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Storyline
Q TV's ace reporter, Shivajirao Gaekwad, gets a chance for being the Chief Minister of Maharashtra, albeit for a day, after being challenged by Chief Minister Balraj Chauhan himself. Shivaji accepts the challenge, and takes over the job, assisted by cunning personal assistant, Bansal. He comes across close to 46000 corrupt officials, and orders their suspension; tours the city and surrounding areas, makes sweeping changes, including the arrests of 12 ministers, including Balraj himself, much to chagrin of the people in power. After his tenure is over, he attempts to get back to his normal life, but finds out that that one day has not only changed his entire life, but has threatened the life of his near and dear ones in a State that considers "honesty" a liability. Written by
rAjOo (gunwanti@hotmail.com)
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Taglines:
Fight the power
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Did You Know?
Trivia
The famous 3D fighting scene in the car junkyard, originally involved Anil Kapoor being dripped in water. He was also gym training for 7 months for this scene. At the time of the shoot, he refused to shave his body hair, and finally it was planned to smear him in mud. It was the first action scene in Indian Cinema to employ the use of computer effects and 36 different cameras were used simultaneously for a single scene. When Anil Kapoor told he was not really comfortable with facing the camera with his shirt off, Shankar replied that the scene was very crucial for the story and he can change the hero but not the scene.
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Goofs
The final closing scene is supposed to show Mumbai being transformed into a modern city. While the first frame shows the Dharavi slums of Mumbai, the next morphed frame shows an existing American city. To add to this, the helicopter shown has an American registration.
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Connections
Featured in
Haasil (2003)
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Soundtracks
"Shakalaka Baby"
Written by
Anand Bakshi
Composed by
A.R. Rahman
Performed by
Vasundhara Das,
Pravin Mani and
Shiraz Uppal
Courtesy of Super Cassettes Industries Limited (T-Series)
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What impressed me most about the movie is the tightness of the script. Events unfold one after the other. Neither too fast, nor too slow. Keeps you gripped. The events are coherent. Something you rarely see in Indian movies is people referring to events that have happened in the beginning of the movie. More often than not, the scripts are improvised on the sets and to maintain continuity the dialogues are abstract in nature so that the different parts gel in. To make a movie with cross references to subtle events needs you to have a script very firmly in place.
Second good thing about the movie was the experimentation with Visuals. Though at some points I felt that they have just indulged into special effects without the need for it (they should use effects only where needed), but honestly I was very impressed by the efforts taken to meet quality standards.
What has put off many people about the movie is the songs and dance and the unrealistic fights and some silly extremisms. Well the songs really don't have much bearing on the movie. And they have experimented with a very rustic style of entertainment which won't get wasted on everyone. As far as the fights and 'silly extremisms' go, I feel they tried to retain the HERO flavour which would really appeal to a large aspect of the masses.
The movie has very innovative ideas and also dares to be different - thougt most of that part should be attributed to its South Indian Counterpart.
I would say please go and see the movie. Its a nice experience. Appreciate it for its professionalism and technical expertise. Appreciate it for amazing dialogues and great performances by Paresh Rawal and Anil Kapoor both. It is a thought provoking film - something I feel the movie really set out to be. So its purpose is served.