| Sarsi Emmanuelle | ... | Selda | |
| Maria Isabel Lopez | ... | Tonya | |
| Myra Manibog | ... | Mona | |
| Mark Joseph | ... | Simon Kalabaw | |
| Daren Craig Johnson | ... | Ronald | |
| Pia Zabale | ... | Pia | |
| Michael Locsin | ... | Miguel (as Michael Angelo) | |
| Arwin Rogelio | ... | Tiago | |
| Jenneelyn Gatbalite | ... | Gloria | |
| Gloria Andrade | ... | Aling Anda | |
| Jimmy Reyes | ... | Village leader #1 | |
| Arthur Cassanova | ... | Village leader #2 (as Arthur Casanova) | |
| Chabeng Contreras | ... | Tonya's grandma | |
| Cheriebee Santos | ... | Child #1 (as Cherriebee Santos) | |
| Lea Zabale | ... | Child #2 | |
| Jun-Jun Santos | ... | Child #3 | |
| Eduardo Recto | ... | Child #4 | |
| Emiliano Lopez | ... | Anda's Husband | |
| Eric Ong | ... | Fisherman with Pia's body | |
| Letty De Guzman | ... | Pia's mother | |
| Chelsea | ... | Villager #1 | |
| Laybana | ... | Villager #2 |
Directed by | |||
| Elwood Perez | |||
Writing credits | ||
| Ricardo Lee | (screenplay) | |
Produced by | |||
| Lucy T. Cabuchan | .... | associate producer | |
| Willy Tieng | .... | producer | |
| Wilson Tieng | .... | executive producer | |
Original Music by | |||
| Lutgardo Labad | |||
Cinematography by | |||
| Johnny Araojo | |||
Film Editing by | |||
| Edgardo Vinarao | (as Edgardo 'Boy' Vinarao) | ||
Production Design by | |||
| Aped Santos | |||
Art Direction by | |||
| Gerry Pascual | |||
Production Management | |||
| Gunding Lopez | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Jimmy Reyes | .... | assistant director | |
Art Department | |||
| Buddy Camposano | .... | set man | |
| Rey Samosa | .... | propsman | |
| Arnold V. Villasis | .... | graphic artist | |
Sound Department | |||
| Rodel Capule | .... | live effects | |
| Vangie Labalan | .... | dubbing supervisor | |
| Vic Macamay | .... | sound engineer | |
| Pete Nicolas | .... | field soundman | |
Special Effects by | |||
| Ben Otico | .... | prosthetics | |
| Ben Otico | .... | special effects | |
Stunts | |||
| Jimmy Reyes | .... | fight instructor | |
Camera and Electrical Department | |||
| Romy Mendoza | .... | gaffer | |
| Romeo Onofre | .... | assistant camera (as Romy Onofre) | |
Animation Department | |||
| Gerry A. Garcia | .... | animator: credits | |
| Bing P. Santos | .... | layout artist (as Bing Santos) | |
| Cecille Tiu | .... | layout artist | |
Editorial Department | |||
| Jun Calaguan | .... | assistant editor | |
| Samuel Domondon | .... | associate editor | |
| Orlando Vinarao | .... | assistant editor (as Totoy Vinarao) | |
Transportation Department | |||
| Felix Adaoag | .... | service fleet driver | |
| Tito Canlas | .... | service fleet driver | |
| Joe Ching | .... | service fleet driver | |
| George Lobitana | .... | service fleet driver | |
Other crew | |||
| Tony Camnio | .... | laboratory consultant | |
| Arthur Cassanova | .... | creative associate (as Arthur Casanova) | |
| Gerry A. Garcia | .... | opticals | |
| Nene Lopez | .... | caterer | |
| Roger Macapagal | .... | talent coordinator | |
| Jun Mandac | .... | coordinator: Laoag City | |
| Mynne Mesa-Bayuga | .... | production accountant (as Lilia 'Mynne' Mesa) | |
| Bernie Montano | .... | security officer (as Corporal Bernie Montano) | |
| Ben Nollora | .... | publicity stills | |
| Miguel Palacios | .... | first utilityman | |
| Rolando Samosa | .... | second utilityman | |
| Pilar Wee | .... | field custodian | |
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| Island of Death | A Serbian Film | Salò, or the 120 Days of Sodom | Thriller: A Cruel Picture | 1900 |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Crime section | IMDb Philippines section |
Story of ignorance very common in small isolated barrios in the Philippines. The movie however exaggerated the sexual orientation of the people.
Stars former Ms. Philippines, Ma. Isabel Lopez, including the soft-drink beauties of the late chief exploiter, Dr. Rey Dela Cruz who was murdered sometime in the '90s. It was so disappointing that Ms. Lopez, a UP graduate, used her beauty and brain to trash herself and the institution and country she used to represent.
This movie was produced during the era of the Experimental Cinema of the Philippine when some starlets in local show business were exploited to create sex-oriented movies. Marcos was still in power, and maybe this passed his approval to divert Filipinos from the worsening political and economic problems. Most of these experimental cinema allowed "pene" so don't be surprised if the there were actual "penetration" in this movie.
Produced by Elwood Perez and directed by Ricardo Lee. This experiment was definitely an on your face spit to the only Catholic nation in Asia.