Vargas, a 54 year old man, gets out of jail in the prvince of Corrientes, Argentina. Once released, he wants to find his now adult daughter, who lives in a swampy and remote area. To get ... See full summary »
Ron, a young man in his late teens or early 20s, but emotionally younger, has no visible, employable assets, yet rails at his status in life -- blaming everyone for the fact that his dreams are not coming true.
After a coup, the US government is taken over by renegade military forces, forcing four people - each of whom had been arrested for treason - to band together and help the resistance return... See full summary »
This is the first installment of Lisandro Alonso's trilogy: La Libertad, Los Muertos and Fantasma -- which literally translate to The Freedom, The Dead and Phantom. All three films are quite intriguing and very much worth watching. (Los Muertos is my personal favorite because it seems to flow most naturally, almost magically, like the river where it takes place; but I've come across an interview in which Alonso speaks of La Libertad as a more challenging and, in his view, more successful project.)
Throughout the trilogy, the Argentinean director/screenwriter manages to inspire in the audience a true sense of awe and mystery while working with very few, beautifully simple ideas; it is precisely the economic and lean nature of the "storytelling" (if one may call it this) that's most captivating.
In La Libertad, the camera appears to document a day in the life of a woodsman who survives in a state of near-complete isolation. (Curiously enough, the filmmaker has described the story as being not so much about a lumberjack, but about a person watching that lumberjack from a cinema - a concept which is later touched upon in Fantasma, the third part of the trilogy.)
If you're a viewer who enjoys slow movies and has a taste for subtlety and experimentation, don't miss this film.
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