincere moments of silence that somehow evoke great emotional weight. One Fine Spring Day is a lovely film. I loved the fact that it never breaks into serious drama or comedy. It stays right there, comfortable in the middle, chronicling in a very sure manner the failing relationship of the couple. It's very different from April Snow which I thought tried too hard to build up its setup with a more ominous atmosphere that bogs down whatever talent and effort Hur and the rest of his crew put in entirely.


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