Catherine, refuses to believe that her business partner, the unlikeable François, has a best friend, so she challenges him to set up an introduction. Scrambling to find someone willing to pose as his best pal, François enlists the services of a charming taxi driver to play the part.
Canadian/Swiss/French production that tells the tale of Hannah, a tomboyish 13 year-old hitting puberty in 1963. An unhappy and uncomfortable family life leads Hannah to seek escapism in the world of cinema. Specifically, she repeatedly watches and appears enthralled by Anna Karina, the character from Jean-Luc Godard's "Vivre sa vie" (1962) about a Parisian woman's descent into prostitution. Her ... See full summary »
Antoine has what every young single man could wish: a promising career, true and loyal friends, and an apartment of his own. However, he's a lonely man, until he meets Clara, a beautiful ... See full summary »
An uptight and conservative woman, working on tenure as a literacy professor at a large urban university, finds herself strangely attracted to a free-spirited, liberal woman who works at a local carnival that comes to town.
Émilie is a multi-platform romantic comedy. It is a fragmented story that unfolds across multiple media platforms. The basic idea is simple: to use a variety of broadcast and communication ... See full summary »
A contemporary comedy about five Anglo-Canadians - actually four Anglos and a New Yorker - who find themselves in a two-week total immersion French program in a remote town in Northern ... See full summary »
Seismologist Alice Bradley is despatched to her home town of Baie-Comeau, Quebec, to investigate why the tides have stopped flowing there. She is reunited with an old college friend, reporter Catherine Rolland, and meets roguish pilot Marc Vandal. It soon becomes apparent that the problems with the tide coincided with a variety of odd behaviour amongst the Baie-Comeau residents, and Alice gradually realises that the solution to the mystery may be stranger than she ever anticipated. Written by
Shannon Patrick Sullivan <firstname.lastname@example.org>
When I saw the trailer of the movie and read the synopsis, I thought "Wow! This is going to be such a great movie!", but let me tell you I did not get what I was expecting.
The movie is a never-ending circle: at each time there is a new element, it ends up just like the other one before "because it's a movie about the resemblance of love and the tides, the sea" (as Manon Briand said herself in French when I saw her). It was a falsely profound movie, falling into total esotericism.
There were some funny parts, but the movie was not a comedy. The scenery was nice and the quality of the images was good too. The actors were good, but they were playing characters for whom I was unable to develop any kind of sympathy.
I believe this movie will be appreciated by many (and I was already proven that), but I think it's only OK to watch but not great at all.
[Actually, Luc Besson did about nothing in the movie. It was only his studio that helped a bit at realizing the film.]
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