Crossing paths of three lost young women: Elodie wants her daughter back, Natacha wants her cat back, and Marianne wants her soul back. They find friendship and love, encountering many ... See full summary »
Fanny, a single woman in her mid-thirties, has had enough of relationships that don't work, so she decides to seduce Paul, a colleague from the office, into a brief one-night sexual ... See full summary »
Pierre, a professional dancer, suffers from a serious heart disease. While he is waiting for a transplant which may (or may not) save his life, he has nothing better to do than look at the ... See full summary »
Ten years after their Upper Sixth, Bruno, Momo, Leon and Alain meet together in the waiting room of a maternity hospital. The father of the awaited baby is Tomasi, their best friend at that... See full summary »
A young filmmaker in 1960s Paris juggles directing a cheesy sci-fi debacle, directing his own personal art film, coping with his crumbling relationship with his girlfriend, and a new-found infatuation with the sci-fi film's starlet.
Chloe, a young woman, is going on holidays. She entrusts her beloved cat to Madame Renée's care. But one day Madame Renée (an old lady of the neighborhood) can not find the cat. Chloe ... See full summary »
Renée Le Calm
Crossing paths of three lost young women: Elodie wants her daughter back, Natacha wants her cat back, and Marianne wants her soul back. They find friendship and love, encountering many drinks, sex partners, hair problems, and various animals... Written by
Advertised as being a trash version of Francois Ozon's much better 2002 film 8 Women, this comedy suffers mainly from lack of direction. Both films feature spontaneous musical outbursts from the actresses but unlike 8 Women, which basically is a whodunit, Filles perdues cheveux gras is only an average girl movie promoting friendship in troubled times. Those three twenty something women have a hard time falling in love, keeping a baby or staying sober, but together they will see the light... And light it sure is, but the comedy is kind of lost through a narrative which tends to spend too much time with one particular character (the young mother) thus bringing a certain boredom to the whole film. Only the set decoration and the visuals are sometime effective as they seem to modernize (or just copy) old Jacques Demy movies such as Les parapluies de Cherbourg or Les Demoiselles de Rochefort both much better movies.
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