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Cradle of Fear (2001)

Video  -  Horror  -  4 July 2001 (UK)
4.4
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Ratings: 4.4/10 from 2,646 users  
Reviews: 84 user | 24 critic

A gruesome homage to the cult Amicus anthology Asylum, Cradle of Fear unfolds four screamplays all linked by the unspeakable need of an incarcerated child killer to wreak vengeance on those... See full summary »

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Title: Cradle of Fear (Video 2001)

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Cast

Cast overview, first billed only:
Dani Filth ...
The Man
...
Mel (as Emily Bouffante)
Stuart Laing ...
Richard
...
Inspector Neilson
...
Natalie
...
Sophie
Louie Brownsell ...
Nick
David McEwen ...
Kemper
Willie Evans ...
The Short Man
Emma Rice ...
Emma
Melissa Forti ...
Nikki
...
The Old Man
...
Chief Inspector Roper
Sara Kunz ...
Dr. Ross (as Sarah Kunz)
Mark Rathbone ...
Pringle (as Mark Rossi)
Edit

Storyline

A gruesome homage to the cult Amicus anthology Asylum, Cradle of Fear unfolds four screamplays all linked by the unspeakable need of an incarcerated child killer to wreak vengeance on those responsible for his imprisonment. Helped by deranged angel Dani Filth, who leaves a trail of charnel house death in his crimson wake, the cannibal convict forces two Goth vamps to endure a one night stand from hell, two tough female robbers to see through each other, an obscenely rich coke-head to chop up more than a few lines and an internet surfer to descend into madness when he uncovers the ultimate web depravity. Written by Anonymous

Plot Summary | Add Synopsis

Taglines:

It's Not If They Die... It's How

Genres:

Horror

Certificate:

Unrated | See all certifications »

Parents Guide:

 »
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Details

Official Sites:

Country:

Language:

Release Date:

4 July 2001 (UK)  »

Also Known As:

Nascido do Inferno  »

Filming Locations:


Company Credits

Production Co:

 »
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Technical Specs

Runtime:

Color:

Aspect Ratio:

1.66 : 1
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Did You Know?

Trivia

In the end credits Dani Filth is credited as both Dani Filth and Dani Davey. See more »

Goofs

When Melissa and Nikki go into the bathroom to do there make up they both have there dog collars on, but when they come out and walk in shots they both have it on then it disappears in the next shot. See more »

Quotes

Detective Neilson: You don't need to say it Sir. Four murders in one week and now solid lead is a piss poor show I know, but that new computer system's a load of old wank, with all due respect. For every piece of crap we type in we get a load more bollocks back.
Chief Inspector Roper: That's not what I wanted to talk about Pete. I've had a worrying call from Joe, the photographer. Something about you touching the dead bodies...
Detective Neilson: Yes Sir, it's just something I have to do.
Chief Inspector Roper: Okay. Any particular reason?
Detective Neilson: To make sure they really are dead.
Chief Inspector Roper: ...
[...]
See more »

Connections

References Sleepy Hollow (1999) See more »

Soundtracks

Lord Abortion
Performed by Cradle of Filth
See more »

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User Reviews

 
Whoever said there was one of making movies!

Cradle of Fear

This isn't a movie where intricate delicate little narrative nuances occupy our attention. This is not a film where the special effects are supposed to leave us slack-jacked uttering that sense of whoa. What it is though is a slice of lo-fi goth horror which leaves little to the imagination, created in the eyes of the director, Alex Chandon, as "a throwback to sleazy '70s and '80s horror".

This is a very visceral experience for 2 hours, where four plot lines are connected through lots of watery blood, reams of dismembered body parts and innards, tied by an intestinal thread of revenge.

The purveyor of such horrific violence is Dani Filth, lead-singer of the metal band Cradle of Filth, executing a role he was destined to play.

As other's have said, there is nothing new about wanting to carryout occultist revenge. In this particular context a convicted sexual predator and murderer, Kemper, the father of our devilish avenging-angel, compels his son to exact retribution on those who are some how connected to convicting him to purgatory within an insane asylum.

What this provides for the Chandon, who should be congratulated on also penning and editing this piece, is the opportunity to let his sick mind run free. He seems to take delight in the idea of splattering blood into the orifices of those on screen, and into every nook and cranny that can be reached. We are also treated to close-ups of skull's being crushed, demonic rape, and other assorted imagery to engage those who relish getting up close and personal to their horror. And for some of those who closely follow these type of films, there is the odd sequence which may have you thinking, "Did I just see what I thought I did", because of course Pretty Woman this 'aint. It reminds me of some of the gore-fests created out of Italian horror some 20 to 30 years ago, and a number of other works where disgusting images have left their mark but not the context in which they were viewed.

Story 4 of the set is particularly intriguing where the idea of ones obsession can ultimately lead to death in the pursuit of internet violence through the "Sick Room", where the user is in control of how a life can be snuffed out. Further acknowledgements should also go out to a pounding soundtrack that allows Filth to exercise his daytime talent, and an effective use of drum and bass, often overlooked in film-making as a viable form of supporting visuals. Using the city of London as a backdrop with real people as opposed to movie stand-ins also adds support to the commando feel of the film. OK, classic it may not be, but blood, guts, intestines, occult and demons in a slightly perverse unproblematic way it is.


5 of 7 people found this review helpful.  Was this review helpful to you?

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