Told in three interconnected segments, we follow a young man named Takaki through his life as cruel winters, cold technology, and finally, adult obligations and responsibility converge to test the delicate petals of love.
A teenage girl finds that she has the ability to leap through time. With her newfound power, she tries to use it to her advantage, but soon finds that tampering with time can lead to some rather discomforting results.
A young girl finds that all the books she chooses in the library have been previously checked out by the same boy. Later she meets a very infuriating fellow... could it be her "friend" from... See full summary »
It is 300 years into the future. Earth's environment had been devastated by mankind's own foolish plans and humankind is beleaguered by the sentient forests which they have awoken. The ... See full summary »
A Mumbai teen who grew up in the slums, becomes a contestant on the Indian version of "Who Wants To Be A Millionaire?" He is arrested under suspicion of cheating, and while being interrogated, events from his life history are shown which explain why he knows the answers.
A movie studio is being torn down. TV interviewer Genya Tachibana has tracked down its most famous star, Chiyoko Fujiwara, who has been a recluse since she left acting some 30 years ago. Tachibana delivers a key to her, and it causes her to reflect on her career; as she's telling the story, Tachibana and his long-suffering cameraman are drawn in. The key was given to her as a teenager by a painter and revolutionary that she helped to escape the police. She becomes an actress because it will make it possible to track him down, and she spends the next several decades acting out that search in various genres and eras. Written by
Jon Reeves <firstname.lastname@example.org>
The filtering of Chiyoko's life through film history allows the setting, characters, and the visual style of the film to change suddenly. Some of the scenes are reminiscent of Japanese Ukiyo-e woodblock prints, while others evoke Akira Kurosawa movies (particularly Throne of Blood). Satoshi Kon has acknowledged the influence of Throne of Blood, but says that for the most part there are no specific references in his segments. Instead he drew on a vague general impression of the history of Japanese filmmaking and visual art for his different styles and stories; Kon insists that historical film was actually not a subject he had much familiarity with before he made Millennium Actress. He studied the settings and costumes carefully, however, and learned a lot in the making of the film, such as the history of the kimono. See more »
The length of the key changes several times. See more »
Without a doubt, Millennium Actress is a masterpiece. Fluid scene transitions, vibrant colors, and gorgeous pieces of music not only allow, but forces the viewer to feel empathy for the character. I admit, I was teary eyed for several scenes in the movie, it's cinema at its best.
The story, like Kon's Perfect Blue, is told in a way where reality and fantasy are blurred and joined. Unlike Perfect Blue, the truth and fiction are not important matters in Millennium Actress. Perfect Blue was a movie about an event. Millennium Actress is a movie about an emotion: Love. That search for the long lost love is the only thing that keeps one young. Chiyoko, the main character, travels through centuries and millenniums to find it, but always fails. Yet her zealous passion for this quest is what ultimately keeps her young, even at death.
Watching this film, we will all be reminded of that one passion we've had during our youthful days and be reminded about our quest to fulfill that passion. Maybe that feeling will return after you've viewed this movie. Maybe you'll regret certain actions and decisions that you've made in the past. But that's of no importance. Because at that point, the film has done its job and you'll feel a little warmer inside.
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