This sitcom in named after two of the six main characters, each with a name rather suggesting the other gender: Jaqueline 'Jack' and David 'Jill' Jillefski, who gradually realize they were ... See full summary »
Compared to other shows that have inhabited this doomed slot, "Leap" is already miles ahead.
On the good side- a diverse cast that takes diversity for granted; it is refreshing to see a sitcom with black and white cast members where the black woman isn't the sassy sista'! Additionally, the dialogue is getting better- but if you want "Golden Girls" this simply ain't aimed at you. This is, however, aimed at me, and I like the banter- this is how my group of friends sounds, or at least how we would like to sound.
On the not so good side- the storylines still need work, but are also getting steadily better. They seem to be playing down the over-the-top Ally-neurosis of Faith. Thank God. There's a reason no one watches Ally anymore. I also believe the anti-marriage bits were a phase. I simply took the digs as the kind of things we say, but only half mean. I gave it all a knowing laugh.
If the writers do want to look to a classic sitcom for guidance, maybe they should check out "Designing Women." They could take the smart women, smart talk, happily single, happily married elements; leave the annoying stereotypes and shoulder pads behind; and add a dash of 21st century wit and worldliness. Of course, every sitcom must make it through the minefield of sitcom stereotypes. "Leap" is trying, and doing better than most.
Give this a chance, it actually has potential, unlike "Inside Schwartz," "Stark Raving Mad," "Cursed," etc, etc. Of course, I realize that's not saying much.
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