| Photos (See all 36 | slideshow) | Videos (see all 8) |
| Philip Seymour Hoffman | ... | Andy | |
| Ethan Hawke | ... | Hank | |
| Albert Finney | ... | Charles | |
| Marisa Tomei | ... | Gina | |
| Aleksa Palladino | ... | Chris | |
| Michael Shannon | ... | Dex | |
| Amy Ryan | ... | Martha | |
| Sarah Livingston | ... | Danielle | |
| Brían F. O'Byrne | ... | Bobby | |
| Rosemary Harris | ... | Nanette | |
| Blaine Horton | ... | Justin | |
| Arija Bareikis | ... | Katherine | |
| Leonardo Cimino | ... | William | |
| Lee Wilkof | ... | Jake | |
| Damon Gupton | ... | Doctor | |
| Adrian Martinez | ... | Security Guard | |
| Patrick G. Burns | ... | Priest | |
| Alice Spivak | ... | Receptionist | |
| Natalie Gold | ... | Secretary | |
| Keith Davis | ... | Attendant | |
| Mateo Gómez | ... | Doorman (as Mateo Gomez) | |
| Myra Lucretia Taylor | ... | Grader | |
| Chris Chalk | ... | Officer | |
| Sakina Jaffrey | ... | Manager | |
| John Knox | ... | Desk Sergeant | |
| James Lally | ... | Agent | |
| Jordan Gelber | ... | Agent #2 | |
| Megan Byrne | ... | Nurse | |
| Marcia Jean Kurtz | ... | Hospital Receptionist | |
| Guy A. Fortt | ... | Vendor | |
| Meredith Patterson | ... | Andy's Secretary | |
| Tom Zolandz | ... | Junkie | |
| Paul Butler | ... | Detective | |
| Anita Sklar | ... | Mourner #1 | |
| Josh Mowery | ... | Mourner #2 | |
| Diane Bradley | ... | Mourner #3 | |
| Richard K. Lublin | ... | Mourner #4 | |
| Bob Colletti | ... | Ambulance Driver | |
| rest of cast listed alphabetically: | |||
| Mary DeBellis | ... | Mall Shopper (uncredited) | |
| Alex Emanuel | ... | Bartender (uncredited) | |
| Denis McKeown | ... | Mourner (uncredited) | |
| Nicholas E. Pagani | ... | Taxi Driver (uncredited) | |
Directed by | |||
| Sidney Lumet | |||
Writing credits(WGA) | ||
| Kelly Masterson | (written by) | |
Produced by | |||
| Belle Avery | .... | executive producer | |
| Jane Barclay | .... | executive producer | |
| David Bergstein | .... | executive producer | |
| Michael Cerenzie | .... | producer | |
| Austin Chick | .... | co-producer | |
| Joel Corenman | .... | co-executive producer | |
| Carol Cuddy | .... | line producer | |
| William S. Gilmore | .... | producer | |
| J.J. Hoffman | .... | executive producer | |
| Eli Klein | .... | executive producer | |
| Hannah Leader | .... | executive producer | |
| Brian Linse | .... | producer | |
| Jeffry Melnick | .... | executive producer | |
| Paul Parmar | .... | producer | |
| Guy Pham | .... | co-executive producer | |
| Jeff G. Waxman | .... | co-producer | |
| Sam Zaharis | .... | executive producer | |
Original Music by | |||
| Carter Burwell | (music by) | ||
Cinematography by | |||
| Ron Fortunato | (director of photography) | ||
Film Editing by | |||
| Tom Swartwout | |||
Casting by | |||
| Ellen Lewis | |||
| Lindsay Chag | (uncredited) | ||
Production Design by | |||
| Christopher Nowak | |||
Art Direction by | |||
| Wing Lee | |||
Set Decoration by | |||
| Diane Lederman | |||
Costume Design by | |||
| Tina Nigro | |||
Makeup Department | |||
| Jeong-Hwa Fonkalsrud | .... | makeup artist (as Jeong-Hwa Fonklasrud) | |
| Wayne Herndon | .... | hair department head | |
| Patricia Regan | .... | makeup department head | |
| Diana Sikes | .... | hair stylist | |
Production Management | |||
| Carol Cuddy | .... | unit production manager | |
| Lilith Jacobs | .... | post production supervisor | |
| Patty Willett | .... | production supervisor | |
Art Department | |||
| Tommy Allen | .... | property master (as Tom Allen) | |
| Chris Dolan | .... | construction shop electrician | |
| Daniel Dougherty | .... | construction staff assistant (as Dan Dougherty) | |
| Ann Edgeworth | .... | assistant property master | |
| Rafael Fraguada | .... | on set dresser (as Rafael M. Foraguada) | |
| Alex Gorodetsky | .... | scenic charge | |
| George Kousoulides | .... | camera scenic | |
| Jim Miller | .... | construction coordinator | |
| Quang Nguyen | .... | scenic foreman | |
| Glen Pangione | .... | shop craft coordinator | |
| Frank Proscia | .... | key construction grip | |
| Joseph Proscia | .... | construction grip | |
| Jeffrey Rollins | .... | props | |
| Kelly Solomon | .... | art department coordinator | |
