Kasimir Zwickelhuber is collecting debts in an unusual way: by convincing lonely housewives to auction off sexual favors to rich men. When one of their husbands finds out, Kasimir ends up ... See full summary »


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Credited cast:
Anita Andic ...
Dr. Isolde von Hein
Sylvia Berg ...
Hans Billian ...
Passant im Treppenhaus
Sepp Gneissl ...
Kasimir Zwickelhuber
Jane Iwanoff ...
Rita Waldmann
Wolfgang Jung ...
Frithjof Klausen ...
Herr Fillmann
Peter Kristufek
Mike Lederer ...
Dr. Forsch
Ginny Noack ...
Angelika Reschner ...
Gerichtsschreiber Julia
Patricia Rhomberg ...
Larissa Holm
Karl-Heinz Thomas ...
Herr Berger


Kasimir Zwickelhuber is collecting debts in an unusual way: by convincing lonely housewives to auction off sexual favors to rich men. When one of their husbands finds out, Kasimir ends up defending himself in front of a (female) judge and finds himself being backed up by all of his willing victims in court. Written by Il Tesoro

Plot Summary | Add Synopsis


Comedy | Adult





Release Date:

1977 (West Germany)  »

Also Known As:

Den liderlige buk banker på  »

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User Reviews

Watch and learn, Mr. Dietrich
17 September 2016 | by (Berlin, Germany) – See all my reviews

"Kasimir der Kuckuckskleber" is a West German German-language film from 1977, so it will have its 40th anniversary next year. The director here is Hans Billian and this is a film in color that runs for slightly under 90 minutes. The title already gives away a bit what this is about. It is a comedy and the main character is Kasimir Zwickelhuber played by the late Sepp Gneissl. And if you have heard the names Billian or Gneissl before (very unlikely, I know), you also know what to expect here, namely lots of sex from start to finish. But this is far from all of it in the case of this very film. It is actually really funny, sometimes even hilarious, in terms of the comedy that mostly arises from the characters' quotes, sometimes also from their actions. We have a man working in a profession where he has to collect debts from usually young attractive women and he has his very own way of doing so. They are not able to pay with money, so they pay him otherwise, but not through sex with the man himself as you would expect from a low-quality porn movie. This one here is smarter. He makes a mark on the women's butts, which means they are sold to the country and property of the country or city or town or whatever and later on, every woman with a mark is sold to the highest bidder. The resulting auction turns into a huge orgy of course and in the end the man has to go to court for his obscene practices on housewives. But you already know how this works out. The angry husband leaves the courtroom and the lawyers, judges, audience and of course the accused have another wild orgy.

If you take a look at the title of my review, then you see a reference to Erwin S. Dietrich, a Swiss filmmaker who was really known for sex comedies back in the day and who delivered them in great quantity - and very low quality, referring to both the sex and the comedy. Watching Hans Billian's film here really could have told him how to do it. There are many really funny quotes in here, the girls are hot, especially Anita Andic who got me in the mood the very first time I saw her and I definitely would not have minded starring next to her. All the time. The other actresses were fairly attractive too, especially for me who prefers brunettes as there were many more brunettes than blondes in here. Yes, sometimes it was too much sex and too little comedy, but it is all bearable and very watchable, especially if you are horny. But like I already said a couple times, the area where this really shines is the comedy. Gneissl is on top of his game and his comments are excellent and very funny in terms of what he says and how he says it. It is really uncommon for a German sex film to be a bit of a cult movie, especially in terms of comedy, but I am not surprised at all by the status achieved by this one here. I certainly recommend the watch. And pay attention to the word "Kleber" used in the title that really gets an entirely new meaning in the context of the film, one that is impossible to explain to non-German speakers.

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