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(2002)

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Initial Lineup And Midnight Jam Announced For MerleFest 2018

MerleFest, presented by Window World, is proud to announce the initial lineup for MerleFest 2018, which will be held April 26 – 29.

The annual homecoming of musicians and music fans returns to the campus of Wilkes Community College in Wilkesboro, North Carolina, in the foothills of the Blue Ridge Mountains. The complete lineup for MerleFest 2018 will be announced over the next few months. Today’s lineup announcement includes legendary artist Kris Kristofferson, Jamey Johnson, Robert Earl Keen, The Devil Makes Three, Balsam Range and the Atlanta Pops Orchestra Ensemble, “Mission Temple Fireworks Revival” featuring Paul Thorn & Band, the Blind Boys of Alabama and the McCrary Sisters, and many more. The 2018 Midnight Jam presented by The Bluegrass Situation on Saturday, April 28th will start at 10:30 p.m. and run well past midnight, with special hosts Town Mountain and Jim Lauderdale. This very popular after-hours hootenanny gathers many performers from the festival for impromptu
See full article at Look to the Stars »

Production Deals Out Of Fantasia For Turbo Kid And Dark Hollow

Good news for two more projects pitched during Fantasia's Frontières International Co-Production Market at this year's festival last month. The mythological horror film Dark Hollow and T is for Turbo/Turbo Kid (above), one of the most popular entries for the letter 'T' during the The ABCs of Death competition, both signed feature film deals. Local boys Raven Banner Entertainment will handle worldwide sales for Dark Hollow, the film adaptation of Brian Keene's horror novel. The film will be directed by Paul Campion (The Devil's Rock). Canadian production house EMAFilms signed on to produce a feature film based on the T is for Turbo short. ABCs of Death creator Ant Timpson and Hobo With A Shotgun director Jason Eisener were already on board as producers of...
See full article at Screen Anarchy »

Slam Dunk Wales Review

The queue was as thick as the sun that was piling down, as long as the fringes that seemed to flop around every corner and as heavy as all those faces weighed down with sweat and piercings. Not soon enough, the beast started to chug forward and with every step that was taken up to the Solus Bar and CF10 the shade became more and more and then less and less until we (because I’m not that much of a loner, you know) were sectioned off into two queues. One queue: those with tickets. The other: those with box-office tickets and guestlist. I slotted into the latter category and after some confusion with my surname – Irish heritage does nothing for me – I was granted access to the Solus Bar, which looked bare. I could have sworn there were more people in the queue than that. But, after looking around
See full article at Obsessed with Film »

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