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Affliction (1996)

 -  Documentary | Short
6.6
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Ratings: 6.6/10 from 51 users  
Reviews: 5 user | 2 critic

This 45 minute documentary by Mark Hejnar is a sort of Whitman's Sampler of sickness, chronicling such wildly diverse and extreme personalities as G.G. Allin, Mike Diana, Full Force Frank, ... See full summary »

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Title: Affliction (1996)

Affliction (1996) on IMDb 6.6/10

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Cast

Credited cast:
GG Allin ...
Himself
Mike Diana ...
Himself
Full Force Frank ...
Himself
Annie Sprinkle ...
Herself
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This 45 minute documentary by Mark Hejnar is a sort of Whitman's Sampler of sickness, chronicling such wildly diverse and extreme personalities as G.G. Allin, Mike Diana, Full Force Frank, GLOD, Annie Sprinkle, and others. This collection of short clips and vile moments is certainly NOT for the squeamish, as these are the artists and performers who have taken the term "free expression" to it's limits--and beyond. Written by Anonymous

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Documentary | Short

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(uncut)
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Connections

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User Reviews

Self-destructive cinema at the margins
15 October 2003 | by (Norwich, England) – See all my reviews

A scorching, forty-five minute modern mondo with an intense, breakneck focus on self-abuse and sexual and moral deviancy within underground performance art and culture. Live footage of the performances of G G Allin, interviews with banned-from-drawing comic book artist Mike Diana, and a vitriolic ode to mass slaughter courtesy of the masked Full Force Frank, are amongst the film's more noticeable moments.

Mark Hejnar's film successfully recalls the mondo format in its fascination with cultures that deviate from the everyday, and its assumption that this interest will be instinctively shared by the audience. Indeed, a title-card which introduces startling (for the uninitiated, at least) footage of G G Allin defecating on stage and anally masturbating with a banana alludes to this, the title reading 'What You All Came To See.' Mainstream culture may be appalled, but Hejnar nevertheless appears to be goading it into admitting the presence of a grisly fascination. This is often shocking stuff, for sure, yet frequently with an intentional sense of absurdist humour (Diana struggling to make himself vomit, on demand, over a crucifix) that allows greater access into this patchwork of controlled chaos.


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