| Steve Swanson | .... | leadman (as Stephen Swanson) | |
| Doug Coleman | .... | set dresser (uncredited) | |
| Alison Ford | .... | assistant art director (uncredited) | |
| Courtney Aura Freeman | .... | key art department production assistant (uncredited) | |
| Christopher G. Markunas | .... | shop craftsman (uncredited) | |
| Christine Moosher | .... | assistant set decorator (uncredited) | |
| Blythe R.D. Quinlan | .... | assistant art director (uncredited) | |
| Daniel Rosenfeld | .... | scenic shopman (uncredited) | |
| Marcia C. Suter | .... | scenic artist (uncredited) | |
| Christopher Weiser | .... | scenic artist (uncredited) | |
| Joan Winters | .... | graphic designer (uncredited) | |
Sound Department | |||
| Rachel Chancey | .... | foley editor | |
| Robert Fernandez | .... | re-recording mixer (as Rob Fernandez) | |
| Gregg Harris | .... | first boom operator | |
| Thomas Kodros | .... | sound consultant: Dolby | |
| Christopher Newman | .... | production sound mixer (as Chris Newman) | |
| Dave Paterson | .... | re-recording mixer | |
| Dave Paterson | .... | supervising sound editor | |
| Mary Ellen Porto | .... | adr editor | |
| Mary Ellen Porto | .... | dialogue editor | |
| Damian Volpe | .... | effects editor | |
| Warren A. Weberg | .... | second boom operator (as Warren Weberg) | |
| Ryan Collison | .... | foley engineer (uncredited) | |
| Nick Foley | .... | adr recordist (uncredited) | |
| Jay Peck | .... | foley artist (uncredited) | |
| Jan Petrov | .... | sound recordist: commentary (uncredited) | |
| Ted Swanscott | .... | adr mixer (uncredited) | |
| Dominick Tavella | .... | sound re-recording mixer (uncredited) | |
| Andy Welker | .... | adr recordist (uncredited) | |
Special Effects by | |||
| Phillip Beck | .... | special effects technician (uncredited) | |
| Richard Bryan Douglas | .... | special effects technician (uncredited) | |
| Steven Kirshoff | .... | special effects coordinator (uncredited) | |
| John Stifanich | .... | special effects foreman (uncredited) | |
Visual Effects by | |||
| Jesse Morrow | .... | visual effects artist (uncredited) | |
Stunts | |||
| John Cenatiempo | .... | stunt coordinator | |
| Keith Siglinger | .... | stunt double: Mr. O'Byrne | |
| G.A. Aguilar | .... | stunt coordinator (uncredited) | |
| Jill Brown | .... | stunts (uncredited) | |
| Chris Cenatiempo | .... | assistant stunt coordinator (uncredited) | |
| Bob Colletti | .... | stunt driver (uncredited) | |
| Peter Epstein | .... | stunts (uncredited) | |
| Paul Marini | .... | stunt performer (uncredited) | |
Camera and Electrical Department | |||
| Wesley Battle | .... | grip | |
| Vincent Camuto | .... | electrician | |
| Howard Davidson | .... | b dolly grip | |
| Jerry DeBlau | .... | gaffer (as Jerry Deblau) | |
| Angelo Di Giacomo | .... | first assistant: b camera (as Angelo Digiacomo) | |
| Kenneth Dodd | .... | best boy electric (as Ken Dodd) | |
| Glen Engels | .... | best boy grip | |
| Kenneth Fundus | .... | a dolly grip (as Kenny Fundus) | |
| Kevin Gilligan | .... | grip (as Kevin Casey Gilligan) | |
| Richard Guinness Jr. | .... | key grip | |
| Will Hart | .... | still photographer | |
| Billy Kerwick | .... | key rigging grip | |
| Denny Kortze | .... | second assistant a-camera | |
| Eric Leigh | .... | rigging gaffer | |
| Abby Levine | .... | digital imaging technician | |
| Gus Limberis | .... | camera utility (as Constantine Limberis) | |
| Bruce MacCallum | .... | a camera operator (as Bruce Maccallum) | |
| Adam Miller | .... | second assistant b-camera | |
| Richard A. Mitchell | .... | electrician (as Richard T. Mitchell) | |
| Jerad Molkenthin | .... | electrician (as Jerad W. Molkenthin) | |
| Heather Norton | .... | first assistant a-camera | |
| Brent Poleski | .... | grip | |
| Peter Reniers | .... | b camera operator | |
| Kelly Rutkowski | .... | best boy rigging electric | |
| Brooke Stanford | .... | generator operator | |
| Joseph Viano | .... | best boy rigging grip | |
| David Kavanaugh | .... | additional electric (uncredited) | |
| William Louthe | .... | electrician (uncredited) | |
| Michael C. Maronna | .... | electrician (uncredited) | |
| Craig Pecchia | .... | assistant camera: second unit (uncredited) | |
