Seemingly unconnected citizens of Tokyo are targeted for bludgeoning by a boy with a golden baseball bat. As detectives try to link the victims, they discover that following the assaults, the victims' lives have improved in some way.
A teenage girl finds that she has the ability to leap through time. With her newfound power, she tries to use it to her advantage, but soon finds that tampering with time can lead to some rather discomforting results.
"Memories" is made up of three separate science-fiction stories. In the first, "Magnetic Rose," four space travelers are drawn into an abandoned spaceship that contains a world created by ... See full summary »
Told in three interconnected segments, we follow a young man named Takaki through his life as cruel winters, cold technology, and finally, adult obligations and responsibility converge to test the delicate petals of love.
The love of Japanese high school students Mikako Nagamine and Noboru Tera is tested when Mikako is sent to fight aliens in a distant universe and voice mails to and from Earth become months to years in transmission.
"Magnetic Rose" is about what happens when a deep space corporate freighter is called upon to investigate a distress signal from what ought to be a derelict space station. The space station... See full summary »
A movie studio is being torn down. TV interviewer Genya Tachibana has tracked down its most famous star, Chiyoko Fujiwara, who has been a recluse since she left acting some 30 years ago. Tachibana delivers a key to her, and it causes her to reflect on her career; as she's telling the story, Tachibana and his long-suffering cameraman are drawn in. The key was given to her as a teenager by a painter and revolutionary that she helped to escape the police. She becomes an actress because it will make it possible to track him down, and she spends the next several decades acting out that search in various genres and eras. Written by
Jon Reeves <firstname.lastname@example.org>
The filtering of Chiyoko's life through film history allows the setting, characters, and the visual style of the film to change suddenly. Some of the scenes are reminiscent of Japanese Ukiyo-e woodblock prints, while others evoke Akira Kurosawa movies (particularly Throne of Blood). Satoshi Kon has acknowledged the influence of Throne of Blood, but says that for the most part there are no specific references in his segments. Instead he drew on a vague general impression of the history of Japanese filmmaking and visual art for his different styles and stories; Kon insists that historical film was actually not a subject he had much familiarity with before he made Millennium Actress. He studied the settings and costumes carefully, however, and learned a lot in the making of the film, such as the history of the kimono. See more »
The early Chiyoko's films (according to history during the late 30s and early 40s) are made in color, but Carmen Comes Home, the first color feature film in Japan, using Fujicolor, was made in 1951. See more »
[Chiyoko changes from feudal princess, to a ninja Warrior]
A princess could do that?
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The life story of an actress told to reporters that blurs the line between reality and fantasy as the movies she made become he life and vice versa.
A wonderful continuation of of the ideas in the brilliant thriller Perfect Blue, we once again have our perceptions turned upside down and sideways. Who is telling the truth, or more importantly is it even possible to know when all we are anyway is a half remembered collection of memories, are notions thrown at us and left for us to determine on our own. This is a film that probably could never have worked as a live action film simply because the changes between reality, memory and movie could never be as seamless as they are here.
This is a movie for grown ups and very clearly shows why those who think animated films are only for kids is missing out.
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