Crossing paths of three lost young women: Elodie wants her daughter back, Natacha wants her cat back, and Marianne wants her soul back. They find friendship and love, encountering many ...
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In the early 1920s, Georges Laffont, traumatized by the horrific trench warfar, decides to leave his life behind and travel to West Africa into the vast territories of Upper Volta in the ... See full summary »
The solitary Daniel and Sonia share an uneasy love/hate relationship. Daniel's life is disrupted by the appearance of a stranger that proceeds to insinuate himself in his life. The man's ... See full summary »
After having sex with his girlfriend Lucie in a bathroom, Arthur discovers that a ceiling panel is a time portal to Paris in the future, although it appears more like a sun-baked desert city by that point.
Nathan, a brilliant New York lawyer who leads a life of professional success, but his private life is pretty dismal since he divorced Claire, his only love. Until he meets Doctor Kay, a ... See full summary »
Crossing paths of three lost young women: Elodie wants her daughter back, Natacha wants her cat back, and Marianne wants her soul back. They find friendship and love, encountering many drinks, sex partners, hair problems, and various animals... Written by
Advertised as being a trash version of Francois Ozon's much better 2002 film 8 Women, this comedy suffers mainly from lack of direction. Both films feature spontaneous musical outbursts from the actresses but unlike 8 Women, which basically is a whodunit, Filles perdues cheveux gras is only an average girl movie promoting friendship in troubled times. Those three twenty something women have a hard time falling in love, keeping a baby or staying sober, but together they will see the light... And light it sure is, but the comedy is kind of lost through a narrative which tends to spend too much time with one particular character (the young mother) thus bringing a certain boredom to the whole film. Only the set decoration and the visuals are sometime effective as they seem to modernize (or just copy) old Jacques Demy movies such as Les parapluies de Cherbourg or Les Demoiselles de Rochefort both much better movies.
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