Kevin Hill was a swinging bachelor and top notch lawyer, but after his cousin died he was left with his cousin's ten-month-old daughter, Sarah. Now Kevin must deal with being a new parent and a lawyer at a new smaller firm.
Bess Steed marries her childhood sweetheart in the early part of the 20th century and begins a life in the high society of Dallas, Texas. As time goes by, things do not work out as she ... See full summary »
Jose Guillermo Figueroa,
James Hansen Prince
In this bittersweet comedy, four adult siblings gather at their dying mother's house in North Carolina for what they expect to be a quick, last goodbye. Instead, they find themselves ... See full summary »
Not until three years after the death of her husband Jolly, Kay dares to move back into their former home, persuaded by her new fiancée Rupert. But soon her worst expectations come true, ... See full summary »
Captures a generational moment - young people on the cusp of truly growing up, tiring of their reflexive cynicism, each in their own ways struggling to connect and define what it means to love and be loved.
A family drama focused on three generations of women living together in Hartford, Connecticut. Amy Brenneman plays Amy Gray, who left New York City behind and now works as a family court ... See full summary »
I agree 100% with Mr. Leone's compare-and-contrast review of this show and "First Monday" (2002). IANAL, but even as a layperson I can tell that FM thoroughly sacrifices legal accuracy for maudlin melodrama. I'm sure The Court doesn't get things precisely right law-wise either, but it seems like they're at least striving for realism, and unlike FM, they haven't pulled any stunts so far that I can point at and laugh at as being completely off-the-wall.
I too had a healthy dose of skepticism upon first viewing TC, but I've been suitably impressed so far. There have been a few hokey moments (scenes with Field's character and the weepy bleeding-heart clerk for instance) but overall, the performances and presentation have been subtle, restrained, and intelligent. My overall impression is similar to my feelings about executive producer Carol Flint's other venture, "ER" (1994): while this show isn't completely free of the contrivance and tear-jerkiness endemic to all television dramas, the overall quality is such that I'm willing to overlook a few peccadilloes.
Kudos in particular to Chris Sarandon for his work. He does a wonderful job of straightforwardly playing a character that in the wrong hands could have been reduced to sappy saccharine.
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