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Mercenary Frank Martin, who specializes moving goods of all kinds, surfaces again this time in Miami, Florida when he's implicated in the kidnapping of the young son of a powerful USA official.
Director:
Louis Leterrier
Stars:
Jason Statham,
Alessandro Gassman,
Amber Valletta
A young man receives an emergency phone call on his cell phone from an older woman. The catch? The woman claims to have been kidnapped; and the kidnappers have targeted her husband and child next.
John McClane and a Harlem store owner are targeted by German terrorist Simon Gruber in New York City, where he plans to rob the Federal Reserve Building.
Director:
John McTiernan
Stars:
Bruce Willis,
Jeremy Irons,
Samuel L. Jackson
Los Angeles police officer Brian O'Connor must decide where his loyalties really lie when he becomes enamored with the street racing world he has been sent undercover to destroy.
Director:
Rob Cohen
Stars:
Paul Walker,
Vin Diesel,
Michelle Rodriguez
John McClane, officer of the NYPD, tries to save wife Holly Gennaro and several others, taken hostage by German terrorist Hans Gruber during a Christmas party at the Nakatomi Plaza in Los Angeles.
Director:
John McTiernan
Stars:
Bruce Willis,
Bonnie Bedelia,
Reginald VelJohnson
Armed men hijack a New York City subway train, holding the passengers hostage in return for a ransom, and turning an ordinary day's work for dispatcher Walter Garber into a face-off with the mastermind behind the crime.
Director:
Tony Scott
Stars:
Denzel Washington,
John Travolta,
Luis Guzmán
A veteran cop, Murtaugh, is partnered with a young suicidal cop, Riggs. Both having one thing in common; hating working in pairs. Now they must learn to work with one another to stop a gang of drug smugglers.
Ex-Special Forces operator Frank Martin lives what seems to be a quiet life along the French Mediterranean, hiring himself out as a mercenary "transporter" who moves goods--human or otherwise--from one place to another. No questions asked. Carrying out mysterious and sometimes dangerous tasks in his tricked-out BMW, Frank adheres to a strict set of rules, which he never breaks. Rule One: Never change the deal. Rule Two: No names--Frank doesn't want to know whom he's working for, or what he's transporting. Rule Three: never look in the package. Frank's newest transport seems no different from the countless ones he's done in the past. He's been hired by an American known only as "Wall Street" to make a delivery; but when Frank stops along the route, he notices his package is moving. Violating Rule Three, Frank looks inside the bag, finding its contents to be a beautiful, gagged woman. Frank's steadfast adherence to his other two rules--which make up his basic code of survival--also ... Written by
Anthony Pereyra {hypersonic91@yahoo.com}
Among the assault rifles used in the movie are a Steyr StG 77 AUG, An M-4 carbine, a H&K G36, and a SIG 552 rifle used by Frank when he is checking shipping containers for the Chinese people. See more »
Goofs
Towards the end of the movie, during the car/truck chase, one of the Mercedes crashes and skids all over the motorway. The Mercedes has gleaming alloy wheels, but when it is in flames, it has steel rims, not alloys. See more »
Quotes
Tarconi:
Monsieur Frank, people with this kind of firepower do not make mistakes about who they visit. Who would want you this dead?
See more »
"So Low"
(A. Pilkington / S. Shippey)
Performed by Custom Blue
(c) BMG Music Publishing Ltd. c/o BMG Music Publishing Europe
Courtesy of BMG Music
Courtesy of Universal Music Projets Speciaux See more »
`The Transporter' is pretty good for what it is - a sleek, slick, high-octane action thriller that couldn't possibly expect us to believe anything we are seeing on screen and, quite frankly, doesn't care that we don't. That attitude is probably all for the best in this case, since it allows the filmmakers to devise elaborate action and stunt sequences without having to pay the slightest heed to that fantasy killjoy known as `credibility.'
