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The Phantom of the Opera (2004)

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A young soprano becomes the obsession of a disfigured musical genius who lives beneath the Paris Opéra House.

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Writers:

(novel), (book) | 2 more credits »
Popularity
763 ( 82)
Nominated for 3 Oscars. Another 6 wins & 35 nominations. See more awards »

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Cast

Cast overview, first billed only:
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Buquet (as Kevin R. McNally)
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Imogen Bain ...
Miles Western ...
Carlotta's Wigmaker
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Carlotta's Seamstress
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Storyline

Begins when an opera ghost terrorizes the cast and crew of the French Opera House while tutoring a chorus girl. He finally drives the lead soprano crazy so she and her friend leave. The girl is able to sing lead one night but the soprano doesn't want her show stolen so she comes back. The ghost demands they keep giving his protégé lead roles. Meanwhile, His pupil falls in love with the Vicomte de Chagny, but the Phantom is in love with Christine, his student. The Phantom is outraged by their love and kidnaps Christine to be his eternal bride. Will Raoul, the Vicomte, be able to stop this dastardly plan? Written by Niki

Plot Summary | Plot Synopsis

Taglines:

The waiting is over...let the fantasy begin. See more »


Motion Picture Rating (MPAA)

Rated PG-13 for brief violent images | See all certifications »

Parents Guide:

 »
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Details

Country:

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Language:

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Release Date:

22 December 2004 (USA)  »

Also Known As:

Andrew Lloyd Webber's The Phantom of the Opera  »

Filming Locations:

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Box Office

Budget:

$70,000,000 (estimated)

Opening Weekend:

£1,219,310 (UK) (10 December 2004)

Gross:

$51,225,796 (USA) (6 May 2005)
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Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

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Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

The chandelier used was 17 feet high and 13.2 feet wide, and was hung with more than 20,000 full cut Swarovski crystal pendants. It was produced by Tisserant in Paris, and it took four months to construct and five days to assemble at the studio. See more »

Goofs

After Raoul and Madame Giry ascend from the trap door scene at the end of the masquerade ball, they proceed down a stone hallway and the boom mic is visible at the lower right corner of the screen. See more »

Quotes

[first lines]
Auctioneer: Sold. Your number, sir? Thank you. Lot 665, ladies and gentlemen: a papier-mâché musical box in the shape of a barrel organ.
See more »

Connections

Referenced in Queer as Folk: Excluding and Abstemiousness (2005) See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

Absolutely fantastic!
14 December 2004 | by (Emily Glenister) – See all my reviews

I dragged my long suffering boyfriend to see The Phantom of the Opera on Sunday, and was pleasantly surprised by it. Although I have never seen it on-stage, the film version - for me - was so enchanting that I now cannot wait to obtain tickets to it. The sets were absolutely beautiful. France is known for its beauty, and this adaption certainly paid homage to that. The theatre set itself was absolutely stunning; marble and velvet being the main materials within it. Emmy Rossum (Christine) was 17 when this was filmed and was absolutely outstanding. When she started to sing, my mouth literally dropped open. Minnie Driver (La Carlotta) was very funny in her Italian diva role. Her hand gestures added to the mannerisms of a typical diva. Her singing was overdone to add to the character (even though Ms. Driver did not do all the vocals herself). Patrick Wilson (Raoul), out of all of them, had the most captivating voice. Although Raoul seemed a bit wet and droopy, he was still gorgeous and made the GIRLS in the audience swoon. However, the star of the piece for me, was Gerard Butler (the Phantom). Although his vocal skills weren't entirely right for the part, he portrayed the Phantom as a lot of people see him; as a victim. I actually ended up warming to him, and when asked by my boyfriend who I would choose; Raoul or the Phantom, I said the Phantom. Something about the way Mr. Butler played him, was so sexy and he drew the WOMEN to him. Watching the Phantom and Raoul, certainly separated the boys from the men and the girls from the women. Another pleasant surprise is that Jennifer Ellison was actually rather good in her role as Meg, Christine's best friend. Miss Ellison has been trained in acting, singing and dancing and so was well equipped to the play the part, and carried it off very well. I wouldn't be surprised if more roles in Hollywood turned up for her. Overall, I rate this film a 5/5 and definitely recommend it. It sent shivers up my spine and gave me goosebumps. I urge those of you who haven't seen it, to become goosebump friendly by watching THE PHANTOM OF THE OPERA!


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