After one year of marriage, things could not look better for Jeong-hyun and Yun-hie. In order to celebrate the publishing of Jeong-hyun's manuscript, the couple decide to take a winter ...
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Suzume Katagura is a bored housewife who spends her days doing chores and taking care of her husband's pet turtle. One day she sees a wanted ad for spies. Hoping for some excitement she decides to give them a call.
Ten years ago, Gi Dong, Choi, the head of the school gang and Yeong Joon, Park, the shy but smart student set out for school excursion to Gyeongju. They experience an unforgettable moment on that night. That change their life at all.
After one year of marriage, things could not look better for Jeong-hyun and Yun-hie. In order to celebrate the publishing of Jeong-hyun's manuscript, the couple decide to take a winter vacation along the East Sea. It turns out to be a trip neither will ever forget...if they survive. They meet a man calling himself "M" and agree to give him a lift. His expressionless face and penetrating eyes are disturbing enough but his rude actions and speech begin to interfere with the couples happiness during there trip, although they try to have a good time in spite of him. There contentment with this situation is short lived when they learn that "M" was in prison for a brutal crime. Meanwhile, the police have begun an investigation of a series of cruel murders along the highway... Written by
Thomas Giammarco <email@example.com>
This technically well made but highly sadistic thriller is basically an inferior Korean remake of The Hitcher with a bit of Seven thrown in. While the film is different enough from The Hitcher to not qualify as a remake, there's no doubt at all that the filmmakers here saw the 1980's Rutger Hauer film--there are two scenes, one in a restaurant where the psycho tries to taunt the hero into killing him, in The Hitcher with a gun and this film with a knife, and a second where the hero falls asleep in a police station only to wake up and find the cops murdered--that are too similar to be a coincidence. As dark as the American film was The Hitcher was still entertaining because the movie moved quickly and had numerous well-directed action set-pieces. Say Yes, in contrast, is largely lacking in action besides the sadistic torture scenes late in the film.
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