A cab driver finds himself the hostage of an engaging contract killer as he makes his rounds from hit to hit during one night in Los Angeles. He must find a way to save both himself and one last victim.
Martine offers Terry a lead on a foolproof bank hit on London's Baker Street. She targets a roomful of safe deposit boxes worth millions in cash and jewelry. But Terry and his crew don't realize the boxes also contain a treasure trove of dirty secrets - secrets that will thrust them into a deadly web of corruption and illicit scandal.
Stephen Campbell Moore
When the daughter of a psychiatrist is kidnapped, he's horrified to discover that the abductors' demand is that he break through to a post traumatic stress disorder suffering young woman who knows a secret...
About a police detective, Jack, who, while doing a friend a favor and searching for a runaway teenager on Turk Street, stumbles upon a bizarre band of criminals about to pull off a bank robbery. Jack finds himself being held hostage while the criminals decide what to do with him, and the leader's beautiful girlfriend, Erin, is left alone to watch Jack. Erin, who we discover is a master manipulator of the men in the gang, reveals another side to Jack - a melancholy romantic who could have been a classical cellist. She finds Jack's captivity an irresistible turn-on and he can't figure out if she's for real, or manipulating him, too. Before the gang returns, Jack and Erin's connection intensifies and who ends up with the money is anyone's guess. Written by
During the scene where David is driving in the rain, the song playing is "(I'm Not Your) Stepping Stone," which originated on the TV series The Monkees (1966),which Bob Rafelson created. The version in the film is performed by his son, Peter Rafelson. See more »
When they hit the heavy traffic, Jack puts his red light on the roof. It then disappears for the rest of the sequence. See more »
Jack, thank God you're home.
I need your help. It's Connie, she's run away again.
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No good deed based on a short story by Dashiell Hammett is kind of movies that have many elements and themes of a classic film no-ire but it is not exactly one of them. The themes include a robbery plan that goes awry though here it is more of a con rather than robbery and it is executed without resorting to violence. Second theme is domed love
which in this movie is rather short, more of this later. The elements include mastermind and ruthless gangster, a femme fatal , and rude maniac hit-man. And add to these people a
couple that had a dream of living happily ever after. The strength of the movie is in building up of its characters. They all do what they are expected to do whether they act strongly or
weakly. Their strength and weakness comes from their personalities and not from the requirement of the plot. Erin character is the main difference of this movie from classic femme fatal. As a kept girl with ten percent rebate on pedicure expense, though she is cunning in some scenes , but she is also deadly frightened. Her motives are dark at worst and suspicious at best, but in her main thrust of manipulations (getting rid of Tyrone) she deserves our sympathy. Other characters do not show something unexpected ,but the story has enough power and twist that make the movie worthwhile and interesting. Movie scenes are limited, and most of it is in closed places which intensifies a sense of claustrophobia. This kind of story which has little physical action and is mainly based on suspenses needs good acting, that fortunately this movie does not lack it. This movie shows that good noir still can be made and their time has not passed yet
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