The Driver now carries an arrogant rock star who is visiting a major city (not Pittsburgh as earlier believed). Played by Madonna, this title character wants to get away from her bodyguards... See full summary »
Toru Tanaka Jr.
In London, a real-estate scam puts millions of pounds up for grabs, attracting some of the city's scrappiest tough guys and its more established underworld types, all of whom are looking to get rich quick. While the city's seasoned criminals vie for the cash, an unexpected player -- a drugged out rock 'n' roller presumed to be dead but very much alive -- has a multi-million dollar prize fall into... See full summary »
A rich woman, Raffaella, and some friends rent a yacht to sail the Mediterranean Sea during summer. The sailor, Gennarino, who is a communist, does not like this woman but has to bear with ... See full summary »
A botched card game in London triggers four friends, thugs, weed-growers, hard gangsters, loan sharks and debt collectors to collide with each other in a series of unexpected events, all for the sake of weed, cash and two antique shotguns.
Amber is 40, beautiful, rich, spoiled, and arrogant beyond measure. Nothing makes this woman happy, including her wealthy but passive husband (Tony), a pharmaceutical kingpin. When Tony takes her on a private cruise from Greece to Italy, Amber is unimpressed at this impromptu no-frills vacation, and takes out her anger on the ship's first mate, Giuseppe. When a storm leaves the two shipwrecked on a deserted island, however, the tables suddenly turn... Written by
This is Guy Ritchie's third collaboration with his ex-wife, Madonna, after her (uncredited) turn in the BMW short film, Star (2001), and the music video "What It Feels Like for a Girl" (2001). See more »
There is a camera and pier visible in close-ups of Amber and Giuseppe stranded in the dingy. See more »
[to Guiseppe, while adrift at sea]
I can't believe you came all the way out here without a fucking cell phone!
See more »
I had the (mis)fortune to see this film at a showing in the US. Having reluctantly sat through the entire abysmal thing, I am shocked to have seen so many good reviews here on IMDB.
The original film was a turkey, but an interesting one. It fitted into that early seventies, post 1969 revolution thing; this film just stinks of....... , well, nothing really. It's that bad.
Imagine a badly done perfume commercial - see what I mean ?
Madonna never could act, and has been an embarrassment on the big screen for years. She looks worse and worse with every one of those years, increasingly coming to resemble a skinned meerkat.
Guy Ritchie, who has built his "reputation" on Lock Stock, could never direct either - his movies are shallow, badly cut, fashion shows. He doesn't disappoint here either; he wisely cast his wife as the star of this debacle.
Please people, take little heed of the good reviews this movie has received from other posters below. They are quite obviously business plants.
Don't encourage Ritchie to humiliate himself further by giving him money.
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