| Photos (see all 3 | slideshow) |
| Xun Zhou | ... | Little Chinese Seamstress | |
| Kun Chen | ... | Luo | |
| Ye Liu | ... | Ma | |
| Shuangbao Wang | ... | Head of the Village | |
| Zhijun Cong | ... | Old Tailor | |
| Hongwei Wang | ... | Four Eyes | |
| Xiong Xiao | ... | Mother of Four Eyes | |
| Zuohui Tang | ... | Old Mill Worker | |
| Wei Chen | ... | Wife of the Head of the Village | |
| Tianlu Chen | ... | Director of the Commune | |
| Qing-yun Fan | ... | Doctor | |
| rest of cast listed alphabetically: | |||
| Guy-Pierre Bennet | ... | Journalist (voice) | |
| Quilène Boileux | ... | Airport Shop Assistant | |
| Yulin Chen | ... | Female Villager | |
| Jing Fang | ... | Female Villager | |
| Yao Liu | ... | Female Villager | |
| Lina Mei | ... | Female Villager | |
| Jie Min | ... | Peasant | |
| Li Peng | ... | Female Villager | |
| Wa Su | ... | Daughter in Law of the Head of the Village | |
| Chun Hua Xu | ... | Female Villager | |
| Yukun Xu | ... | Peasant | |
| Dandan Yang | ... | Mrs. Lao | |
| He Zhang | ... | Peasant | |
| Fang Zong Zhao | ... | Female Villager | |
| Heng Fei Zhao | ... | Female Villager | |
Directed by | |||
| Sijie Dai | |||
Writing credits(in alphabetical order) | ||
| Sijie Dai | novel | |
| Sijie Dai | screenplay | |
| Nadine Perront | writer | |
Produced by | |||
| Lise Fayolle | .... | producer | |
| Bernard Lorain | .... | executive producer | |
| Pujian Wang | .... | executive producer | |
| Wang Zhebin | .... | executive producer | |
Original Music by | |||
| Pujian Wang | |||
Cinematography by | |||
| Jean-Marie Dreujou | |||
Film Editing by | |||
| Luc Barnier | |||
| Julia Gregory | |||
Production Design by | |||
| Juiping Cao | |||
Costume Design by | |||
| Huamiao Tong | |||
Makeup Department | |||
| Guihua Cheng | .... | hair stylist | |
Production Management | |||
| Zi An | .... | unit manager: Shanghai | |
| Fanny Bourdillon | .... | unit manager | |
| Lewu Chen | .... | unit manager | |
| Boutboul Déborah | .... | unit manager | |
| Xiong Jiang | .... | unit manager: Shanghai | |
| Shenlin Li | .... | unit manager | |
| Benoît Ouvrier-Bonnaz | .... | unit manager | |
| Zhong Yuan Qian | .... | unit manager | |
| Yulong Shen | .... | unit manager: Shanghai | |
| Roland Thénot | .... | unit manager | |
| Jing-Hua Wang | .... | unit manager | |
| Qiang Wang | .... | unit manager | |
| Dong Lai Wei | .... | unit manager: Shanghai | |
| Hong Wu | .... | unit manager | |
| Chenhao Yu | .... | unit manager | |
| Jun Zhao | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Jen Chang Hsien | .... | assistant director | |
| Guang Li | .... | assistant director | |
| Charles Liu Morel | .... | assistant director | |
| Chunlin Zhao | .... | assistant director | |
Art Department | |||
| Baihan Hui | .... | set dresser | |
| Jian-An Lu | .... | set dresser | |
| Hailiang Luo | .... | set dresser | |
| Ying Ma | .... | assistant art director | |
| Zhang Tian | .... | props | |
| Zhuangchun Wu | .... | props | |
| Jian Qun Zhang | .... | assistant art director | |
Sound Department | |||
| Jean-Philippe Callet | .... | sound recordist | |
| Jean De Sagey | .... | foley recordist | |
| Franck Desmoulins | .... | ProTools consultant | |
| Rodolphe Duhamel | .... | sound recordist | |
| Li Pei Gen | .... | assistant sound | |
| Benjamin Leloch | .... | sound recordist (as Benjamin Le Loch) | |
| François Lepeuple | .... | foley artist | |
| Sylvain Malbrant | .... | assistant sound editor | |
| Olivier Marlangeon | .... | foley artist | |
| Michel Monnier | .... | stereo sound consultant: Dolby | |
| Nicolas Naegelen | .... | sound mixer | |
| Nicolas Naegelen | .... | sound | |
| Daniel Sobrino | .... | sound | |
| Zhe Wang | .... | assistant sound | |
| Li Wen | .... | assistant sound | |
| Lala Wu | .... | sound | |
| Xin Zhan | .... | sound | |
Visual Effects by | |||
| Stephane Bidault | .... | digital effects supervisor | |
| Pierre Blain | .... | digital effects director | |
| Marc-André Brunet | .... | visual effects | |
| Christophe Chanvin | .... | artistic director | |
| Alain Fauchon | .... | optical transfer | |
| Matthias Weber | .... | visual effects | |
Stunts | |||
| Hui Xie | .... | stunt double: swimming | |
Camera and Electrical Department | |||
| Te Ba | .... | grip | |
| Paul-Claude Bessière | .... | key grip | |
| Renaud Chassaing | .... | first assistant camera | |
| Dong Cong | .... | electrician | |
| Zhang Dahai | .... | electrician | |
