The kingdom of Atlantica where music is forbidden, the youngest daughter of King Triton, named Ariel, discovers her love to an underground music club and sets off to a daring adventure to bring restoration of music back to Atlantica.
Samuel E. Wright,
Lady Tremaine gets her hands on the Fairy Godmother's wand, then turns back time to the day Cinderella tried on the glass slipper. She enlarges the slipper to fit one of the stepsisters, ... See full summary »
Christopher Daniel Barnes,
The movie explores Cinderella's "happily ever after" life as a princess in 3 stories, with help from the Fairy Godmother. First, Cinderella's awkward first days at the palace, when she tried so hard to fit in that she forgot to be herself. Second, how Jaq felt so left out that he wished to be a human. Third, how Cinderella taught one of her nasty step-sisters how to smile which leads to her own true love. Written by
At the end of the end credits, there is a tribute to the original movie. It reads; "This film would not have been possible without the inspiration from the original motion picture and the work of it's talented artist and animators." See more »
During the first segment, the King has a bowl of chocolate pudding that lands on his head. The brown pudding is all over his face and shoulders, yet after a few seconds, the chocolate disappears off his clothing with no cleaning and there is none on his head when the bowl is removed. See more »
Of course the animation is really bad, and it's not a deep movie, but at least the writers put some thought into the story and didn't just go with the standard. (Cinderella and her still-unnamed Prince have a daughter who falls in love with a peasant, and they have to convince the king that she should be able to marry him and not be forced to marry someone of royalty. Can anyone say 'Aladdin'? Ugh.) This movie is made of three separate stories instead of just one long yawn factory like some others I can think of (Cough. Hunchback 2. Return to Neverland. Cough.) so there is a lot more opportunity for variation and character interplay. They even involve a dour governess named Prudence (very nice to see a black-clad miser in a Disney film who is stodgy and stuffy instead of thoroughly evil.) and give one of the stepsisters a story of her own, and do something with Lucifer except having him be the (you guessed it) black, evil cat who does little but chase the mice. Even Jaques gets a place in the spotlight, and there are happy endings all around as everyone falls in love. No.. not a deep movie, but it isn't boring, either. There is enough happening here to hold your interest, and that's saying a lot for a Disney sequel these days. The only real failing is that they selected quite possibly the most "edgy" and downright obnoxious Hip Hoppish singer to warble some songs that would have sounded fine otherwise.. Some of the tunes and lyrics are actually quite good, but there's so much "groove" and "attitude" going on that any charm is completely lost -- And if that's how they sound *now*, you can imagine how much this music is going to grate on the ears in a decade or so, when Hip Hop has long since gone the way of disco and vinyl and VHS... Seriously, can't anybody just SING anymore? I will be really happy when the people at Disney realize that lavishing modern sound on their (ahem) "masterpieces".. only hastens their descent into the post-modern doldrums of such films as 'Oliver & Company' and 'Aladdin'. I'm sure I'm not the first to cringe upon hearing Cinderella say 'EEYew' with all the pouty, adolescent inflection of 2001's cohort of sexed-up, belly-baring Britney wannabes.
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