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Monsieur Batignole (2002)

 |  Comedy, Drama  |  6 March 2002 (France)
7.0
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Ratings: 7.0/10 from 2,449 users  
Reviews: 12 user | 14 critic

In 1942, in an occupied Paris, the apolitical grocer Edmond Batignole lives with his wife and daughter in a small apartment in the building of his grocery. When his future son-in-law and ... See full summary »

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Title: Monsieur Batignole (2002)

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Cast

Cast overview, first billed only:
Jules Sitruk ...
Simon Bernstein
...
Edmond Batignole
Michèle Garcia ...
Marguerite Batignole (as Michele Garcia)
...
Pierre-Jean Lamour
Alexia Portal ...
Micheline Batignole
Violette Blanckaert ...
Sarah Cohen
Daphné Baiwir ...
Guila Cohen (as Daphne Baiwir)
Götz Burger ...
SS Col. Spreich
Elisabeth Commelin ...
Irène
Hubert Saint-Macary ...
Gendarmerie lieutenant
Daniel Martin ...
Brigadier Albert
Nadine Spinoza ...
Rachel Bernstein
Damien Jouillerot ...
Martin
Philippe du Janerand ...
Administrateur
Marie-Gaëlle Cals ...
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Storyline

In 1942, in an occupied Paris, the apolitical grocer Edmond Batignole lives with his wife and daughter in a small apartment in the building of his grocery. When his future son-in-law and collaborator of the German Pierre-Jean Lamour calls the Nazis to arrest the Jewish Bernstein family, they move to the confiscated apartment. Some days later, the young Simon Bernstein escapes from the Germans and comes to his former home. When Batignole finds him, he feels sorry for the boy and lodges him, hiding Simon from Pierre-Jean and also from his wife. Later, two cousins of Simon meet him in the cellar of the grocery. When Pierre-Jean finds the children, Batignole decides to travel with the children to Switzerland. Written by Claudio Carvalho, Rio de Janeiro, Brazil

Plot Summary | Add Synopsis

Genres:

Comedy | Drama

Certificate:

See all certifications »
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Details

Official Sites:

Country:

Language:

|

Release Date:

6 March 2002 (France)  »

Also Known As:

Edmond Batignole  »

Filming Locations:

 »

Box Office

Budget:

$8,000,000 (estimated)

Opening Weekend:

$1,872,045 (France) (25 January 2002)

Gross:

$6,463,671 (Europe) (22 March 2002)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Color:

Aspect Ratio:

2.35 : 1
See  »
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Did You Know?

Goofs

When Pierre-Jean threatens Edmond with the cleaver, the blade is vertical in shots from the front but is horizontal in shots from behind Edmond. See more »

Connections

Featured in Gérard Jugnot - artisan réalisateur (2013) See more »

Soundtracks

Nous les français
Performed by Georges Milton
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User Reviews

 
Terminal Cuteness
15 April 2002 | by (Brosville, France) – See all my reviews

This movie suffers from terminal cuteness.. Even treating such a horrible subject, Gérard Jugnot does what he's been doing for over 20 years : playing and directing average french citizens facing not so ordinary situations(of unemployment in Une epoque formidable, of the sects in Fallait Pas, of being a father of a famous actress in Meilleur espoir Féminin...etc.,etc.). Treating in a comic way a serious subject.

This flick is plain silly...a long road to clichéness with an ability to open doors that have already been opened 50 years ago. The germans are bad, sex-crazed people.Deportation is horrible. Every french citizen was pro-german during the war and pro-De Gaulle in 1945. Daaah? The best part is when he's taking the 3 jewish children nearby the swiss border. The french people living there are supposed to have a strong accent (as the kids). But all the adults don't. It is simply both stupid and hilarious (but unintentionally, of course).

Because it wants to tell us about a tragic event and deliver a message of hope we're supposed to love the movie? Nah. It just falls flat on every level : ludicrous dialogues, comedy, drama, war, suspense (ooooohhhh, are the poor children going the get caught by the nasty nazi??? Nah.)...everything is over-demonstrative and SO predictable. This tearjerker is a huge success in France where most of the official critics just love that sense of cuteness. It is beyond redemption, really. This movie deserves a slap in the face to wake it up a bit...but no...terminal cuteness indeed.

And not even an accurate use of the Scope A.R to higher the note a bit. Pfff.

Superwonderscope says : 1


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