Before the Devil Knows You're Dead (2007)

When two brothers organize the robbery of their parents' jewelry store the job goes horribly wrong, triggering a series of events that sends them, their father and one brother's wife hurtling towards a shattering climax.

Director:

Sidney Lumet

Writer:

Kelly Masterson

Stars:

Philip Seymour Hoffman, Ethan Hawke, Albert Finney

15 wins & 13 nominations.

Cast

Cast overview, first billed only:
Philip Seymour Hoffman	...	Andy
Ethan Hawke	...	Hank
Albert Finney	...	Charles
Marisa Tomei	...	Gina
Aleksa Palladino	...	Chris
Michael Shannon	...	Dex
Amy Ryan	...	Martha
Sarah Livingston	...	Danielle
Brían F. O'Byrne	...	Bobby
Rosemary Harris	...	Nanette
Blaine Horton	...	Justin
Arija Bareikis	...	Katherine
Leonardo Cimino	...	William
Lee Wilkof	...	Jake
Damon Gupton	...	Doctor

Storyline

Needing extra cash, two brothers conspire to pull off the perfect, victimless crime. No guns, no violence, no problem. But when an accomplice ignores the rules and crosses the line, his actions trigger a series of events in which no one is left unscathed.

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Plot Keywords:

gun | robbery | money | thief | hidden gun | 

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Taglines:

No one was supposed to get hurt.

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Genres:

Crime | Drama | Thriller

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Motion Picture Rating (MPAA)

Rated R for a scene of strong graphic sexuality, nudity, violence, drug use and language

Details

Country:

USA

Language:

English

Release Date:

26 September 2007 (France)

Also Known As:

Antes que el diablo sepa que has muerto

Filming Locations:

47th Street, Manhattan, New York City, New York, USA

Box Office

Budget:

$18,000,000 (estimated)

Opening Weekend:

£118,510 (UK) (11 January 2008)

Gross:

$7,083,025 (USA) (7 March 2008)

Company Credits

Production Co:

Capitol Films, Funky Buddha Productions, Unity Productions

Technical Specs

Runtime:

117 min 123 min

Sound Mix:

SDDS Dolby Digital DTS (as dts)

Color:

Color

Aspect Ratio:

1.85 : 1

Did You Know?

Trivia

Sidney Lumet was introduced to digital film techniques through this production and reportedly loved working with digital film, primarily due to it's convenience. This was his first and ultimately only film to be shot in the digital format.

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Goofs

Gina's panties are white in the up-skirt as she sits on the steps of Hank's apartment. When Gina goes into Hank's apartment and gets undressed, her panties are black.

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Quotes

Andrew 'Andy' Hanson: [to Hank] How are we gonna fix it so your shit doesn't fall on my shoes?

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Connections

Featured in Siskel & Ebert: Episode dated 27 October 2007 (2007)

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Soundtracks

"Bad Man Blood"
Written by Michael Kisur & Darren Coverdale
Performed by Michael Kisur
Courtesy of Barbara L. Jordan/Heavy Hitters Music

User Reviews

Do you Mind if I Call you Chico?

Two dysfunctional brothers (Philip Seymour Hoffman and Ethan Hawke) get tired of competing for who is the bigger f***-up and who Daddy (Albert Finney) loves more, so they hatch a hair-brained scheme to rob Mommy and Daddy's jewelry store so that they can clear their debts and start fresh. Sounds like a great plan except that this is a suspenseful 1970's style melodrama about a heist gone wrong, and boy, do things really go wrong here for our hapless duo and everyone involved. Lasciviously concocted by screenwriter Kelly Masterson and classically executed by director Sidney Lumet, "Before the Devil Knows You're Dead" uses the heist as its McGuffin to delve deep into family drama.

Contrary to popular belief, Sidney Lumet is not dead. At age 83, he has apparently made a deal with the Devil to deliver one last great film. Lumet was at his zenith in the 1970's with films like "Dog Day Afternoon," "Serpico," and one of my favorite films of all time, "Network". He has somehow managed to make a film that bears all the hallmarks of his classics while intertwining some more modern elements (graphic sexuality, violence, and playing with time-frames and POV's) into a crackling, vibrant, lean, mean, and provocative melodrama. One can only hope that some of the modern greats (like Scorsese or Spielberg) who emerged during the same decade Lumet was at the top of his game will have this much chutzpah left when they reach that age.

Lumet is a master at directing people walking through spaces to create tension and develop characters. As the cast waltzes through finely appointed Manhattan offices and apartments his slowly moving camera creates a palpable sense of anxiety as we never know who might be around the next corner or what this person might do in the next room. Also amazing is how Lumet utilizes the multiple POV and shifting time-frame approach. The coherent and classical presentation he uses makes the similarly structured films of wunderkinds Christopher Nolan and Alejandro Gonzalez Inarritu seem like amateur hour.

Of course, what Lumet is best at is directing amazing ensemble casts and tricking them into acting within an inch of their lives. Philip Seymour Hoffman has never been, and most likely never will be, better than he is here. Albert Finney's quietly searing portrayal of a father betrayed and at the end of his rope is a masterpiece to watch unfold. Ethan Hawke, normally a nondescript pretty boy, is perfect as the emotionally crippled younger brother who has skated by far too long on his charms and looks. The coup-de-grace, however, is the series of scenes between Hoffman and Marisa Tomei, eerily on point as his flighty trophy wife. Lumet runs them through the gamut of emotions that culminate in a scene that is the best of its kind since William Holden taunted Beatrice Straight right into a Best Supporting Actress Oscar in "Network."

The Devil of any great film is in the details, from Albert Finney's tap of his car's trunk that won't close due to a fender bender, to the look Amy Ryan (fresh off her amazing turn in "Gone Baby Gone") gives her ex-husband Ethan Hawke at his mawkish promise to his little girl all three of them knows he won't keep, to the systematic unraveling of a family on the skids, to the dialog begging for cultists to quote it (my favorite line being the hilariously threatening "Do you mind if I call you Chico?") to the excellent Carter Burwell score. "Before the Devil Knows You're Dead" is the film of the year. If something emerges to best it, then we know a few other deals must've been brokered with Old Scratch.