| Zhao Danyang | .... | electrician | |
| Luo Dong | .... | still photographer | |
| Wei Guo Dong | .... | generator operator | |
| Zhang Fengzhu | .... | grip | |
| Patrick Gasché | .... | electrician | |
| Liu Guangshun | .... | grip | |
| Pei Luo | .... | video assistant | |
| Michele Mattei | .... | special photographer (as Michèle Mattei) | |
| Yang Ning | .... | assistant Steadicam operator | |
| Hong Peng | .... | second assistant camera | |
| Jean-Claude Reux | .... | gaffer | |
| Chen Zhu Xiang | .... | Steadicam operator | |
| Niu Yi | .... | electrician | |
| Lu Zhixin | .... | electrician | |
Costume and Wardrobe Department | |||
| Zhigang Chen | .... | dresser | |
| Huani Tong | .... | dresser | |
Editorial Department | |||
| Fleur Augustin | .... | assistant editor | |
| Fabrice Dequeant | .... | color timer | |
| Nicolas Duchemin | .... | assistant editor | |
| Zoé Forget | .... | post-production coordinator | |
| Alice Godeau | .... | assistant editor | |
Music Department | |||
| Ya Dai | .... | musician: flute | |
| Can Gao | .... | musician: violin | |
| Zhang Gaoxiang | .... | musician: dulcimer | |
| Xiaopei Li | .... | music recordist | |
| Pujian Wang | .... | conductor | |
| Jie Min Yan | .... | musician: Chinese violin | |
Other crew | |||
| Tony Krantz | .... | press attache | |
| Latifa Laarcy | .... | administrator | |
| Li Liang | .... | translator | |
| Luc Oeuvray | .... | administrator | |
| Laurent Renard | .... | press attache | |
| Rafael Schneider | .... | making-of director | |
| Dominique Segall | .... | press attache | |
| Guixin Zhai | .... | administrator | |
| Xia Zhao | .... | script supervisor | |
Thanks | |||
| Georges Beaume | .... | thanks | |
| Guy-Pierre Bennet | .... | thanks | |
| Prune Bergé | .... | thanks | |
| Dominique Besnehard | .... | thanks | |
| Florence Bitoun | .... | thanks | |
| Jacques Bitoun | .... | thanks | |
| Jean-François Boyer | .... | thanks | |
| Valérie Boyer | .... | thanks | |
| Zouhua Chen | .... | thanks | |
| Brahim Chioua | .... | thanks | |
| Jean-Marie Duchemin | .... | thanks | |
| Sylvie El Sayegh | .... | thanks | |
| Joy Fleury | .... | thanks | |
| Danièle Heymann | .... | thanks | |
| Guy Joussemet | .... | thanks | |
| Monique Kouznekzoff | .... | thanks (as Monique Kouznetzoff) | |
| Tony Krantz | .... | thanks | |
| Anne Kuperberg | .... | thanks | |
| Pierre Kuperberg | .... | thanks | |
| Didier Kustinger | .... | thanks | |
| Archie Larochie | .... | thanks (as Archie Laroche) | |
| Xin-Min Long | .... | thanks | |
| Yong Luo | .... | thanks | |
| Zitian Luo | .... | thanks | |
| Denis Offroy | .... | thanks | |
| Isabelle Peyrefitte | .... | thanks | |
| Bernard Pivot | .... | special thanks | |
| Marie-Françoise Rousset-Rouard | .... | thanks | |
| Yves Rousset-Rouard | .... | thanks | |
| Jean-Marie Sénia | .... | thanks | |
| Anna Maria Tatò | .... | thanks | |
| Perrine Tézé | .... | thanks | |
| Shi Zhao | .... | thanks | |
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| Full cast and crew | Company credits | External reviews |
| IMDb Biography section | IMDb France section | Add this title to MyMovies |
Balzac and the little Chinese seamstress is one of those movies, you're glad you caught at your local cinema, even though you never originally planned to see it. Because it's one of those movies that remind you there's more to cinema than just Hollywood-Blockbuster formula stuff, and if you already knew that, than there's even more than your usual 'trying to hard to be arthouse cinema' stuff.
Sounds like high praise? Don't get me wrong here. I gave it a 6 out of 10 (though it pushes hard for a 7). The story is based on a book of a Chinese author, living in France. And maybe that is, why it worked. On the one side you have a Chinese setting, Chinese actors and a the background of Chinese communism in the seventies, on the other side you have a story you can culturally relate to without being Chinese (or even knowing much about Chinese history or culture (and that doesn't leave a universal love story as the only option you sugarcoated romance freaks)). Take both together and you have an utterly satisfying movie-experience.
The one thing, that's strange though is the fact that it's about the value of books. It sure looks ironic to need a movie, to remind you that a world without books is a prison for your mind. Hmmm! Okay, maybe I'll change my vote to a 7. And now let me continue to read...