Sex is currency. It commands power and can instill fear. Tom, a young man with a troubled past finds himself sucked into a seedy underworld by George Norris, a now super villain with a ...
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A poignant romantic drama examines the life of gay 26 year old, ex-monk, school teacher living in Manhattan. When he meets a man at a gay bar, they connect and are soon living together. Unfortunately their views on monogamy don't match.
Sex is currency. It commands power and can instill fear. Tom, a young man with a troubled past finds himself sucked into a seedy underworld by George Norris, a now super villain with a sadistic streak. A helpless pawn in one of Norris's narcotic scams with a bent cop, Dunston, Tom is dragged deeper into a vicious circle of blood money, vice and ruthless violence from which their seems no way out. Until fate gives Tom a glimmer of hope. When Norris is killed in his apartment, Tom seizes his chance to escape. Terrified and covered in Norris's blood, Tom heads downstairs to his neighbors, Max and Nikki his new friends in the city. With going to the police out of the question, Max and Nikki speed Tom to their desolate cottage deep in the Welsh countryside. With the luxury of space, Tom begins to realize a long-forgotten dream; a return to happier times before his innocence was shattered. Suppressed emotion flood back provoked by Tom's attraction to Nikki, a beautiful women fascinated by ... Written by
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I could say the movie could have been more, but the basic idea was so
rancid that no amount of tinkering would have made any real difference.
Tom (the pouty Daniel Newman) is a kept man (although they regularly
emphasize to us that he is still too emotionally immature to be a man)
who kills his gangster "daddy" to save himself from rape (the only time
we see anything with two men in this film involves rape and violence).
He then flees with a hapless American couple. He grows close to the
American woman while corrupt cops and crooks are on his trail, complete
with a grotesque scene at a gay bar where, if memory serves, they rape
someone who works there. While the American man goes off about the car,
Tom and the wife give into their attraction. This is juxtaposed with
graphic torture and murder scenes involving the husband, a clumsy way
to remind us of the horrors to come. And so they continue coming,
finally leading up to another grisly, excessively violent set piece,
with the conclusion being that Tom is back where he started, that
without the love of a good woman, he has no hope. As the icing on the
anti-gay cake, we also get a heavy implication of just what "caused"
him to be gay.
There's a difference between showing the reality of a life of a rent
boy, or even telling a story about how abuse and homosexuality
sometimes intersect, and idealizing heterosexuality to such a strong
degree - to the point where the woman in question is not even a
character, but rather a thinly sketched out martyr and sexual savior.
Beyond the message itself, the mechanics of the film are crude and
coarse. No amount of nice scenery or noir lighting are enough to
The one scene in the film that has a poignancy to it is the scene that
the whole movie is about - Tom, essentially, finding healing and peace
through his first sexual encounter with a woman. The shy vulnerability
that defines him as he slowly strips (hesitating before he removes his
underwear, as he knows he can't go back after that last step)
contrasting to his pure joy and release as he kisses and tastes the
upper body of the woman who is there to show him what his life is
supposed to be, as he makes love to her, in the missionary position, as
she exists as a missionary to what the film wants him to be.
They may have been better off just releasing this scene and ditching
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