A family drama focused on three generations of women living together in Hartford, Connecticut. Amy Brenneman plays Amy Gray, who left New York City behind and now works as a family court ... See full summary »
Young orphan Gilly (Klein) finds out his lover Jo (Graham) may actually be his biological sister. After they break up he discovers he's not related and travels across the country to stop ... See full summary »
Rachel is a quick-witted and lovable stay-at-home mom. Frustrated with the realities of preschool auctions, a lackluster sex life and career that's gone kaput, Rachel visits a strip club to spice up her marriage and meets McKenna, a stripper she adopts as her live-in nanny.
Captures a generational moment - young people on the cusp of truly growing up, tiring of their reflexive cynicism, each in their own ways struggling to connect and define what it means to love and be loved.
Each Supreme Court term begins on the first Monday in October. Currently, the Court's evenly divided between conservatives and liberals. Moderate Justice Joseph Novelli has just joined them. The show follows their cases and lives.
I agree 100% with Mr. Leone's compare-and-contrast review of this show and "First Monday" (2002). IANAL, but even as a layperson I can tell that FM thoroughly sacrifices legal accuracy for maudlin melodrama. I'm sure The Court doesn't get things precisely right law-wise either, but it seems like they're at least striving for realism, and unlike FM, they haven't pulled any stunts so far that I can point at and laugh at as being completely off-the-wall.
I too had a healthy dose of skepticism upon first viewing TC, but I've been suitably impressed so far. There have been a few hokey moments (scenes with Field's character and the weepy bleeding-heart clerk for instance) but overall, the performances and presentation have been subtle, restrained, and intelligent. My overall impression is similar to my feelings about executive producer Carol Flint's other venture, "ER" (1994): while this show isn't completely free of the contrivance and tear-jerkiness endemic to all television dramas, the overall quality is such that I'm willing to overlook a few peccadilloes.
Kudos in particular to Chris Sarandon for his work. He does a wonderful job of straightforwardly playing a character that in the wrong hands could have been reduced to sappy saccharine.
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