| David Woolner | .... | electrician (uncredited) | |
Casting Department | |||
| Meredith Jacobson | .... | extras casting | |
| Erin Mayhugh | .... | local extras casting (uncredited) | |
| Geoffrey Miclat | .... | casting associate (uncredited) | |
| Claire Traeger | .... | casting associate (uncredited) | |
| Adam Vincentz | .... | extras casting (uncredited) | |
Costume and Wardrobe Department | |||
| Arlynn Abseck | .... | set costumer | |
| Nicole Evangelista | .... | costume supervisor | |
| Chris Ann Pappas | .... | assistant costume designer | |
| Kate Quinlan | .... | key costumer | |
| Lucia Lettini | .... | costumer (uncredited) | |
| Debbie Lucas | .... | seamstress (uncredited) | |
Editorial Department | |||
| Joe Gawler | .... | color timer | |
| Jennifer Lame | .... | apprentice editor | |
| Jennifer Lilly | .... | associate editor | |
| Jessica Elvin | .... | digital restoration (uncredited) | |
| Jesse Morrow | .... | on-line editor (uncredited) | |
| Michael P. Whipple | .... | digital intermediate engineer (uncredited) | |
Music Department | |||
| Carter Burwell | .... | conductor | |
| Carter Burwell | .... | orchestrator | |
| Michael Farrow | .... | scoring mixer | |
| Tony Finno | .... | music copyist | |
| Sandra Park | .... | music contractor | |
| Dean Parker | .... | assistant to: Mr. Burwell | |
Transportation Department | |||
| John Canavan | .... | transportation co-captain | |
| David Conelli | .... | driver: insert car (as Dave Conelli) | |
| Eugene O'Neill | .... | transportation captain (as Gene O'Neill) | |
Other crew | |||
| Frymi Biedak | .... | assistant to: Mr. Bergstein | |
| Daniel B. Cone | .... | set staff assistant (as Daniel Cone) | |
| Grey Cusack | .... | production intern | |
| Gregg Davis | .... | stand in for: Mr. Hoffman | |
| Alvaro Donado | .... | locations coordinator | |
| David Fischer | .... | set staff assistant | |
| Jason Fritz | .... | production secretary | |
| Chris Gibson | .... | set staff assistant | |
| Andy Gilbert | .... | caterer | |
| Paula Gilmore | .... | assistant to: Mr. Gilmore | |
| Carol Green | .... | unit publicist | |
| James R. Hale | .... | production accountant (as James Hale) | |
| Kevin Hall | .... | office staff assistant | |
| James Hook | .... | stand in for: Mr. Hawke | |
| Lilith Jacobs | .... | assistant to: Mr. Lumet | |
| Edma Jadan | .... | on set craft service person | |
| Jason Kadlec | .... | location scout | |
| Jim Lavin | .... | stand in for: Mr. Finney | |
| Christopher M. Lewis | .... | office staff assistant (as Chris Lewis) | |
| Jessica Lichtner | .... | script supervisor | |
| Francisco Marcial | .... | parking coordinator (as Cisco Marcial) | |
| Jonathan S. Marshall | .... | legal counsel by: Marshall Light LLP. | |
| Tracy A. Martin | .... | assistant to: Mr. Cerenzie & Mr. Linse (as Tracy Martin) | |
| Fred Milstein | .... | completion bond: Cinefinance | |
| Steve Oppenheim | .... | set staff assistant (as Steven Oppenheim) | |
| Ralph Pellegrini | .... | location assistant | |
| Patricia Porter | .... | payroll accountant | |
| Stephanie Rogers | .... | stand in for: Ms. Tomei | |
| Beth M. Schniebolk | .... | first assistant accountant | |
| Andrew D. Stocker | .... | second assistant accountant (as Andrew Stocker) | |
| Daniel Strol | .... | location manager | |
| Nicholas Thomason | .... | assistant production office coordinator (as Nick Thomason) | |
| Jamie Waxman | .... | accounting clerk | |
| Abigail Zealey Bess | .... | assistant location manager | |
| Michael Barnes | .... | financial legal services (uncredited) | |
| Wendy Benge | .... | production attorney (uncredited) | |
| Brandon Blake | .... | legal services: Blake & Wang P.A. (uncredited) | |
| Kate Bogle | .... | production assistant (uncredited) | |
| Glenn Ferrara | .... | production assistant (uncredited) | |
| Brian Hershkowitz | .... | production intern (uncredited) | |
| Michael C. Lizzio | .... | production assistant (uncredited) | |
| Mike Martin | .... | set production assistant (uncredited) | |
| Sara Murphy | .... | assistant: Philip Seymour Hoffman (uncredited) | |
| Griffin Newman | .... | production intern (uncredited) | |
| Sean Oliver | .... | adr loop group (uncredited) | |
