In 19th-century France, Jean Valjean, who for decades has been hunted by the ruthless policeman Javert after breaking parole, agrees to care for a factory worker's daughter. The decision changes their lives for ever.
Having relocated to a vivacious amusement resort in Coney Island, The Phantom of the Paris Opera House uses a pseudonym to invite renowned soprano Christine Daaé to perform. She and her ... See full summary »
Cristine Daae, a young soprano, has a unconventional realtionship with the Phantom of the Opera. Raoul, a childhood friend of Cristine, comes back to win over her heart. As the tension between these three heates up, everyone's fate seems to rest in Cristine's hands. Who will she choose? Her childhood sweetheart? Or her deepest desire?
When Raoul is on his way down the stairs to the Phantom's lair, he falls through a hole, down into a pit of water. Iron bars then lower from above, but since Raoul fell straight down into the water, it would be impossible for the bars to be there. See more »
Sold. Your number, sir? Thank you. Lot 663, then, ladies and gentlemen.
See more »
Superb Film - but stage to screen comparisons inappropriate.
I think some other comments here are harsh, especially towards the performance of Emmy Rossum, who I thought made the film. Her performance visually (i.e. expressions etc) is mesmerizing. I'm sure a lot of this is down to Joel Schumacher who successfully steers the film away from just putting the stage show on to film, but has actually created something powerful in its own right, so I believe comparisons of the stage show to film are unreasonable.
My only niggles are technicalities, the Phantom wears a mask which only goes just above his eyebrows in the Ball scene (and shows no deformation) and yet when the normal white mask is removed later the entire left side of his face is deformed. The lip sync hing is often poor, especially in 'Think of Me' which is disappointing, especially in the knowledge that all but Minnie Driver recorded their own singing parts anyway.
The Soundtrack has been given a spring clean and it really benefits from it, removing some of the synthesized feel of the original and giving it much more of an orchestral grandeur.
All in all, this film really took me by surprise. As I said above Stage to Screen comparisons do feel somewhat inappropriate with this film, but I was never that fussed about Phantom before or after seeing it on Broadway. I can safely say that this film has converted me.
254 of 347 people found this review helpful.
Was this review helpful to you?