IMDb > Le fils (2002)
Le fils
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Overview

User Rating:
7.4/10   2,784 votes
MOVIEmeter: ?
Down 2% in popularity this week. See why on IMDbPro.
Writers:
Contact:
View company contact information for The Son on IMDbPro.
Release Date:
4 October 2002 (Italy) more
Genre:
Tagline:
Guldpalmen for bedste mandlige skuespiller 2002[Denmark]
Plot:
A joinery instructor at a rehab center refuses to take a new teen as his apprentice, but then begins to follow the boy through the hallways and streets. full summary | add synopsis
Awards:
9 wins & 8 nominations more
NewsDesk:
User Comments:
A whole new way of looking at film.... more (57 total)

Cast

  (in credits order)
Olivier Gourmet ... Olivier
Morgan Marinne ... Francis
Isabella Soupart ... Magali
Nassim Hassaïni ... Omar
Kevin Leroy ... Raoul
Félicien Pitsaer ... Steve
Rémy Renaud ... Philippo
Annette Closset ... Training Center Director
Fabian Marnette ... Rino
Pierre Nisse ... Apprentice welder
Stephan Barbason ... Apprentice welder
David Manna ... Apprentice welder
Abdellah Amarjouf ... Apprentice welder
Jimmy Deloof ... Dany
Anne Gerard ... Dany's Mother
Dimitri Legros ... Cafe customer
Leon Michaux ... Tutor
Colette Hobsig ... Cook
Anne Dortu ... Baker
Sandro Scariano ... Hot dog seller
Isabelle Comte ... Cafe waitress
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Directed by
Jean-Pierre Dardenne 
Luc Dardenne 
 
Writing credits
(in alphabetical order)
Jean-Pierre Dardenne  writer
Luc Dardenne  writer

Produced by
Olivier Bronckart .... executive producer
Jean-Pierre Dardenne .... producer
Luc Dardenne .... producer
Denis Freyd .... producer
Arlette Zylberberg .... associate producer
 
Cinematography by
Alain Marcoen 
 
Film Editing by
Marie-Hélène Dozo 
 
Production Design by
Igor Gabriel 
 
Costume Design by
Monic Parelle 
 
Makeup Department
Tina Kopecka .... key makeup artist
 
Production Management
Philippe Groff .... unit production manager
Véronique Marit .... production manager
Philippe Toussaint .... unit manager
 
Second Unit Director or Assistant Director
Bernard Garant .... first assistant director
Delphine Guterel .... assistant director
 
Art Department
Geneviève Otte .... props
Paul Rouschop .... assistant art director
 
Sound Department
Benoît De Clerck .... supervising sound editor
Jean-Pierre Duret .... sound
Thomas Gauder .... sound mixer
Luc Plantier .... sound editor
Michel Schillings .... sound recordist
Marie-Jeanne Wijckmans .... sound effects editor
 
Camera and Electrical Department
Benoît Dervaux .... camera operator
Amaury Duquenne .... second assistant camera
Basile Duquenne .... third assistant camera
Jean-François Hensgens .... first assistant camera
Christian Plenus .... still photographer
Eric Waldman .... gaffer
 
Editorial Department
Patrick Delamotte .... color timer
Rachel Lamisse .... assistant editor
Jocelyne Ries .... negative cutter
Sophie Vercruysse .... assistant editor
Roger Vervoenen .... color timer
 
Other crew
Philippe Groff .... location manager
Anne-Catherine Leboutte .... production assistant
Marika Piedboeuf .... script supervisor
 

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Additional Details

Also Known As:
The Son (International: English title)
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Runtime:
103 min (Cannes Film Festival)
Country:
Language:
Color:
Aspect Ratio:
1.66 : 1 more
Sound Mix:
Company:

Fun Stuff

Trivia:
Partly inspired by the Jamie Bulger murder, a case that shocked England in 1993 when a two year old toddler was murdered by two 10-year-old boys. more

FAQ

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12 out of 16 people found the following comment useful.
A whole new way of looking at film...., 3 May 2003
Author: Sinnerman from Singapore

The acting in The Son was top notch.

Very demanding nuances were expected from the actors, especially in a movie thats so stripped of a leading musical score and filmed at such a deliberately halted pace. Thus must say the two male leads has successfully delivered performances which torched my views on what constitutes "good acting".

Overall, The Son piqued my interest enough to want to hunt down other Dardenne Bros pics. Being new to their works, the extremely voyueristic shots in this film revealed previously undetectable character depths, with such humanistic intuition, it was uncannily astonishing.

Pity the dizzying cinematography made me all tipsy(my seat was very much infront). The film could arguably have done with some judicious trimming as well. But that may be due to my comparatively lower tolerance for such glacial paced works. But agree with you'all that the abrupt end achieved the right note of hopefulness. Its openness was a very nice touch indeed.

To be fair, I think I would need more time to digest this film on tv. It is my belief that the wozzy nature of "handheld" flicks often play better in an intimate home setting than in a cinema, especially when viewed from unfavourable theatre vantage points like mine.

An acquired taste though The Son has been, I acknowledge its a very prized find. It at least has succeeded pointing me in a whole new direction of film appreciation.

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