Glendon Wasey is a fortune hunter looking for a fast track out of China. Gloria Tatlock is a missionary nurse seeking the curing powers of opium for her patients. Fate sets them on a hectic... See full summary »
The Driver now carries an arrogant rock star who is visiting a major city (not Pittsburgh as earlier believed). Played by Madonna, this title character wants to get away from her bodyguards... See full summary »
Toru Tanaka Jr.
This musical is based on four short stories by Damon Runyon. In one tale, gambler Feet Samuels sells his body to science just as he realizes that Hortense loves him and that he would rather... See full summary »
An uptight New York tax lawyer gets his life turned upside down, all in a single day, when he's asked to escort a feisty and free-spirited female ex-convict whom asks him to help prove her innocence of her crime.
Amber is 40, beautiful, rich, spoiled, and arrogant beyond measure. Nothing makes this woman happy, including her wealthy but passive husband (Tony), a pharmaceutical kingpin. When Tony takes her on a private cruise from Greece to Italy, Amber is unimpressed at this impromptu no-frills vacation, and takes out her anger on the ship's first mate, Giuseppe. When a storm leaves the two shipwrecked on a deserted island, however, the tables suddenly turn... Written by
I watched Swept Away having little else to do, and part of me wished I had read a magazine or an opera DVD instead. Swept Away has few, if any at all, redeeming qualities at all, and there were times where I wished I could turn off the television but reminded myself that is not a fair way to judge a movie.
Guy Ritchie's direction for starters is very unimaginative, and the camera work and editing don't have any real charm to them, the camera work is not amateurish as such but shows nothing out of the ordinary, and the editing could've been smoother at times.
The script is very hackneyed, the comedic elements are forced and the romantic elements sappy. Also it has the feel of a bad 70s TV drama. The concept has been done to death but that wasn't necessarily a turn off, but the pace is turgid and the story itself doesn't have any interest at all.
Likewise with the characters. They don't feel like characters or real people at all, just overdone caricatures. Jeanne Tripplehorn gets the worst of it, and her overdone performance suffers from it. Madonna only so far has impressed me in Evita, but her performance here is lifeless and disengaged here.
Only two things have any real spark. One is the striking scenery and the other is the earthy charm of Adrianno Giannini. However these two are not enough to salvage the movie from being an insipid bore. All in all, not recommended. 1/10 Bethany Cox
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