The siblings Joseph and Chloé are 12 and have just been placed on another children's home. For years they were on the same or separate homes or on the run together. Chloé is an autist. She ... See full summary »
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The siblings Joseph and Chloé are 12 and have just been placed on another children's home. For years they were on the same or separate homes or on the run together. Chloé is an autist. She does not talk, feels panic when touched, and eats only when told so. Joseph dearly loves her and firmly thinks she needs him. The child psychiatrist agrees that he has a very positive influence. Joseph dreams that Chloé will recover if they find their parents. The psychiatrist finds the mother. But she is also an autist. When the children were one year old she left them on the street just from an impulse. This is the first crack of Joseph's dream. The children escape from this home. When they are caught next time Chloé is send to a mental hospital. The same thing is about to happen to Joseph after a suicidal attempt in the police arrest. Because of his friendship with the gang leader lots of children liberate him on the way. With much violence they also liberate Chloé. Eventually Joseph will have ... Written by
Max Scharnberg, Stockholm, Sweden
Wow, where did these actors come from? Throughout the film, I was in turmoil who was the better actor, Adele Haenel or Vincent Rottiers. She did an outstanding job in an almost non-speaking role and he was very morose, gloomy and violent as well. I do believe that to get children (although they're almost teens) to act this way is very hard. And to accomplish it in two actors, is very admirable. Ruggia did an excellent job, maybe the casting alone was 90 percent of that.
Without spoilering anything, I would like to comment that the let's say, 'least boring scenes' between Haenel and Rottiers, to use a heavy understatement, have not been shot in a mainstream film, since Maladolescenza (1977) ( http://us.imdb.com/title/tt0076749/ ). I suppose Ruggia didn't care about American distribution, and rightly so. Take into account that Maladolescenza was shot in a very different era, where a lot more was possible, a much more permissive epoque when not EVERY bit of skin was declared porn as it is now, we have to salute Ruggia even more, and Haenel and Rottiers as well. Although ... I don't know what the reason is that Haenel has not made a film since Les Diables, and Rottiers has. If it is because of those 'least boring scenes', then that surely would be a pity, because then we would have lost a potentially great actress.
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