At age 42, Rafael Belvedere is having a crisis. He lives in the shadow of his father, he feels guilty about rarely visiting his aging mother, his ex-wife says he doesn't spend enough time ... See full summary »
In Buenos Aires, the bitter and methodic Roberto is a lonely man and the owner of a hardware store. Roberto collects bizarre worldwide news in an album as a hobby and his acquaintance Mari ... See full summary »
Muriel Santa Ana,
In Argentina over 8,000 people die in traffic accidents every year. Behind each of these tragedies is a flourishing industry founded on insurance payouts and legal loopholes. Sosa is a ... See full summary »
A retired legal counselor writes a novel hoping to find closure for one of his past unresolved homicide cases and for his unreciprocated love with his superior - both of which still haunt him decades later.
Juan José Campanella
Cuenta la historia de Jorge Pellegrini y Laura Ramallo a lo largo de casi dos décadas. Comienza en 1980 y termina en nuestros días. Cuenta le romance inicial, los posteriores desencuentros,... See full summary »
The film is seen through the eyes of a ten-year-old boy, Harry (Matías del Pozo), who does not know that Argentina's 1976 coup d'état is impacting his life. After witnessing the "... See full summary »
At age 42, Rafael Belvedere is having a crisis. He lives in the shadow of his father, he feels guilty about rarely visiting his aging mother, his ex-wife says he doesn't spend enough time with their daughter and he has yet to make a commitment to his girlfriend. At his lowest point, a minor heart attack reunites him with Juan Carlos, a childhood friend, who helps Rafael to reconstruct his past and look at the present in new ways. Written by
Sujit R. Varma
Argentina's official submission for the 2001 Oscar Awards, Foreign Language film category. See more »
Porque él le dio alegría a millones de personas y después esos mismos fanáticos se dieron la vuelta y le crucificaron.
Terminó la función. Dejad ya de hablar de Cristo.
¿Cristo? ¿Yo hablaba de Maradona?
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Halfway through the credits, we find Rafael and Juan Carlos watching a porn film and admiring it's particularly well-endowed star - the mysterious and elusive Dick Watson. See more »
This is a very good film from Argentina. It would be a shame if more people fail to see this beautiful tale set in the Buenos Aires of the beginning of the century when times were better and the porteños felt on top of the world.
Director Juan Jose Campanella knows these people. He is really on their side, for they have struggled all their lives to get the family restaurant to be successful. The son, Rafael, has problems making ends meet and his life is a mess. Not only his whole world comes crashing around him, but he cannot cope with the only person that really loves him for what he is, Naty.
His father, Nino, loves Norma, even though her mind is not here any more. He doesn't miss seeing her one day. He finally realizes, too late, that secretly Norma's desire was to have been married in the church, he didn't believe in during his youth. Now he wants to make amends by marrying the wife who cannot appreciate it because of her wandering mind.
The acting is superb. Ricardo Darin gives a fine performance as Rafael. Norma Aleandro proves once more why she's a great actress and Hector Alterio is very effective in a very subtle performance. Natalia Verbeke was a revelation as she stands by her man.
All in all, this was an enjoyable time at the movies.
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