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Xiao cai feng
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Xiao cai feng (2002) More at IMDbPro »

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Xiao cai feng (2002) -- Trailerfan.com - Trailer (Flash)

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Overview

User Rating:
7.3/10   2,246 votes
MOVIEmeter: ?
Up 18% in popularity this week. See why on IMDbPro.
Director:
Writers:
Sijie Dai (novel)
Sijie Dai (screenplay)
(more)
Contact:
View company contact information for Balzac and the Little Chinese Seamstress on IMDbPro.
Release Date:
9 October 2002 (France) more
Plot:
Two youths sent for a Maoist "re-education" in the mountains fall in love with the village tailor's granddaughter. full summary | add synopsis
Plot Keywords:
Awards:
Nominated for Golden Globe. Another 5 nominations more
User Comments:
A reminder of why I like escapism more (42 total)

Cast

  (in credits order)
Xun Zhou ... Little Chinese Seamstress
Kun Chen ... Luo

Ye Liu ... Ma
Shuangbao Wang ... Head of the Village
Zhijun Cong ... Old Tailor
Hongwei Wang ... Four Eyes
Xiong Xiao ... Mother of Four Eyes
Zuohui Tang ... Old Mill Worker
Wei Chen ... Wife of the Head of the Village
Tianlu Chen ... Director of the Commune
Qing-yun Fan ... Doctor
rest of cast listed alphabetically:
Guy-Pierre Bennet ... Journalist (voice)
Quilène Boileux ... Airport Shop Assistant
Yulin Chen ... Female Villager
Jing Fang ... Female Villager
Yao Liu ... Female Villager
Lina Mei ... Female Villager
Jie Min ... Peasant
Li Peng ... Female Villager
Wa Su ... Daughter in Law of the Head of the Village
Chun Hua Xu ... Female Villager
Yukun Xu ... Peasant
Dandan Yang ... Mrs. Lao
He Zhang ... Peasant
Fang Zong Zhao ... Female Villager
Heng Fei Zhao ... Female Villager
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Directed by
Sijie Dai 
 
Writing credits
(in alphabetical order)
Sijie Dai  novel
Sijie Dai  screenplay
Nadine Perront  writer

Produced by
Lise Fayolle .... producer
Bernard Lorain .... executive producer
Pujian Wang .... executive producer
Wang Zhebin .... executive producer
 
Original Music by
Pujian Wang 
 
Cinematography by
Jean-Marie Dreujou 
 
Film Editing by
Luc Barnier 
Julia Gregory 
 
Production Design by
Juiping Cao 
 
Costume Design by
Huamiao Tong 
 
Makeup Department
Guihua Cheng .... hair stylist
 
Production Management
Zi An .... unit manager: Shanghai
Fanny Bourdillon .... unit manager
Lewu Chen .... unit manager
Boutboul Déborah .... unit manager
Xiong Jiang .... unit manager: Shanghai
Shenlin Li .... unit manager
Benoît Ouvrier-Bonnaz .... unit manager
Zhong Yuan Qian .... unit manager
Yulong Shen .... unit manager: Shanghai
Roland Thénot .... unit manager
Jing-Hua Wang .... unit manager
Qiang Wang .... unit manager
Dong Lai Wei .... unit manager: Shanghai
Hong Wu .... unit manager
Chenhao Yu .... unit manager
Jun Zhao .... production manager
 
Second Unit Director or Assistant Director
Jen Chang Hsien .... assistant director
Guang Li .... assistant director
Charles Liu Morel .... assistant director
Chunlin Zhao .... assistant director
 
Art Department
Baihan Hui .... set dresser
Jian-An Lu .... set dresser
Hailiang Luo .... set dresser
Ying Ma .... assistant art director
Zhang Tian .... props
Zhuangchun Wu .... props
Jian Qun Zhang .... assistant art director
 
Sound Department
Jean-Philippe Callet .... sound recordist
Jean De Sagey .... foley recordist
Franck Desmoulins .... ProTools consultant
Rodolphe Duhamel .... sound recordist
Li Pei Gen .... assistant sound
Benjamin Leloch .... sound recordist (as Benjamin Le Loch)
François Lepeuple .... foley artist
Sylvain Malbrant .... assistant sound editor
Olivier Marlangeon .... foley artist
Michel Monier .... stereo sound consultant: Dolby
Nicolas Naegelen .... sound mixer
Nicolas Naegelen .... sound
Daniel Sobrino .... sound
Zhe Wang .... assistant sound
Li Wen .... assistant sound
Lala Wu .... sound
Xin Zhan .... sound
 
Visual Effects by
Stephane Bidault .... digital effects supervisor
Pierre Blain .... digital effects director
Marc-André Brunet .... visual effects
Christophe Chanvin .... artistic director
Alain Fauchon .... optical transfer
Matthias Weber .... visual effects
 
