Popular Broadway actor Gary Johnston is recruited by the elite counter-terrorism organization Team America: World Police. As the world begins to crumble around him, he must battle with terrorists, celebrities and falling in love.
He's found his mojo, baby, and now Austin Powers is back again in this shagadelic comedy-adventure! The "sshhh!" hits the fan when Dr. Evil and Mini-Me escape from prison. Joining forces with the superfreaky Goldmember, they kidnap Austin's father, master spy Nigel Powers, in a dastardly time-travel scheme to take over the world. Before you can say "Shake Your Booty," Austin cruises to 1975 and teams up with sexy Foxxy Cleopatra to stop Dr. Evil and Goldmember from their mischievous mayhem. Written by
Robert Lynch <firstname.lastname@example.org>
Goldmember mentions both The Bad News Bears and The Village People. The scene is supposed to be set in 1975. While he may have seen a coming attractions ad for the former, The Village People did not form as a group until 1977. See more »
Toward the end of the closing credits: "The baby carrier depicted in this film was specially adapted for use herein. Always use baby carriers in accordance with manufacturer's instructions." See more »
(interpolating "That's the Way (I Like It)", "Get Down Tonight" and "Shake Your Booty")
Written by Harry Wayne Casey and Richard Finch
Parody lyrics by Mike Myers and Paul Myers
Performed by Beyoncé Knowles (as Foxxy Cleopatra) featuring Devin Vasquez and Solange Knowles (as Solange)
Produced by Beyoncé Knowles for Music World Productions and Damon Elliott for Elliott Entertainment Inc.
Beyoncé Knowles appears courtesy of Columbia Records
Devin Vasquez appears courtesy of Columbia Records
Solange appears courtesy of Music World Music/Columbia Records See more »
The first Austin Powers film was so fresh, zany, charming, witty and unique.
It took some time for many people to catch on (hence it's legendary video rental record), but it was dazzlingly, mesmerizingly adorable. The sequel came out and rather tarnished the prior film by either dumping or revising various story elements and especially by taking a turn towards the crude and vulgar. Still, it had it's share of interesting moments and laughs. In this third installment, the goodwill is almost completely gone. What remains is a hopelessly indulgent, often foul and unfunny conglomeration of "jokes" and gags, many based on bodily functions or other off-key subjects. That is not to say that the film doesn't still deliver quite a few laughs. It's just that by now, the whole enterprise seems very worn and familiar. There are several truly funny sequences in the film, but mostly it is saved only by some surprising and "right on" star cameos and the fresh appeal of Knowles. The (typically) ludicrous plot kicks off with Powers having to rescue his father (Caine) from the title character by travelling (too briefly) to 1975. Then the whole parade of series characters is involved in either starting or stopping the world's total destruction. Myers is undeniably brilliant at creating various characters and giving them each a voice of his own. He succeeds in creating these people who seem real unto themselves. Unfortunately, he also is bent on catering to what has to be a 13-year-old boy target audience with endless, endless potty jokes and gross out gags. Some of them are very amusing. Some of them are just gross. After a short while it becomes overkill. Knowles (who is certainly no "actress") comes across as very attractive and surprisingly charismatic on film. Her character is mostly decorative, but she serves the purpose very, VERY well. Her take-no-prisoners attitude is refreshing, even if she is continuously shown being kicked in the face. By now, Myers is so much the whole show that previous supporting cast members (Sterling, Green, Wagner, York) can barely get a word in. Who knows how much of their stuff was cut in the hour-plus of leftover material, but certainly plenty of Myers was left in. It's hard to imagine the lengthier cut because this one seems interminable, even with the bright spots. The opening sequence is brilliant. The character named Dixie......hilarious full name. Other creative and funny bits occur throughout, but the film can not escape it's pall of crudeness and alienating self-indulgence.
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