Crossing paths of three lost young women: Elodie wants her daughter back, Natacha wants her cat back, and Marianne wants her soul back. They find friendship and love, encountering many ...
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Paul Exben is a success story - partner in one of Paris's most exclusive law firms, big salary, big house, glamorous wife and two sons straight out of a Gap catalog. But when he finds out ... See full summary »
The solitary Daniel and Sonia share an uneasy love/hate relationship. Daniel's life is disrupted by the appearance of a stranger that proceeds to insinuate himself in his life. The man's ... See full summary »
In the early 1920s, Georges Laffont, traumatized by the horrific trench warfar, decides to leave his life behind and travel to West Africa into the vast territories of Upper Volta in the ... See full summary »
A young filmmaker in 1960s Paris juggles directing a cheesy sci-fi debacle, directing his own personal art film, coping with his crumbling relationship with his girlfriend, and a new-found infatuation with the sci-fi film's starlet.
Anna has just left Paul who, annihilated by the separation, moves back with his father in Paris. His younger brother Jonathan, a casual student, still lives in his father's apartment and ... See full summary »
After having sex with his girlfriend Lucie in a bathroom, Arthur discovers that a ceiling panel is a time portal to Paris in the future, although it appears more like a sun-baked desert city by that point.
Crossing paths of three lost young women: Elodie wants her daughter back, Natacha wants her cat back, and Marianne wants her soul back. They find friendship and love, encountering many drinks, sex partners, hair problems, and various animals... Written by
Advertised as being a trash version of Francois Ozon's much better 2002 film 8 Women, this comedy suffers mainly from lack of direction. Both films feature spontaneous musical outbursts from the actresses but unlike 8 Women, which basically is a whodunit, Filles perdues cheveux gras is only an average girl movie promoting friendship in troubled times. Those three twenty something women have a hard time falling in love, keeping a baby or staying sober, but together they will see the light... And light it sure is, but the comedy is kind of lost through a narrative which tends to spend too much time with one particular character (the young mother) thus bringing a certain boredom to the whole film. Only the set decoration and the visuals are sometime effective as they seem to modernize (or just copy) old Jacques Demy movies such as Les parapluies de Cherbourg or Les Demoiselles de Rochefort both much better movies.
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