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In the final days of WWII, a seventeen-year-old boy wanders the countryside. He is captured by Soviet troops, then released, then captured once more - after he has donned a German uniform ... See full summary »
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Two Korean ex-pats meet in Paris by chance encounter. One a petty thief and wannabe artist/painter (Chong-Hae), the other a tough guy (Hong San). Hong San saves Chong-Hae from a gang of ... See full summary »
Based on Paolo Villaggio's books "Fantozzi" and "Il secondo, tragico Fantozzi", which are popular in Italy, this film tells the story of an unfortunate accountant's life over the course of ... See full summary »
Incredible film-making, one five minute take, and one sixty two minute take...
This is one of the most unique, fascinating films ever made from the Scottish play. The film was made for Hungarian TV, and it was shot on old fashioned, analog video. Yet Bela Tarr (one of the greatest filmmakers working today) made an incredible film. There are a mere 2 shots in the film. The pre-credits shot runs five minutes, the post credits shot runs 62 minutes. It's incredible that Tarr composed a 62 minute take, but that he does it so well, and you find yourself forgetting about the length of the shot, and are drawn into Tarr's world. Tarr is a master filmmaker, one of the greatest ever (certainly the best ever to emerge from Hungary), and this is one of his most fascinating films.
The film is available as a bonus feature on Facets's DVD of Satantango.
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