Zed has only just arrived in the beautiful Paris and already he's up to no good. Having just slept with a call girl, he spends a night on the town with his dangerous friends. They all ... See full summary »
Based on Daniel Wright's award-winning play "Colored Eggs", is a drama/comedy about life, loss and love among an eccentric group of characters whose lives intersect under less than ideal circumstances.
When things get tough for offbeat Carys Reitman, she does what any emotionally isolated, modern girl would do - she goes to strangers' funerals. At one fateful funeral, she unexpectedly ... See full summary »
In Los Angeles, Andy Conners works in Fearless Records selecting new talents. Andy is in love and engaged to Lauren Baker for one year but he is unable to satisfy Lauren in bed. Further, he... See full summary »
This off-beat drama about man's search for meaning amidst the ache of despair chronicles Finn, an introspective English teacher entering a mid-life crisis impelled by a recent tragedy, as ... See full summary »
Aaron J. Wiederspahn
An after-the-fact work intended to bridge between Roger Avary's adaptations of two Bret Easton Ellis novels, "Rules of Attraction" and "Glamorama", "Glitterati" is a feature-length ... See full summary »
Victor Ward, a model in 1990's Manhattan is seen and photographed everywhere, even in places he hasn't been and with people he doesn't know. He's living with a beautiful model and having an... See full summary »
Camden College. Sean Bateman is the younger brother of depraved Wall Street broker Patrick Bateman. He's also a drug dealer who owes a lot of money to "fellow" dealer Rupert Guest, as well as a well-known womanizer, for he sleeps with nearly half of the female population on campus. Lauren Hynde is, technically, a virgin. She's saving herself for her shallow boyfriend, Victor Johnson, who's left the States to backpack across Europe. Her slutty roommate, Lara, has the hots for Victor as well. Paul Denton, who used to date Lauren, is openly bisexual and attracted to Mitchell Allen, who's dating Candice to prove to Paul that he's not gay. Sean loves Lauren. Paul loves Sean. And Lauren may love Sean. Written by
The scene with Paul and Richard lip-synching to George Michael was completely improvised on the spot. Roger Avary saw one of the actors singing the song to himself and quickly put the scene together. See more »
When Paul gets kicked out of the guy's room for hitting on him, he lights a cigarette with an ordinary disposable lighter, but we hear the distinctive sound of a Zippo. See more »
and it's a story that might bore you, but you don't have to listen, because I always knew it was going to be like that.
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The credits run backwards, starting with the disclaimer ("Any similarity to persons living or dead...") and rolling upwards to end with the cast. See more »
Avary's whole point of this movie is simple: the society is numb. And he does it so perfectly that movie-goers looking for intense action or tears or giggles feel just as numb as the players. The director has done an excellent job here. The characters are without feeling. A rape, a suicide, homosexuality and philandering are all homogenous because this particular society (thank God my college years were not like that)is rapt with the self. That's the whole point. Nobody notices anything because the director wants you to feel the apathy. You may feel bored, but so are all the characters. However, they're bored enough to do really, really unbelievable things without a flinch or the bat of a lash. Like it or not, the duty of a director is to make you feel what he wants you to feel. Avary is fleet, decisive and deadly with his arrow (a Cupid for me). I don't see movies because I have nothing else to do. I want to experience a vision that is not mine. A new one. This movie is fast, it's hot and, like Pulp Fiction in its time, a totally new way to tell a story. I saw it four times and each time, I released the $8.00 freely. Transparently, it's not everybody's movie. But, people should see a movie because it's a movie and not because it's something comfortable or familiar or a blockbuster Hollywood coup. Life's a tough lot, often unforgiving and unfair. There are jerks out there, thank God, who make stuff interesting. I applaud the director always who can put that in my face. Avary simply explains how fortuitous most of us are. It'll be on my DVD shelf, trust.
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