Beijing, 1988. On the cusp of middle-age, Chen Handong has known little but success all his life. The eldest son of a senior government bureaucrat, he heads a fast-growing trading company ... See full summary »
Steamy Thai nights provide the backdrop for unbridled romance, crime and action as two men unexpectedly brave forbidden love. Maek, a cold assassin-for-hire, is sent to knock off Iht, a ... See full summary »
Jun arrives in Hong Kong from mainland China, hoping to be able to earn enough money to marry his girlfriend back home. He meets the streetwise Qiao and they become friends. As friendship ... See full summary »
Foon escapes an arranged marriage by walking the road of a Ji Sor. After an affair with Shing, she becomes pregnant. An attempted abortion nearly costs Foon her life. Wan, the young owner ... See full summary »
Beijing, 1988. On the cusp of middle-age, Chen Handong has known little but success all his life. The eldest son of a senior government bureaucrat, he heads a fast-growing trading company and plays as hard as he works. Few know that Handong's tastes run more to boys than girls. Lan Yu is a country boy, newly arrived in Beijing to study architecture. More than most students, he is short of money and willing to try anything to earn some. He has run into Liu Zheng, who pragmatically suggests that he could prostitute himself for one night to a gay pool-hall and bar owner. But Handong happens to be in the pool hall that evening, and he nixes the deal. He takes Lan Yu home himself and gives the young man what turns out to be a life-changing sexual initiation. Handong and Lan Yu meet often, and the boy is soon very secure in his love for the man. But Handong insists that he wants a play-mate, not a lifelong companion, and warns Lan Yu that they will eventually break up. Meanwhile, he showers... Written by
Strand Releasing <firstname.lastname@example.org>
Director Stanley Kwan auditioned more than 100 actors in both China and Hong Kong for two months, finally deciding on Ye Liu based on a photo given by Liu's assistant director from his debut _Postmen in the Mountains (1999)_. See more »
When Chen Handong takes Lan Yu home for the first time, an American television show is playing in the background, and the announcer says "not only is Los Angeles the largest city in California, but it is also the state capitol." This is wrong, Sacramento is the state capitol of California. See more »
Generally I'm not a big fan of melodrama, and LAN YU is a classic, Sirk-league piece of melodrama, so I can't say I loved this film. But it is impressive in a number of ways - the depiction of intimacy, and of a slowly-developing relationship is very well done, and this film is very obviously the work of a thoughtful and talented filmmaker. I also liked the cinematography - very un-flashy, which serves the material well: a dry, slice-of-life look which stands apart from the dramatics of the plot, and definitely underscores the normality (or validity) of gay relationships, perhaps in a culture that is still coming to terms with such relationships. The dinner scenes - which are beautifully shot and staged - stand out.
It should be noted that director Stanley Kwan has a handful of other artistically notable films to his credit, with ROUGE and ACTRESS generating acclaim around the globe. Kwan claims Hollywood melodramatist Douglas Sirk and Japanese contemporary dramatist Yasujiro Ozu as major influences, and both of those influences are apparent here
the studied, careful mis-en-scene of Ozu; and a story balanced
between social critique and three-hanky melodrama, in the fashion of Sirk. Kwan is also one of a small (but growing) number of out Asian filmmakers, and noting this (and his artistic influences) helps to understand the overall importance of this film.
If some of the most creative and engaging gay film being made today is coming from Asia, Europe and Latin America - which I believe to be true
then this film is definitely among the best of that wave. Worth a
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