The Counterfeiters is the true story of the largest counterfeiting operation in history, set up by the Nazis in 1936. Salomon "Sally" Sorowitsch is the king of counterfeiters. He lives a ... See full summary »
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In 1942, Friedrich Weimer's boxing skills get him an appointment to a National Political Academy (NaPolA) - high schools that produce Nazi elite. Over his father's objections, Friedrich ... See full summary »
In October 1989, the part of the West Berlin borough of Kreuzberg called SO 36, had been largely shut off by the Wall from the rest of the city for 28 years. A lethargic sub-culture of ... See full summary »
The movie's plot is based on the true story of a group of young computer hackers from Hannover, Germany. In the late 1980s the orphaned Karl Koch invests his heritage in a flat and a home ... See full summary »
Benjamin is a 16 year old, paralyzed on one side of his body, with lousy grades in math, who switches to a boarding school to reach grammar school. Acclimatization to the new environment is... See full summary »
I've seen this film in a sneak preview, it will be on screen in a few weeks.
I have no idea if this film will see any international distribution at all, but it would be worth it.
The plot: The film is (fairly loosely) based on the real life of the brothers Sass, two legendary burglars and safecrackers in the Berlin of the 20s and early 30s. The film is very free with the actual facts of their story but that doesn't really distract from the quality. The film shows the rise of the brothers from their beginnings as car mechanics to the "Robin Hoods of Berlin".
Technically the film is very well done, colors, cinematography, and even the score reminded me of the great American gangster films like "the Untouchables" or "Once upon a time in America". The Cast is brilliant, right down to minor supporting roles. Ben Becker and Jürgen Vogel show a wide scope of their considerable talent. Otto Sander as their father uses his few scenes to make a real impression.
The sets, costumes ect. are stylish and very well done too, sucking the audience right into both the working class quarters and the upper class clubs and bars of the Berlin of the roaring 20s.
My only complain is the end which stylizes the brothers a bit too much for my taste.
5 of 6 people found this review helpful.
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