In 19th-century France, Jean Valjean, who for decades has been hunted by the ruthless policeman Javert after breaking parole, agrees to care for a factory worker's daughter. The decision changes their lives forever.
10 years has passed since a fire broke out in Paris - leaving only a mask behind... As the love story continues in Coney Island, NY, The Phantom's undying love has grown for the soprano ... See full summary »
Begins when an opera ghost terrorizes the cast and crew of the French Opera House while tutoring a chorus girl. He finally drives the lead soprano crazy so she and her friend leave. The girl is able to sing lead one night but the soprano doesn't want her show stolen so she comes back. The ghost demands they keep giving his protégé lead roles. Meanwhile, His pupil falls in love with the Vicomte de Chagny, but the Phantom is in love with Christine, his student. The Phantom is outraged by their love and kidnaps Christine to be his eternal bride. Will Raoul, the Vicomte, be able to stop this dastardly plan? Written by
Andrew Lloyd Webber's 1986 musical "Phantom of the Opera" was inspired by Ken Hill's 1976 musical version of the same name. Hill's version is credited as the first Phantom musical and was a success. Sarah Brightman, who later created the role of Christine in Webber's version, was famously asked to play the role of Christine in Hill's 1984 revival but turned down the offer. Webber, who was then married to Brightman, had actually seen Hill's show and asked Hill to collaborate Phantom on a larger scale for the Victoria Palace Theatre in the West End; eventually Webber pursued the musical without Hill. Hill and Webber had previously worked together on a revival of "Joseph and the Amazing Technicolour Dreamcoat". See more »
When Christine and Raoul kiss on the rooftop, he picks her up and spins around. During this, her hand is on the back of his head, but when the camera goes in for a closer shot, her hand is around his neck. See more »
Sold. Your number, sir? Thank you. Lot 665, ladies and gentlemen: a papier-mâché musical box in the shape of a barrel organ.
See more »
Superb Film - but stage to screen comparisons inappropriate.
I think some other comments here are harsh, especially towards the performance of Emmy Rossum, who I thought made the film. Her performance visually (i.e. expressions etc) is mesmerizing. I'm sure a lot of this is down to Joel Schumacher who successfully steers the film away from just putting the stage show on to film, but has actually created something powerful in its own right, so I believe comparisons of the stage show to film are unreasonable.
My only niggles are technicalities, the Phantom wears a mask which only goes just above his eyebrows in the Ball scene (and shows no deformation) and yet when the normal white mask is removed later the entire left side of his face is deformed. The lip sync hing is often poor, especially in 'Think of Me' which is disappointing, especially in the knowledge that all but Minnie Driver recorded their own singing parts anyway.
The Soundtrack has been given a spring clean and it really benefits from it, removing some of the synthesized feel of the original and giving it much more of an orchestral grandeur.
All in all, this film really took me by surprise. As I said above Stage to Screen comparisons do feel somewhat inappropriate with this film, but I was never that fussed about Phantom before or after seeing it on Broadway. I can safely say that this film has converted me.
256 of 351 people found this review helpful.
Was this review helpful to you?