| Photos (see all 3 | slideshow) |
| Wei-Qiang Zhang | ... | Dracula (as Zhang Wei-Qiang) | |
| Tara Birtwhistle | ... | Lucy Westernra | |
| David Moroni | ... | Dr. Van Helsing | |
| CindyMarie Small | ... | Mina | |
| Johnny A. Wright | ... | Jonathon Harker (as Johnny Wright) | |
| Stephane Leonard | ... | Arthur Holmwood | |
| Matthew Johnson | ... | Jack Seward | |
| Keir Knight | ... | Quincy Morris | |
| Brent Neale | ... | Renfield | |
| Stephanie Ballard | ... | Mrs. Westernra | |
| Sarah Murphy-Dyson | ... | Maid / Nun / Vampiress | |
| Carrie Broda | ... | Maid / Nun | |
| Gail Stefanek | ... | Maid / Vampiress | |
| Janet Sartore | ... | Maid / Nun | |
| Jennifer Welsman | ... | Gargoyle / Nun | |
| Emily Grizzell | ... | Gargoyle / Nun | |
| Chalnessa Eames | ... | Gargoyle / Nun | |
| Vanessa Lawson | ... | Gargoyle / Nun | |
| Michelle Lack | ... | Nun | |
| Kerrie Souster | ... | Vampiress |
Directed by | |||
| Guy Maddin | |||
Writing credits | ||
| Bram Stoker | (novel "Dracula") | |
| Mark Godden | (ballet Dracula) | |
Produced by | |||
| Danishka Esterhazy | .... | associate producer | |
| Lesley Oswald | .... | co-producer | |
| Lesley Oswald | .... | line producer | |
| Robert Sherrin | .... | executive producer: CBC Television Arts Programming | |
| Vonnie von Helmolt | .... | producer (as Vonnie Von Helmolt) | |
Cinematography by | |||
| Paul Suderman | (director of photography) | ||
Film Editing by | |||
| deco dawson | |||
Production Design by | |||
| Deanne Rohde | |||
Art Direction by | |||
| Deanne Rohde | |||
Set Decoration by | |||
| Ricardo Alms | |||
Costume Design by | |||
| Paul Daigle | |||
Makeup Department | |||
| Lori Caputi | .... | key hair stylist | |
| Amanda Kuryk | .... | key makeup artist | |
| Doug Morrow | .... | key special makeup effects | |
| Jennifer Machnee | .... | first assistant prosthetic makeup artist (uncredited) | |
Production Management | |||
| Lesley Oswald | .... | production manager | |
| Carol Wenaus | .... | post-production supervisor | |
Second Unit Director or Assistant Director | |||
| Wanda Bretecher | .... | second assistant director | |
| Cary Davies | .... | third assistant director | |
| Elizabeth Jarvis | .... | first assistant director (as Liz Jarvis) | |
Art Department | |||
| Robert S.B. Adey | .... | assistant carpenter | |
| Andrew Beck | .... | key scenic artist | |
| Boris Danyliuk | .... | assistant carpenter | |
| Jacqueline Easton | .... | property assistant | |
| Mary Esther Griffiths | .... | key scenic painter (as Mary Esther Griffith) | |
| Kim Hamin | .... | property master | |
| Jim Hogan | .... | assistant lead carpenter (as James Hogan) | |
| Steve Jansen | .... | head carpenter | |
| Tim Jansen | .... | construction coordinator | |
| Welland Jennings | .... | scenic carpenter | |
| Sharon Johnson | .... | key scenic artist | |
| Debbie Kuzina | .... | sets buyer | |
| Michael Larocque | .... | painter | |
| Brent Poole | .... | carpenter | |
| Vaike Ruus | .... | scenic specialist | |
| Robert Schultz | .... | carpenter | |
| Burkhard Weiss | .... | key greens | |
| Ricardo Alms | .... | scenic fabricator (uncredited) | |
Sound Department | |||
| Russ Dyck | .... | playback operator | |
| Russ Dyck | .... | sound effects editor | |
| Bruce Little | .... | sound mixer: Midcanada Production Services Inc. | |
| Anita Lubosch | .... | playback operator | |
| Tony Wytinck | .... | online mixer: Midcanada Production Services Inc. | |
Special Effects by | |||
| Tim Harding | .... | first assistant special effects | |
| Ken Hart Swain | .... | special effects coordinator | |
| Vaike Ruus | .... | model builder: Dracula's castle (uncredited) | |
Visual Effects by | |||
| Brad Hoplock | .... | CGI art director: Midcanada Production Services Inc. | |
| Alan Pakarnyk | .... | CGI artist: Midcanada Production Services Inc. | |
| Alisa Prokopchuck | .... | CGI artist: Midcanada Production Services Inc. | |
| Andrew Shire | .... | CGI artist: Midcanada Production Services Inc. | |
Camera and Electrical Department | |||
| Dominique Balcaen | .... | best boy grip | |
| Tony Bear Ruksys | .... | dolly grip (as Tony-Bear Ruksys) | |
| Tony Bear Ruksys | .... | key grip (as Tony-Bear Ruksys) | |
| John Clarke | .... | electrician | |
| Bruce Claydon | .... | grip | |
| Jamie Dawsett | .... | camera trainee | |
| deco dawson | .... | photographer: Super 8 and Bolex | |
| Michael Drabot | .... | gaffer | |
