Sex is currency. It commands power and can instill fear. Tom, a young man with a troubled past finds himself sucked into a seedy underworld by George Norris, a now super villain with a ...
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Matias and Jeronimo know each other since childhood. Their friendship takes a new turn during the holiday before starting high school when they both experience their sexual awakening. ... See full summary »
Since he was 5 yrs old, Jose's abuelita taught him to play chess like his grandfather who was a champion in Mexico. Now as part of the Brownsville school team, Jose has the chance to use ... See full summary »
José D. Cantú
Saleem, an Indian student living in Leeds with his parents, meets Daz in a gay cruising spot, and they have a night of mutually enjoyable sex. Saleem is nonetheless ashamed of what he has done but, on leaving the next day, does turn round to smile at Daz.
A long night's journey into day: Victor, a street hustler in the Santa Fe and Pueyrredón neighborhoods of Buenos Aires, from the evening of November 1, All Saints Day, to the dawn of ... See full summary »
A poignant romantic drama examines the life of gay 26 year old, ex-monk, school teacher living in Manhattan. When he meets a man at a gay bar, they connect and are soon living together. Unfortunately their views on monogamy don't match.
Hamm is blind and unable to stand; Clov, his servant, is unable to sit; Nagg and Nell are his father and mother, who are legless and live in dustbins. Together they live in a room with two windows, but there may be nothing at all outside.
Sex is currency. It commands power and can instill fear. Tom, a young man with a troubled past finds himself sucked into a seedy underworld by George Norris, a now super villain with a sadistic streak. A helpless pawn in one of Norris's narcotic scams with a bent cop, Dunston, Tom is dragged deeper into a vicious circle of blood money, vice and ruthless violence from which their seems no way out. Until fate gives Tom a glimmer of hope. When Norris is killed in his apartment, Tom seizes his chance to escape. Terrified and covered in Norris's blood, Tom heads downstairs to his neighbors, Max and Nikki his new friends in the city. With going to the police out of the question, Max and Nikki speed Tom to their desolate cottage deep in the Welsh countryside. With the luxury of space, Tom begins to realize a long-forgotten dream; a return to happier times before his innocence was shattered. Suppressed emotion flood back provoked by Tom's attraction to Nikki, a beautiful women fascinated by ... Written by
Association Travelling <firstname.lastname@example.org>
Daniel Newman looks great, but the 'plot twist' is insulting
Aspect ratio: 1.85:1
Sound format: Dolby Digital
After killing the thuggish gangster (Mark McGann) who'd been acting as his pimp, a beautiful London rent boy (Daniel Newman) goes on the run with a sympathetic American couple (Toni Barry and Corey Johnson), but they're pursued by a corrupt police officer (John Benfield), one of Newman's former clients, desperate to retrieve an incriminating videotape in the boy's possession.
Gary Wicks' low budget feature debut will divide opinion like few other gay-themed movies of recent years. The pacing is a little muted, and some of the lapses in logic are too significant to ignore (Barry and Johnson's reaction to Newman's crime is simply not credible), but Wicks generates a fair degree of emotional tension, helped by attractive location photography (by David Bennett), a memorable music score (by Adrian Thomas), and a fine portrait of corrupted innocence by Newman (SPEAK LIKE A CHILD), an elfin beauty whose low-key performance anchors the entire production.
True to expectation, Wicks (whose resumé includes an executive producer credit on MOMENTS WITH JOHAN, a softcore ode to European porn star Johan Paulik, produced in 1996) makes a virtue of Newman's exquisite splendor, presenting him either shirtless or naked in every other scene, while Bennett's camera savors (almost) every inch of the young actor's glorious, sculpted body. But in a plot twist calculated to provoke outraged disbelief from some quarters, Newman's relationship with McGann and his cronies is depicted as violent and coercive, while his first heterosexual encounter (with Barry) is portrayed as a tender, liberating experience! This narrative backflip is both inappropriate and offensive, and suggests nothing more than a sop to commercial fortunes, skewing the film toward a gay audience whilst simultaneously appeasing potential straight viewers, an approach which defies all narrative logic and satisfies no one. That aside, however, the plot is reasonably engaging and the performances are superb, while the fetishization of Newman's fabulous torso provides some compensation for the movie's thematic shortcomings.
NB. The VHS version contains full-frontal nudity from Newman during a shower sequence early in the film, but the US DVD has been deliberately reframed to obscure everything below the waist.
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