The story follows Abhay (Haasan) who has a disturbed childhood and severe mental trauma misunderstands her to be Sister in Law Tejasvini (Raveena Tandon) who is supposed to marry his Army ... See full summary »

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1 win & 1 nomination. See more awards »

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Cast

Credited cast:
...
Nandhakumar / Major Vijayakumar
...
Tejaswini
...
Sharmilee
Shri Vallabh Vyas ...
Dr. Srinivasa Rao
...
Lt. Col. Santosh Kumar
Rest of cast listed alphabetically:
...
Nandhu / Vijay's Step-mother
...
Nandhu / Vijay's Mother
...
Menon
...
Terrorist Gul
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Storyline

The story follows Abhay (Haasan) who has a disturbed childhood and severe mental trauma misunderstands her to be Sister in Law Tejasvini (Raveena Tandon) who is supposed to marry his Army Commando twin brother Major Vijay (Haasan). When Abhay meets Tejasvini, who visualizes her as her evil step mother who was the cause of the fall of his family and the death of both his parents and separation from his twin brother whom he loves dearly. He escapes the mental asylum to fulfill his duty towards his brother by getting rid of the woman. There are a lot of action packed encounters that Abhay has with his own brother, the estranged wife and many other characters including a very fun loving and popular singer - actress Sharmilee (Manisha Koirala) (cameo) who all willingly or unwillingly come in midst of the fight of a right man at the wrong place within wrong circumstances. Written by Rohan Bhatt

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16 November 2001 (India)  »

Also Known As:

Abhay  »

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Did You Know?

Trivia

This movie prevailed as an inspiration for the animated sequence involving fight scenes and violence in the Quentin Tarantino movie - Kill Bill. See more »

Goofs

During the chase scene near the climax, there is a point where Nandhu/Abhay does a side-wheelie with his car while Vijay fires at it from his car. In some shots, either the back tire or the front tire of Nandhu's car is not moving at all, even though he is still driving. See more »

Connections

Referenced in Tere Naam (2003) See more »

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User Reviews

 
Interesting with exemplary technical stuff
19 November 2001 | by (Bangalore, India) – See all my reviews

Warning: I have viewed this movie only in Tamil. Telugu and Hindi movie-goers are expected to add a pinch of salt while reading further.

This is one of the most hyped-up movies ever in Indian movie history. When people begin to wonder if it can live upto the hype, the movie reveals the calculated gradual publicity built up over the months. In case you haven't watched and read enough on television and the Web, do so immediately to comprehend the movie better.

The basic story is nothing new, but the movie delves to a large extent into the dark recesses of the psychopathic mind of Nandu. We get to view the real-plus-imaginary world inhabited by this schizophrenic character "with paranoid delusions", courtesy special effects and animation. All this happens even as an engaging action thriller unfolds on the screen. The delusion and flashback portions seem to slow down the pace. Many scenes involving Nandu send a chill down your spine, though the language and violence, at times, seems unfit for children.

While the commando operation in the beginning and the relationship between the lead pair remind of you Hollywood movies, the designer clothes worn by the antagonist and sponsor promotion towards the end are true Bollywood 'ishtyle'. What you get is a curious mix of cliches and innovations.

Kamal Haasan plays the negative character alternating between style and realism, though things seem to get repetitive. The other character of an NSG major seems much like the real-life Kamal, mouthing anti-religious remarks and sporting a unique lifestyle. Raveena manages to hold her own while Manisha is good despite appearing only in a few scenes. The dubbing for both of them seems odd on a few occasions. Talented actors like Gunaji and Gidwani seem wasted in roles with few scenes and little potential.

No stone has been left unturned when it comes to the technical aspects of the movie like art direction, cinematography, editing, sound effects and visual effects; but the computer graphics is found wanting sometimes. Double role picturisation has possibly never been better, even in Hollywood, though those movies rarely employ an actor portraying two roles. The attention to detail is also stunning.

The songs blend seamlessly with the movie, beyond expectations -- the title track serves as the background for a chase sequence and still manages to come out good! But this certainly isn't another Dil Chahta Hai for Shankar-Ehsaan Loy. The background score might seem mediocre at places when viewed in the surroundings of other superior elements. Vairamuthu's lyrics and poems bring out the various dimensions of the complex character. Symbolism is built into the script (done by Kamal Haasan himself) much like Hey Ram, reducing the work of the director.

To sum it up, this is an interesting masala movie, with exemplary techniques and a lot of sensible elements incorporated into it.


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