The Court (2002– )

Creators:

Oliver Goldstick, Tom Schulman

Stars:

Tim Bagley, Robin Thomas, Alfred Dennis

Cast

Series cast summary:
Tim Bagley	...	Gregg Willis (5 episodes, 2002)
Robin Thomas	...	Andrew Loesch (5 episodes, 2002)
Alfred Dennis	...	Justice Bernstein (4 episodes, 2002)
Harry Northup	...	Justice Fitzsimmons (4 episodes, 2002)
Harper Roisman	...	Justice Shays (4 episodes, 2002)
Edmund L. Shaff	...	Justice Riddle (4 episodes, 2002)
Brenda Strong	...	Marsha Palmer (4 episodes, 2002)
Josh Radnor	...	Dylan Hirsch (3 episodes, 2002)
Sally Field	...	Justice Kate Nolan (3 episodes, 2002)
Elisabeth Harmon-Haid	...	Amy, Chief Townsend's Secretary (3 episodes, 2002)
Xander Berkeley	...	Keith Nolan (3 episodes)
Jennifer Aspen	...	Emily (2 episodes, 2002)
Christopher Grove	...	Peter Rubin (2 episodes, 2002)
Sean Moran	...	Van Skoyk's buddy (2 episodes, 2002)
Mark McCracken	...	Technical Director (2 episodes)

Storyline

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Plot Keywords:

legal system

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Genres:

Drama

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Details

Country:

USA

Language:

English

Release Date:

26 March 2002 (USA)

Filming Locations:

Los Angeles, California, USA

Company Credits

Production Co:

John Wells Productions, Warner Bros. Television, thinkfilm

Technical Specs

Runtime:

60 min 60 min (6 episodes)

Sound Mix:

Dolby Digital

Color:

Color

Aspect Ratio:

1.33 : 1

Did You Know?

Trivia

Six episodes of this series were produced but only three were aired.

User Reviews

Judging Sally

I agree 100% with Mr. Leone's compare-and-contrast review of this show and "First Monday" (2002). IANAL, but even as a layperson I can tell that FM thoroughly sacrifices legal accuracy for maudlin melodrama. I'm sure The Court doesn't get things precisely right law-wise either, but it seems like they're at least striving for realism, and unlike FM, they haven't pulled any stunts so far that I can point at and laugh at as being completely off-the-wall.

I too had a healthy dose of skepticism upon first viewing TC, but I've been suitably impressed so far. There have been a few hokey moments (scenes with Field's character and the weepy bleeding-heart clerk for instance) but overall, the performances and presentation have been subtle, restrained, and intelligent. My overall impression is similar to my feelings about executive producer Carol Flint's other venture, "ER" (1994): while this show isn't completely free of the contrivance and tear-jerkiness endemic to all television dramas, the overall quality is such that I'm willing to overlook a few peccadilloes.

Kudos in particular to Chris Sarandon for his work. He does a wonderful job of straightforwardly playing a character that in the wrong hands could have been reduced to sappy saccharine.