In 19th-century France, Jean Valjean, who for decades has been hunted by the ruthless policeman Javert after breaking parole, agrees to care for a factory worker's daughter. The decision changes their lives forever.
10 years has passed since a fire broke out in Paris - leaving only a mask behind... As the love story continues in Coney Island, NY, The Phantom's undying love has grown for the soprano ... See full summary »
Begins when an opera ghost terrorizes the cast and crew of the French Opera House while tutoring a chorus girl. He finally drives the lead soprano crazy so she and her friend leave. The girl is able to sing lead one night but the soprano doesn't want her show stolen so she comes back. The ghost demands they keep giving his protégé lead roles. Meanwhile, His pupil falls in love with the Vicomte de Chagny, but the Phantom is in love with Christine, his student. The Phantom is outraged by their love and kidnaps Christine to be his eternal bride. Will Raoul, the Vicomte, be able to stop this dastardly plan? Written by
All of the principal actors sang in the film except for Minnie Driver. Most of the actors have a background in musicals or opera, but Driver (a skilled singer) had no experience in opera and was dubbed by Margaret Preece, a singing teacher from Solihull, UK. However, Driver did contribute the film's end title song, "Learn To Be Lonely," written specifically for the film by Andrew Lloyd Webber. See more »
When Christine lights a candle for her father in the chapel after "Think of Me", she lights her match from another candle. However, when the shot switches to over her shoulder, the candle she lit is the only one burning. See more »
Sold. Your number, sir? Thank you. Lot 665, ladies and gentlemen: a papier-mâché musical box in the shape of a barrel organ.
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Having not seen the musical before, and only being familiar with some of the well know songs I had no preconceptions, but was eager to see the film being a lover of all things musical. From the black and white opening scene I knew it was going to be visually splendid and from the atmosphere created knew I was in for something dramatic. Then the theatre turned to colour and all was sent spinning back in time and the busy backstage frolics of the cast at the Opera House were bought to life. It was not apparent who the leading lady would be for a while until the chorus girl Christine was encouraged forward to sing replacing the Diva and was transformed from rags to a Cinderella style dress and sang with a pure beautiful voice and made me feel all magical and warm inside especially when she hit that note at the end!! Anyway the film went on and she was re united with her childhood sweetheart who was very charming and although most say wet, I think was very caring and charming (any girl wants prince charming on a white horse) despite what they say :-) There were lots of dream like scenes to follow and the film heightened emotionally all the way to the end, I've heard the song "Wishing you were somehow here again" but never knew its context, but the song and scene merged beautifully together for a very sentimental moment in the film enhanced by the angel statues covered in misty snow and a very Tim Burton moment. The phantom was a mixture of anger/sadness/genius and you could understand why Christine was very weak willed in his presence. I loved it, saw it twice bought the soundtrack and rate it 9 out of 10. Karen (Freddies girlfriend) and he liked it too!
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