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|Index||120 reviews in total|
I'm not a big fan of Manga I must admit. The movies I've seen have been
few and far between and while I certainly enjoyed the likes of Ninja
Scroll, Akira and Ghost In The Shell, I've never had much urge to seek
out a really wide knowledge of the genre. That being said though,
Metropolis has to rank as one of my top five films of all time, not
just the animated ones.
Telling the story of a far future world where humans and robots exist alongside one another, it focuses on the adventures of a Private Investigator and his son visiting the city for the first time and hunting down a missing robot called Tima. And what a city it is! The animation, simply put, is stunning. The epic scope of this vast urban world is beautifully captured on screen. It is richly detailed and lit up like a fantastic world of colour, like a fine piece of dramatic art that has come to life. The animation on the characters meanwhile is no less amazing, it is more akin to French than Japanese in stylistic terms, but is still very detailed and beautifully realised.
But this is no piece of aesthetic beauty with nothing to back it up as the storyline is truly gripping. As the boy befriends a young girl, both of them unaware that she is in fact an experimental robot, you find yourself getting swept up in their plight and they have just as much, if not more depth and emotion than any real-life actor's work.
Come the climax, you'll be simultaneously thrilled and left emotionally stunned. This is a magnificent film, I can't praise it enough.
In my short life I've developed a taste for a film that challenges me as a viewer and is more than the sum of it's parts. Metropolis is one such movie. While most will only give it credit for being a visual masterpiece, Metropolis is a well - rounded work with strong characters, themes and music. Not only does the character design have a fresh and captivating style, each character has his or hers own unique features. The setting is so rich and vibrant at times and dark and mysterious at others, it could only have been created through animation. The use of old western jazz and borderline ragtime music gives the huge city an earthy feeling, which is reflected in the architecture of the lower levels of the city. The themes are classic science fiction themes. I shy away from calling them derivative or repetitive because they still remain some of the most relevant ideas portrayed in any genre. Katsuhiro Otomo's screenplay is understated, contrasting the near "in your face" visuals. He is one of the most highly regarded writers in the genre, and he shows why here. The chilling ending is a destructive one, but it isn't the apocalyptic disaster some people make it out to be. The use of "Can't stop loving you" by Ray Charles frames the scene so well, and I found it far more moving and touching than the ending of Dr. Strangelove, which it is rightfully compared to. So, to all movie lovers, not just anime lovers, I ask you to go see this work of art and let it absorb you and change you. You will be better for it.
When I first saw this I was totally blown away by its beautiful
animation and groundbreaking use of music! It really made me lyrical in
a way few anime does - Rintaro and Otomo really has what it takes to
make a masterpiece. The blend of charming old-fashioned technology and
allusions to modern phenomenons makes it the perfect anime for the
beginning of 21st century!
Metropolis is based on Tesuka Osamus first manga and later gave inspiration to his more famous "Astro Boy". Some story elements and characters from Tesukas later works are clearly inserted in Metropolis to make it work as a movie, which in this case is good... The choice of music is, in my opinion, daring and rather funny; jazzy tunes spiced with hits from the 60s (Ray Charles) sets the tone of the "optimistic atomic age". All in all, well made nostalgia...
I could go on forever with this rant, so I spare you that if you see this little animated gem! Rent it, buy it, steal it (if necessary ;) , you won't regret it!
I am a fan of anime, so after hearing all the great acclaim this movie got,
I knew I had to see it.
Visually, the movie it top-notch. The blend of computer graphics and hand-drawn animation is seamless, with incredible detail given to each. Graphically, this movie is indeed a milestone in animation, one that will definitely be referred to over and over in the future. If you are a fan of animation (Japanese or otherwise), you MUST see this movie.
As for the story and character - they were somewhat underwhelming. Occasionally each got to the point where they intrigued you and made you want to learn more - but you got no more. You learn really nothing about the youthful male protagonist or the female humanoid who he saves and takes care of. They hardly even say a word to each other! There were also some big jumps in the storyline, feeling like a lot of important information was cut out.
The movie was based on a long manga, so it's obvious that A LOT of character and story development had to be cut out so that the movie would run at an acceptable running time. I honestly think this story would have worked - it certainly would have been somewhat better - had it been done as a miniseries. Maybe the visuals wouldn't have been so stunning, but a more compelling story and more memorable characters would have made up for it.
This is another great masterpiece in anime. Also, it's very different from
others, as reviewers have pointed out.
I never expected old-1930-ish-saxopohone jazz music to be playing in an anime movie. It's a great movie, and, like Akira, the Matrix, and Princess Mononoke (or, Mononoke Hime as I prefer), it gets better every time you see it.
and in the climax of the movie, you hear Ray Charles' "I Can't Stop Loving You". Puts in the same touch as how Gene Kelly's "Singin' in the Rain" was put in "A Clockwork Orange". It engraves the scene in your head, never to forget, and it does bring the scene back to your mind once you hear that song. It's happened to me lots of times after i saw Clockwork Orange.