Stunts
Hui Xie .... stunt double: swimming
 
Camera and Electrical Department
Te Ba .... grip
Paul-Claude Bessière .... key grip
Renaud Chassaing .... first assistant camera
Dong Cong .... electrician
Zhang Dahai .... electrician
Zhao Danyang .... electrician
Luo Dong .... still photographer
Wei Guo Dong .... generator operator
Zhang Fengzhu .... grip
Patrick Gasché .... electrician
Liu Guangshun .... grip
Pei Luo .... video assistant
Michele Mattei .... special photographer (as Michèle Mattei)
Yang Ning .... assistant Steadicam operator
Hong Peng .... second assistant camera
Jean-Claude Reux .... gaffer
Chen Zhu Xiang .... Steadicam operator
Niu Yi .... electrician
Lu Zhixin .... electrician
 
Costume and Wardrobe Department
Zhigang Chen .... dresser
Huani Tong .... dresser
 
Editorial Department
Fleur Augustin .... assistant editor
Fabrice Dequeant .... color timer
Nicolas Duchemin .... assistant editor
Zoé Forget .... post-production coordinator
Alice Godeau .... assistant editor
 
Music Department
Ya Dai .... musician: flute
Can Gao .... musician: violin
Zhang Gaoxiang .... musician: dulcimer
Xiaopei Li .... music recordist
Pujian Wang .... conductor
Jie Min Yan .... musician: Chinese violin
 
Other crew
Tony Krantz .... press attache
Latifa Laarcy .... administrator
Li Liang .... translator
Luc Oeuvray .... administrator
Laurent Renard .... press attache
Rafael Schneider .... making-of director
Dominique Segall .... press attache
Guixin Zhai .... administrator
Xia Zhao .... script supervisor
 
Thanks
Georges Beaume .... thanks
Guy-Pierre Bennet .... thanks
Prune Bergé .... thanks
Dominique Besnehard .... thanks
Florence Bitoun .... thanks
Jacques Bitoun .... thanks
Jean-François Boyer .... thanks
Valérie Boyer .... thanks
Zouhua Chen .... thanks
Brahim Chioua .... thanks
Jean-Marie Duchemin .... thanks
Sylvie El Sayegh .... thanks
Joy Fleury .... thanks
Danièle Heymann .... thanks
Guy Joussemet .... thanks
Monique Kouznekzoff .... thanks (as Monique Kouznetzoff)
Tony Krantz .... thanks
Anne Kuperberg .... thanks
Pierre Kuperberg .... thanks
Didier Kustinger .... thanks
Archie Larochie .... thanks (as Archie Laroche)
Xin-Min Long .... thanks
Yong Luo .... thanks
Zitian Luo .... thanks
Denis Offroy .... thanks
Isabelle Peyrefitte .... thanks
Bernard Pivot .... special thanks
Marie-Françoise Rousset-Rouard .... thanks
Yves Rousset-Rouard .... thanks
Jean-Marie Sénia .... thanks
Anna Maria Tatò .... thanks
Perrine Tézé .... thanks
Shi Zhao .... thanks
 

Production CompaniesDistributorsSpecial EffectsOther Companies
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Additional Details

Also Known As:
Balzac and the Little Chinese Seamstress (UK) (USA)
Balzac et la petite tailleuse chinoise (France)
The Little Chinese Seamstress (International: English title)
more
Runtime:
110 min | France:116 min (Cannes Film Festival)
Country:
Language:
Color:
Aspect Ratio:
2.35 : 1 more
Sound Mix:
Filming Locations:
Company:

Fun Stuff

Trivia:
Filming was allowed in China after seven months negotiations with the authorities, but any projection on Chinese territory was banned. more
Soundtrack:
Divertissement more

FAQ

This FAQ is empty. Add the first question.
23 out of 29 people found the following comment useful.
A reminder of why I like escapism, 20 October 2003
Author: mel2surf from San Diego, Calif, USA

I wanted to see a few films at the recent Asian Film Festival here in San Diego. So I chose three films that seemed to grab my interest. "Balzac and The Little Chinese Seamstress" was one of them. So after seeing an ok film from Taiwan the night before,I headed down to the cool art theatre this night to catch "The Little Chinese Seamstress." Wow! Packed house...wow! one empty seat next to me,and an attractive Asian girl by herself sits down..wow! I was lost in the film,as was the rest of the audience(including the cute girl) This film took a wide eyed,but intelligent swipe at the upside down vision of Mao's Cultural Revolution,and asked us"What if?" The simple,humorous story,and the lead characters drew that whole audience in,and reminded me of why I like the movies. I like a good heavy drama as much as anyone,but as I sat there in the dark packed house that night flying over the most beautiful lush Chinese landscapes,and really being involved in the three characters plights,amid tears and sniffles scattered throughout the theatre(i got choked up a bit too) I realized that sometimes less is more in filmmaking,and it can mean the difference between connecting with the story and characters,and just being along for the ride du jour. This film plays like a classical piece of music you never want to end.

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Recent Posts (updated daily)User
Is there a USA rating? RashomonLaStrada
For those that have read the book... manny_the_uncanny
What happened to The Little Seamstress? WriteTheOtherWay
I started watching late.. nocturnaljourney
You know... next-lover
Wow- what a film..exceptionally moving ledgehall
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