| Marc Gagnon | .... | electrician | |
| Christopher M. Gower | .... | grip (as Christopher Gower) | |
| Andrea Hardy | .... | second assistant camera | |
| Jason Heke | .... | camera trainee | |
| Guy Maddin | .... | photographer: Super 8 and Bolex | |
| Paul McWhinney | .... | grip | |
| Bruce Monk | .... | still photographer | |
| Len Peterson | .... | first assistant camera | |
| Rob Rowan | .... | best boy (as Rob A. Rowan) | |
| Paul Suderman | .... | camera operator | |
| Mike Turesky | .... | grip trainee | |
| Keith Eidse | .... | assistant camera (uncredited) | |
Costume and Wardrobe Department | |||
| Anne Armit | .... | head of wardrobe | |
| Brenda Belmonte | .... | wardrobe assistant | |
Editorial Department | |||
| Andrew Shire | .... | on-line editor: Midcanada Production Services Inc. | |
Music Department | |||
| Bob Stewart | .... | music editor | |
Other crew | |||
| Julie Anderson | .... | first assistant accountant | |
| Megan Basaraba | .... | office production assistant | |
| David Bergman | .... | caterer | |
| Geoff Bottomley | .... | consultant: laboratory processing (as Jeff Bottomley) | |
| Andrew Willem Boyles | .... | executive director: Royal Winnipeg Ballet | |
| Jason Campbell | .... | production assistant | |
| Shane Clements | .... | production assistant | |
| Sarah Jane Cundell | .... | location assistant | |
| Sarah Jane Cundell | .... | set production assistant | |
| Denys Curle | .... | key craft service | |
| Boris Danyliuk | .... | first aid | |
| deco dawson | .... | associate director | |
| Adeline Elias | .... | production accountant | |
| Claude Forest | .... | insurance: Multimedia RCIB | |
| Janice Gibson | .... | assistant to choreographer | |
| Penny Handford | .... | set supervisor | |
| Jolyn Hoogstraten | .... | post-production accountant | |
| Andre Lewis | .... | artistic director: Royal Winnipeg Ballet | |
| Gilles Marchildon | .... | publicist | |
| Tamara Mauthe | .... | production coordinator | |
| Catherine McKeehan | .... | executive director: Royal Winnipeg Ballet | |
| Bruce Monk | .... | ballet master | |
| Paul Popeski | .... | legal affairs | |
| Jody Shapiro | .... | consultant: laboratory processing | |
| Bob Sochasky | .... | executive director: Royal Winnipeg Ballet | |
| Mark Dinicola | .... | film recordist (uncredited) | |
Thanks | |||
| Diane Boehme | .... | special thanks | |
| Geoff Bottomley | .... | special thanks (as Jeff Bottomley) | |
| Clare Cullen | .... | special thanks: National Bank of Canada | |
| Paul Dargle | .... | special thanks | |
| Terry Gallagher | .... | special thanks | |
| Anastasia Geras | .... | special thanks (as Tasia Geras) | |
| Ginette Hamel | .... | special thanks | |
| Erin Hershberg | .... | special thanks | |
| Douglas Holliston | .... | special thanks: MPB | |
| Louis Major | .... | special thanks | |
| Laura Michalchyshyn | .... | special thanks | |
| Bruce Monk | .... | special thanks | |
| Deborah Patz | .... | special thanks | |
| Joan Schafer | .... | special thanks: MPB | |
| Jody Shapiro | .... | special thanks | |
| Carole Vivier | .... | special thanks | |
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Quite unique and very stylish interpretation of the legendary Bram Stoker-tale, shot by one of the most gifted (yet regretfully underrated) fantasy-directors of all time; Guy Maddin. There isn't much to say about storyline, as the film loyally tells the myth of Dracula as we all know it. The originality here is Mark Godden's ballet adaptation of Stoker's novel and the fact Maddin films it as a very stylish, neo-silent play with a very limited amount of sets and a Chinese actor in the role of Dracula. Of course, several sequences have been removed in this film (like Harker's journey through Transylvania) and others have been modified (it is in fact Lucy who's the main character, not Mina) but what Maddin adds truly makes up for this. This is a very beautiful film to look at, with a staggering use of color-shades and musical guidance. I never ever thought I would say this but the ballet performances are mesmerizing and if ballet always looks like this I urgently have to attend more recitals! With his third best film to date (after "Tales from the Gimli Hospital" and "The Saddest Music in the World"), Guy Maddin brings wonderful homage to classic and silent cinema. It's really encouraging to see that films like this are still being made in this day and age. Highly recommended!