A young couple offer to buy the furniture of a middle-aged man whose wife just left him - but they end up with more than they bargained for. Hugo Weaving, Abbie Cornish and Sullivan Stapleton star in an adaptation of a Raymond Carver story.
A poet falls in love with an art student who gravitates to his bohemian lifestyle -- and his love of heroin. Hooked as much on one another as they are on the drug, their relationship alternates between states of oblivion, self-destruction, and despair.
This romantic comedy takes place over the course of one year - opening on New Year's Eve of one year and closing exactly one year later. The film focuses on three women living together in a... See full summary »
The two-part mini-series is a "Romeo and Juliet" story set in a rural Australian town. MARKING TIME traces Hal's journey from boy to man over the period of one year. At the outset, the town... See full summary »
Harvey, a self-doubting private investigator, plans to marry his girlfriend until he is hired to solve an adultery case and discovers the adulterer is cheating with his fiancée. Lost and ... See full summary »
Lovable rogue Max Mackendrick dreams about winning big on the Melbourne Cup. Set in the colourful world of horseracing, Horseplay follows the chaotic life of a wannabe horse trainer as he deals with the turf, the ladies and everyone else out to get him. Written by
Why do all contemporary Australian moviemakers suddenly want to make the next Pulp Fiction? Here's another example that brings to mind You Can't Stop The Murders from a few months back. It had a great premise (all the characters from the Village People - Indian, cowboy, bike rider etc. getting bumped off with the policeman next unless he solves the case) but the script and direction were, well, appalling. Here the direction is better, but the script is still heavy-handed, plodding and instead of being zappy is just plain dumb. The premise - a loser who wants to prove he's somebody by throwing the Melbourne Cup horse race - had potential. The acting isn't too bad either. But once again there's all this unnecessary nasty violence (it's cool! it's now! it's groovy kids!) and teen girls with wigs and guns (how very Tarantino) mashed in and the film just stalls at the gate. It's hard to imagine who this will appeal to, but one thing is for sure - there's unlikely to be a sequel.
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