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The Keeper: The Legend of Omar Khayyam (2005)

7.1
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Ratings: 7.1/10 from 473 users   Metascore: 43/100
Reviews: 16 user | 20 critic | 12 from Metacritic.com

Kamran is a 12 year old boy in the present day who discovers that his ancestor is the 11th Century Mathematician, Astronomer, Poet of Persia, Omar Khayyam. The story has been passed down in... See full summary »

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Title: The Keeper: The Legend of Omar Khayyam (2005)

The Keeper: The Legend of Omar Khayyam (2005) on IMDb 7.1/10

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Cast

Cast overview, first billed only:
...
Kamran
Bruno Lastra ...
Omar Khayyam
...
Malikshah
...
Imam Muaffak (as Rade Sherbedgia)
...
Miss Sangorski
...
Hassan Sabbah
Marie Espinosa ...
Darya
...
Miss Taylor
...
Coach Fielding
Kevin Anding ...
Timmy
...
Nader
Daniel Black ...
Little Omar
Dariush Iran Nezhad ...
Grandfather (as Daryoush Irannejad)
Richard Dillard ...
Mansour's Boss
Furkal Fayziev ...
Assassin
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Storyline

Kamran is a 12 year old boy in the present day who discovers that his ancestor is the 11th Century Mathematician, Astronomer, Poet of Persia, Omar Khayyam. The story has been passed down in his family from one generation to another, and now it is his responsibility to keep the story alive for future generations. The film takes us from the modern day to the epic past where the relationship between Omar Khayyam, Hassan Sabbah (the original creator of the sect of Assassins) and their mutual love for a beautiful woman separate them from their eternal bond of friendship. Filmed almost entirely on location in Samarkand and Bukhara, Uzbekistan. Written by Kayvan Mashayekh, Writer/Director "The Keeper: The Legend of Omar Khayyam"

Plot Summary | Add Synopsis

Taglines:

Love, Destiny, Faith.....eternal truths from a genius with the soul of a poet


Motion Picture Rating (MPAA)

Rated PG for violence and a scene of sensuality | See all certifications »
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Details

Official Sites:

Country:

Language:

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Release Date:

10 June 2005 (USA)  »

Also Known As:

Omar  »

Filming Locations:

 »

Box Office

Opening Weekend:

$10,476 (USA) (24 June 2005)

Gross:

$224,512 (USA) (5 May 2006)
 »

Company Credits

Production Co:

 »
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Technical Specs

Sound Mix:

Color:

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

Kayvan Mashayekh had just arrived on a location scout for the film in Morocco on 11 September 2001. After returning to the US a week later, no one would talk to him about his project for one year and all financial backers withdrew support. See more »

Goofs

The Alalamut (Aluh Amut) Castle, center of operation of Hassan-e-Sabah is actually 670 miles (1048 Kilometers) away from Nishapur (Nishabur) the capital of Malik Shah. See more »

Soundtracks

From Here To Beyond
Performed by Shani Rigsbee
Written by Shani Rigsbee
Published by Cherokee Charm Music (ascap)
Courtesy of Cherokee Music Group
See more »

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User Reviews

 
Well-meaning and handsome, but too stolid
2 January 2006 | by (United States) – See all my reviews

Omar Khayyam was a Persian astronomer, mathematician, and poet in the 11th Century, famous today for Edward Fitzgerald's 1859 translations of his works into English. The Keeper is a well-meaning and handsome (if a bit stolid, and poorly edited at times) attempt to render his life meaningful today, written by Iranian-American lawyer/filmmaker Kayvan Mashayekh.

To keep things relevant, Mashayekh presents through the eyes of a young Iranian-American boy in Houston (Adam Echahly) who is a descendant of the family who takes it upon himself to "keep" and transmit the story. The title character (Bruno Lastra) is presented in an admirable if a bit sycophantic light, as is his love story with Darya (Marie Espinosa), to whom he composed most of his most famous love poems. The scenes (set in Uzbekistan, with period jaunts elsewhere) are ably filmed and mostly elegant, although the level of the actors' engagement doesn't rise above a slow simmer most of the times. The principal conflict is between Khayyam and lifelong friend Hassan (Christopher Simpson), which Mashayekh hopes to make emblematic of a host of larger conflicts - between science and religion, between universalism and sectarianism, between worldliness and Islamic separatism. It succeeds only in pieces. The editing is also a bit spotty, and at certain points I felt that too much of the story had been cut.

The film is one of those that serves a valuable public function; informing the movie-going world about Khayyam's legacy and the larger history of Islamic science and mathematics is a meaningful one, and I saw a host of Iranian-American families at the screening taking part in their cultural heritage. It doesn't win on purely cinematic terms, but it's an engaging and wholly good-hearted exercise regardless.


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