Based on Daniel Wright's award-winning play "Colored Eggs", is a drama/comedy about life, loss and love among an eccentric group of characters whose lives intersect under less than ideal circumstances.
Zed has only just arrived in the beautiful Paris and already he's up to no good. Having just slept with a call girl, he spends a night on the town with his dangerous friends. They all ... See full summary »
When things get tough for offbeat Carys Reitman, she does what any emotionally isolated, modern girl would do - she goes to strangers' funerals. At one fateful funeral, she unexpectedly ... See full summary »
In Los Angeles, Andy Conners works in Fearless Records selecting new talents. Andy is in love and engaged to Lauren Baker for one year but he is unable to satisfy Lauren in bed. Further, he... See full summary »
This off-beat drama about man's search for meaning amidst the ache of despair chronicles Finn, an introspective English teacher entering a mid-life crisis impelled by a recent tragedy, as ... See full summary »
Aaron J. Wiederspahn
An after-the-fact work intended to bridge between Roger Avary's adaptations of two Bret Easton Ellis novels, "Rules of Attraction" and "Glamorama", "Glitterati" is a feature-length ... See full summary »
Victor Ward, a model in 1990's Manhattan is seen and photographed everywhere, even in places he hasn't been and with people he doesn't know. He's living with a beautiful model and having an... See full summary »
Camden College. Sean Bateman is the younger brother of depraved Wall Street broker Patrick Bateman. He's also a drug dealer who owes a lot of money to "fellow" dealer Rupert Guest, as well as a well-known womanizer, for he sleeps with nearly half of the female population on campus. Lauren Hynde is, technically, a virgin. She's saving herself for her shallow boyfriend, Victor Johnson, who's left the States to backpack across Europe. Her slutty roommate, Lara, has the hots for Victor as well. Paul Denton, who used to date Lauren, is openly bisexual and attracted to Mitchell Allen, who's dating Candice to prove to Paul that he's not gay. Sean loves Lauren. Paul loves Sean. And Lauren may love Sean. Written by
The movie that the film student refers to when talking to Lauren at the beginning of the film is Killing Zoe (1993), directed by Roger Avary; it also stars Eric Stoltz, who plays Mr. Lawson in this movie. See more »
When Lara does a hand stand while talking to Lauren, her shirt covers her stomach even though she rolled it up before she started. See more »
and it's a story that might bore you, but you don't have to listen, because I always knew it was going to be like that.
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The credits run backwards, starting with the disclaimer ("Any similarity to persons living or dead...") and rolling upwards to end with the cast. See more »
Performed by Public Image Ltd. (as Public Image Limited)
Written by John Lydon and Bill Laswell (as William Laswell)
Published by WB Music Corp. (ASCAP) o/b/o Rotten Music Ltd. (PRS)/More Cut Music (BMI)
Administered by Resource
Courtesy of Elektra Entertainment Group/Virgin Records Ltd.
Under License from EMI Film & TV Music
By Arrangement with Warner Special Products See more »
I haven't read all of the users' comments, but the ones I HAVE read seem to not quite get the point of the film. IT'S AN A-D-A-P-T-A-T-I-O-N. Of a book. Not to mention the mystery behind it: Bret Easton Ellis is a brilliant writer, yet all the movie adaptations suck mighty. I personally was laughing all the way through it (except of course during the bathtub scene which I thought was gruesomely fantastic in its portrayal). So even if you didn't get it, at least it was funny. I was thrilled during the addition of Mini-Glamorama, and just to keep everyone on the right track, Sean Bateman is not the "college version" of the American Psycho narrator; if he was, his name would've been Patrick Bateman, Christian Bale's character in the movie. Sean is Patrick's little brother; there was supposed to be a scene where Van Der Beek calls Bale and Bale has a severed head in his hand on the other end, but Bale wasn't available. If you hated it, and it wasn't for you, just think: You could've seen the NC-17 version. Otherwise, don't knock the "shallowness" and "emptiness" of the characters or the actors please; that's not what it was about, and it's not what the book intended. Bret Easton Ellis is a genius.
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