Review: 5/5, Good Movie scale Ratings: US PG-13, UK PG, Canada PG
For crying out loud, it's stylized! That's why the soundtrack is jazz
and blues and stuff. That's why the character animation is "crappy".
Look at a comic book from the twenties/thirties, namely Herge's Tintin books, or Tezuka's manga (fifties actually), which this is based off of, DANG IT! The characters are designed to look like comic book character's from that era. Shinsaku looks like one of the Thompsons. Kenechi looks like a cross between Tintin and Astro Boy.
It's meant to be like a Prohibition era Chicago or something.
I have always been a fan of the 60's and 70's anime. I feel that the 80's
and 90's Anime got a bit out of hand, but this film brings me back to the
experimentation, the wonder, visuals and the drawing you into forgetting
this is only 'anime' at all.
The story is an update of the fantastic silent film Metropolis, and at points in this telling, the story falls flat, but just watching the film drew me in and made up for those story gaffs. There isn't any one who can look at this and not be taken with its ambition. Old anime elements, new ones, stop action, realism -- you name it, its all in one nice package! I am looking forward to additional works from this team, I hope they continue on for I feel this project was a great venture and to what they are capable of. This film is really wonderful, I recommend it highly.
This is not just one of the greatest anime movies ever made but one of the greatest animated movies of all time. This film is an amazing achievement in every aspect and really pushes the may animated movies are directed and presented.The film takes place in the a future reminiscent of art deco. It will be almost impossible to fully explain the story of metropolis in a comment alone for there are many important characters with there own back story but in brief i can tell you it is about a young boy and his detective uncle as they discover a humanoid robot with striking similarities to a human being. Wat immediately catches your attention of metropolis is the way it is presented, blending CGI with highly fluid hand drawn animation in a noir style this makes the film very memorable Wat's more striking is the character development with highly memorable characters with a great English and Japanese voice cast. You have a great deal of sympathy even for the antagonists e.g.You have the main antagonist shattered by the loss of his daughter and his right hand man born without parents adopted Duke Red (main antagonist) as a father but is often neglected and shunned by him.This is an excellent achievement for an animation and should not be missed this is a film that joins other anime greats like Akira and Princess Mononoke a must see film.
*** This review may contain spoilers ***
''Metropolis'' story is set in the future, in a society where humans
and robots live together, but has problems with each other. Shunsaku
Ban is an investigator who came to Japan to find a criminal named Dr.
Laughton. He came with his nephew named Kenichi. They don't know the
Metrpolis well, so they hired a Detective robot to guide them. In
Metropolis world, artificial intelligence has advanced a great deal and
robots are seen everywhere performing many different tasks. But they do
not have any of the rights that are granted to human beings,in order
not to infringe upon human rights, they are not allowed to have human
names nor to travel in the zones without permission.
Ban and Kenichi discovers that Dr. Laughton was working for Duke Red, one of the main politics of Metropolis city, in a hidden place, creating a super Robot that resembles Duke Red's daughter once lost called Tima.
The place suddenly stays on flames and Tima wakes up during the fire and is saved by Kenichi. Dr. Laughton dies shortly after being rescued by Shunsaku but manages to utter a few words regarding a precious notebook of his, which the detective saves from the flames.
The movie is full of conspiracies, and one of the main characters in this plan is Rock, Duke Red's adopted son, who discovers his father's plans and decides to destroy the Robot and to kill Dr. Laughton. Rock is strongly against giving powers to Robots (to be honest he hates Robots in general) and he stays the entire anime trying to find Tima, the robot, and Kenichi. Rock is responsible for destroying the place where Dr Laughton worked and why it stayed on flames.
Kenichi and Tima become good friends during the movie in a more romantic way.
''Metoroporisu'' is a complex anime that actually shows more then people imagine. Definitely is not a movie for kids(( Even looking a little childish), since they probably will not understand the real message of the movie or the scene where Tima is shot in her heart, a metaphor for losing her humanity. o For instance, we see a theme of class struggle in a society full of riches and full of poor people and also the relationship of robots with humans.
I am very glad that Rintaro and Katsuhiro Otomo united their forces to bring Metropolis to a film, contradicting Osamu's wish. Many of the scenes of this animation were very well done(like the one the ziggurat is connected to Tima) with great special effects, and the mix of a retro animation with futuristic city had a very nice combination in the product of the movie.
I can say for myself that it was a long time since I watched an anime that made me feel touched, and this anime happened to be one of them. The end is very sad, and I don't think that Tima was rebuilt, as many people were speculating, since she was the most complex robot in the world and not easily rebuilt,specially without her creator.
Metropolis isn't an action, adventure, or a drama...It's an experience. It's a roller-coaster ride of a movie that takes the audience through an experience into the future with a sense of the past and present. I'll explain. First off, the animation in itself is what makes the film so unique. It's a sort of Tin tin animation mixed in with anime. The background of the city is amazing, a must see. The music is what does it though! The music is very classy. The type of music used in the old black and white classics. The whole movie experience is a sort of oxymoron, it contradicts itself. The futuristic background with the classic-styled people and music. A very unique animation indeed and one not to be missed if you're a fan of animation.
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