| Daniel Silverman | .... | film recorder (uncredited) | |
| Bill Timoney | .... | adr voice group (uncredited) | |
| Jesse Toledano | .... | set production assistant (uncredited) | |
| Priti Trivedi | .... | additional production secretary (uncredited) | |
| Christian Vendetti | .... | staff production assistant (uncredited) | |
| Han West | .... | production assistant (uncredited) | |
Thanks | |||
| Neil Criscuolo | .... | thanks (as Sgt. Neil Criscuolo) | |
|
|
|
|
|
| Kings & Queen | So Sweet, So Dead | The Last Seduction | Derailed | Animal Kingdom |
|
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Crime section | IMDb USA section |
Two dysfunctional brothers (Philip Seymour Hoffman and Ethan Hawke) get tired of competing for who is the bigger f***-up and who Daddy (Albert Finney) loves more, so they hatch a hair-brained scheme to rob Mommy and Daddy's jewelry store so that they can clear their debts and start fresh. Sounds like a great plan except that this is a suspenseful 1970's style melodrama about a heist gone wrong, and boy, do things really go wrong here for our hapless duo and everyone involved. Lasciviously concocted by screenwriter Kelly Masterson and classically executed by director Sidney Lumet, "Before the Devil Knows You're Dead" uses the heist as its McGuffin to delve deep into family drama.
Contrary to popular belief, Sidney Lumet is not dead. At age 83, he has apparently made a deal with the Devil to deliver one last great film. Lumet was at his zenith in the 1970's with films like "Dog Day Afternoon," "Serpico," and one of my favorite films of all time, "Network". He has somehow managed to make a film that bears all the hallmarks of his classics while intertwining some more modern elements (graphic sexuality, violence, and playing with time-frames and POV's) into a crackling, vibrant, lean, mean, and provocative melodrama. One can only hope that some of the modern greats (like Scorsese or Spielberg) who emerged during the same decade Lumet was at the top of his game will have this much chutzpah left when they reach that age.
Lumet is a master at directing people walking through spaces to create tension and develop characters. As the cast waltzes through finely appointed Manhattan offices and apartments his slowly moving camera creates a palpable sense of anxiety as we never know who might be around the next corner or what this person might do in the next room. Also amazing is how Lumet utilizes the multiple POV and shifting time-frame approach. The coherent and classical presentation he uses makes the similarly structured films of wunderkinds Christopher Nolan and Alejandro Gonzalez Inarritu seem like amateur hour.
Of course, what Lumet is best at is directing amazing ensemble casts and tricking them into acting within an inch of their lives. Philip Seymour Hoffman has never been, and most likely never will be, better than he is here. Albert Finney's quietly searing portrayal of a father betrayed and at the end of his rope is a masterpiece to watch unfold. Ethan Hawke, normally a nondescript pretty boy, is perfect as the emotionally crippled younger brother who has skated by far too long on his charms and looks. The coup-de-grace, however, is the series of scenes between Hoffman and Marisa Tomei, eerily on point as his flighty trophy wife. Lumet runs them through the gamut of emotions that culminate in a scene that is the best of its kind since William Holden taunted Beatrice Straight right into a Best Supporting Actress Oscar in "Network."
The Devil of any great film is in the details, from Albert Finney's tap of his car's trunk that won't close due to a fender bender, to the look Amy Ryan (fresh off her amazing turn in "Gone Baby Gone") gives her ex-husband Ethan Hawke at his mawkish promise to his little girl all three of them knows he won't keep, to the systematic unraveling of a family on the skids, to the dialog begging for cultists to quote it (my favorite line being the hilariously threatening "Do you mind if I call you Chico?") to the excellent Carter Burwell score. "Before the Devil Knows You're Dead" is the film of the year. If something emerges to best it, then we know a few other deals must've been brokered with Old Scratch.