| Photos (see all 2 | slideshow) |
| Olivier Gourmet | ... | Olivier | |
| Morgan Marinne | ... | Francis | |
| Isabella Soupart | ... | Magali | |
| Nassim Hassaïni | ... | Omar | |
| Kevin Leroy | ... | Raoul | |
| Félicien Pitsaer | ... | Steve | |
| Rémy Renaud | ... | Philippo | |
| Annette Closset | ... | Training Center Director | |
| Fabian Marnette | ... | Rino | |
| Pierre Nisse | ... | Apprentice welder | |
| Stephan Barbason | ... | Apprentice welder | |
| David Manna | ... | Apprentice welder | |
| Abdellah Amarjouf | ... | Apprentice welder | |
| Jimmy Deloof | ... | Dany | |
| Anne Gerard | ... | Dany's Mother | |
| Dimitri Legros | ... | Cafe customer | |
| Leon Michaux | ... | Tutor | |
| Colette Hobsig | ... | Cook | |
| Anne Dortu | ... | Baker | |
| Sandro Scariano | ... | Hot dog seller | |
| Isabelle Comte | ... | Cafe waitress |
Directed by | |||
| Jean-Pierre Dardenne | |||
| Luc Dardenne | |||
Writing credits(in alphabetical order) | ||
| Jean-Pierre Dardenne | writer | |
| Luc Dardenne | writer | |
Produced by | |||
| Olivier Bronckart | .... | executive producer | |
| Jean-Pierre Dardenne | .... | producer | |
| Luc Dardenne | .... | producer | |
| Denis Freyd | .... | producer | |
| Arlette Zylberberg | .... | associate producer | |
Cinematography by | |||
| Alain Marcoen | |||
Film Editing by | |||
| Marie-Hélène Dozo | |||
Production Design by | |||
| Igor Gabriel | |||
Costume Design by | |||
| Monic Parelle | |||
Makeup Department | |||
| Tina Kopecka | .... | key makeup artist | |
Production Management | |||
| Philippe Groff | .... | unit production manager | |
| Véronique Marit | .... | production manager | |
| Philippe Toussaint | .... | unit manager | |
Second Unit Director or Assistant Director | |||
| Bernard Garant | .... | first assistant director | |
| Delphine Guterel | .... | assistant director | |
Art Department | |||
| Geneviève Otte | .... | props | |
| Paul Rouschop | .... | assistant art director | |
Camera and Electrical Department | |||
| Benoît Dervaux | .... | camera operator | |
| Amaury Duquenne | .... | second assistant camera | |
| Basile Duquenne | .... | third assistant camera | |
| Jean-François Hensgens | .... | first assistant camera | |
| Christian Plenus | .... | still photographer | |
| Eric Waldman | .... | gaffer | |
Other crew | |||
| Philippe Groff | .... | location manager | |
| Anne-Catherine Leboutte | .... | production assistant | |
| Marika Piedboeuf | .... | script supervisor | |
| Recent Posts (updated daily) | User |
|---|---|
| 7? | walkenandtalken |
| my favorite thing about this film... | SherlockVonEinstein |
| Interesting quote (possible spoiler??) | chansky111 |
| Am I missing something | Dambala |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb Belgium section |
| Add this title to MyMovies |
This is a MUST SEE film for any working actor.
As an actor, I often study films as I watch them, and I'm proud that as I was watching this movie I picked things out that were later mentioned in the commentaries as being done on purpose. For instance, one immediately notes the unique camera angles (at first it "followed" the main actor from behind, so you only saw his back... yet I was amazed at how much emotion and character was conveyed by his body language)... as the film progressed, I noted how few lines of dialog there were - and how utterly real the acting was. The hand-held camera led to a feeling of voyeurism, like we were actually there watching the watcher... the tension in the movie was palatable and kept me holding my breath... I was slightly disappointed in the very abrupt ending (it was so sudden I actually thought my DVD skipped a chapter)...
In watching the directors & actor's commentary I learned that the film was written FOR this particular actor (what an honor!) because he had had worked with the directors before.... the actor said he believed the body is the actor's instrument and his dream was to someday do a stage show where his back was to the audience the entire time! They also discussed their unique rehearsal process and such - really interesting to hear.... and after seeing this movie, I have now developed my own philosophy of acting: A beginning actor is at Stage 1 where you worry about remembering your lines.... A better actor is in stage 2 and they focus on delivery and HOW their lines are said and the emotions that go with it.... but the best actor is at stage 3 where the real acting is done BETWEEN the spoken lines and without any dialog at all.... that's what I felt this movie really reinforced - the tremendous acting ability done by a glance and body language.... it is in French with subtitles, but it really was a "thinker" of a movie... not something I would recommend to everyone, but a "must see" for any actor.