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The Phantom of the Opera (2004)

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A young soprano becomes the obsession of a disfigured musical genius who lives beneath the Paris Opéra House.

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(novel), (book) | 2 more credits »
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682 ( 81)
Nominated for 3 Oscars. Another 6 wins & 35 nominations. See more awards »

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Cast

Cast overview, first billed only:
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Buquet (as Kevin R. McNally)
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Imogen Bain ...
Miles Western ...
Carlotta's Wigmaker
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Carlotta's Seamstress
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Storyline

Begins when an opera ghost terrorizes the cast and crew of the French Opera House while tutoring a chorus girl. He finally drives the lead soprano crazy so she and her friend leave. The girl is able to sing lead one night but the soprano doesn't want her show stolen so she comes back. The ghost demands they keep giving his protégé lead roles. Meanwhile, His pupil falls in love with the Vicomte de Chagny, but the Phantom is in love with Christine, his student. The Phantom is outraged by their love and kidnaps Christine to be his eternal bride. Will Raoul, the Vicomte, be able to stop this dastardly plan? Written by Niki

Plot Summary | Plot Synopsis

Taglines:

Her voice became his passion. Her love became his obsession. Her refusal became his rage..... See more »


Motion Picture Rating (MPAA)

Rated PG-13 for brief violent images | See all certifications »

Parents Guide:

 »
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Details

Country:

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Language:

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Release Date:

22 December 2004 (USA)  »

Also Known As:

Andrew Lloyd Webber's The Phantom of the Opera  »

Filming Locations:

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Box Office

Budget:

$70,000,000 (estimated)

Opening Weekend:

£1,219,310 (UK) (10 December 2004)

Gross:

$51,225,796 (USA) (6 May 2005)
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Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

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Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

Andrew Lloyd Webber's 1986 musical "Phantom of the Opera" was inspired by Ken Hill's 1976 musical version of the same name. Hill's version is credited as the first Phantom musical and was a success. Sarah Brightman, who later created the role of Christine in Webber's version, was famously asked to play the role of Christine in Hill's 1984 revival but turned down the offer. Webber, who was then married to Brightman, had actually seen Hill's show and asked Hill to collaborate Phantom on a larger scale for the Victoria Palace Theatre in the West End; eventually Webber pursued the musical without Hill. Hill and Webber had previously worked together on a revival of "Joseph and the Amazing Technicolour Dreamcoat". See more »

Goofs

When Christine and Raoul kiss on the rooftop, he picks her up and spins around. During this, her hand is on the back of his head, but when the camera goes in for a closer shot, her hand is around his neck. See more »

Quotes

[first lines]
Auctioneer: Sold. Your number, sir? Thank you. Lot 665, ladies and gentlemen: a papier-mâché musical box in the shape of a barrel organ.
See more »

Connections

Referenced in Ugly Betty: The Lyin', the Watch and the Wardrobe (2006) See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
Superb Film - but stage to screen comparisons inappropriate.
12 December 2004 | by (Lincolnshire, UK) – See all my reviews

I think some other comments here are harsh, especially towards the performance of Emmy Rossum, who I thought made the film. Her performance visually (i.e. expressions etc) is mesmerizing. I'm sure a lot of this is down to Joel Schumacher who successfully steers the film away from just putting the stage show on to film, but has actually created something powerful in its own right, so I believe comparisons of the stage show to film are unreasonable.

My only niggles are technicalities, the Phantom wears a mask which only goes just above his eyebrows in the Ball scene (and shows no deformation) and yet when the normal white mask is removed later the entire left side of his face is deformed. The lip sync hing is often poor, especially in 'Think of Me' which is disappointing, especially in the knowledge that all but Minnie Driver recorded their own singing parts anyway.

The Soundtrack has been given a spring clean and it really benefits from it, removing some of the synthesized feel of the original and giving it much more of an orchestral grandeur.

All in all, this film really took me by surprise. As I said above Stage to Screen comparisons do feel somewhat inappropriate with this film, but I was never that fussed about Phantom before or after seeing it on Broadway. I can safely say that this film has converted me.


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