Jason Statham literally drips attitude as The Transporter, a stolid, nattily dressed former military man who spends his time delivering packages (no questions asked) all over the French Mediterranean for what turn out to be some pretty shady criminal clients. One day he discovers that the `package' he is to deliver happens to be a human being - a pretty young Chinese girl named Lai Kwan who has been dropped, bound and gagged, into the trunk of the sporty car on which he lavishes most, if not all, of the love and caring he has to offer. Yet, Frank turns out, despite his initial air of callous and self-serving indifference, to be a criminal-type with a heart of gold, and he is soon helping Ms. Kwan foil an attempt by her nefarious father to sell a crate load of Chinese immigrants into slavery. However, the plot is the least of the matter when it comes to a movie like `The Transporter.' This film is far more concerned with attitude and style than it is with its storyline, which exists merely as a vehicle on which to hang all the explosions, car chases and kickboxing fight scenes that have become the stock-in-trade for modern action pictures. The movie is well directed, well edited and quite beautifully photographed by cinematographer Pierre Morel, who gives the film's French Riviera setting a bright, sparkling sheen. In fact, Morel's camerawork here is some of the best I have seen in a film in a very long time.
In addition to Statham, who makes for a very `cool' action film hero, Francois Berleand turns in a wonderful performance as a shrewd, wisecracking police inspector who knows that Frank is up to something but who has enough faith in his own instincts to at least give the man the benefit of the doubt. Qi Shu is cute and charming as the uninvited and unwelcome `complication' that steps into Frank's smooth-running, well-ordered life.
`The Transporter' is the cinematic equivalent of junk fast food - not high in nutritional value, but quickly consumed and satisfying when you don't have the time or inclination for something more demanding. Like its cool-under-pressure protagonist, the film delivers the goods.
133 of 150 people found this review helpful.
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`The Transporter' is pretty good for what it is - a sleek, slick, high-octane action thriller that couldn't possibly expect us to believe anything we are seeing on screen and, quite frankly, doesn't care that we don't. That attitude is probably all for the best in this case, since it allows the filmmakers to devise elaborate action and stunt sequences without having to pay the slightest heed to that fantasy killjoy known as `credibility.'
Jason Statham literally drips attitude as The Transporter, a stolid, nattily dressed former military man who spends his time delivering packages (no questions asked) all over the French Mediterranean for what turn out to be some pretty shady criminal clients. One day he discovers that the `package' he is to deliver happens to be a human being - a pretty young Chinese girl named Lai Kwan who has been dropped, bound and gagged, into the trunk of the sporty car on which he lavishes most, if not all, of the love and caring he has to offer. Yet, Frank turns out, despite his initial air of callous and self-serving indifference, to be a criminal-type with a heart of gold, and he is soon helping Ms. Kwan foil an attempt by her nefarious father to sell a crate load of Chinese immigrants into slavery. However, the plot is the least of the matter when it comes to a movie like `The Transporter.' This film is far more concerned with attitude and style than it is with its storyline, which exists merely as a vehicle on which to hang all the explosions, car chases and kickboxing fight scenes that have become the stock-in-trade for modern action pictures. The movie is well directed, well edited and quite beautifully photographed by cinematographer Pierre Morel, who gives the film's French Riviera setting a bright, sparkling sheen. In fact, Morel's camerawork here is some of the best I have seen in a film in a very long time.
In addition to Statham, who makes for a very `cool' action film hero, Francois Berleand turns in a wonderful performance as a shrewd, wisecracking police inspector who knows that Frank is up to something but who has enough faith in his own instincts to at least give the man the benefit of the doubt. Qi Shu is cute and charming as the uninvited and unwelcome `complication' that steps into Frank's smooth-running, well-ordered life.
`The Transporter' is the cinematic equivalent of junk fast food - not high in nutritional value, but quickly consumed and satisfying when you don't have the time or inclination for something more demanding. Like its cool-under-pressure protagonist, the film delivers the goods.