In 1929 French Indochina, a French teenage girl embarks on a reckless and forbidden romance with a wealthy, older Chinese man, each knowing that knowledge of their affair will bring drastic consequences to each other.
Tony Leung Ka Fai,
In 1671, with war brewing with Holland, a penniless prince invites Louis XIV to three days of festivities at a chateau in Chantilly. The prince wants a commission as a general, so the ... See full summary »
The river Suzhou that flows through Shanghai is a reservoir of filth, chaos and poverty, but also a meeting place for memories and secrets. Lou Ye, who spent his youth on the banks of the ... See full summary »
In August 1966, the Cultural Revolution in full swing, 13-year-old Tian Ben is arrested for playing a pop record; he's sent to a remote mountain camp in Niu-Peng. There he's called "Four ... See full summary »
Liang Yi Guo,
Quan Ngieu Tieu,
Cheung Siang Chang
When Yan'ni starts college she believes she is embarking on a new life away from her family-and she is, but not the new beginning she anticipates. Once at school, she immediately meets Muyu... See full summary »
In 1971 China, in the lingering grip of the cultural revolution, two university students, Luo and Ma, are sent to a mountain mining village as part of their reeducation duty to purge them of their classical western oriented education. Amid the backbreaking work and stifling ignorance of the community, the two boys find that music, and the presence of the beautiful local young women are the only pleasant things in their miserable life. However, none compare to the young seamstress granddaughter of the local tailor. Stealing a departing student's secret cache of forbidden books of classic western literature such as the works of Honore de Balzac, they set about to woo her and teach her things she had never imagined. In doing so, they start a journey that would profoundly change her perspective on her world and teach the boys about the power of literature and their own ability to change their world in truly revolutionary ways. Written by
Kenneth Chisholm (firstname.lastname@example.org)
I wanted to see a few films at the recent Asian Film Festival here in San Diego. So I chose three films that seemed to grab my interest. "Balzac and The Little Chinese Seamstress" was one of them. So after seeing an ok film from Taiwan the night before,I headed down to the cool art theatre this night to catch "The Little Chinese Seamstress." Wow! Packed house...wow! one empty seat next to me,and an attractive Asian girl by herself sits down..wow! I was lost in the film,as was the rest of the audience(including the cute girl) This film took a wide eyed,but intelligent swipe at the upside down vision of Mao's Cultural Revolution,and asked us"What if?" The simple,humorous story,and the lead characters drew that whole audience in,and reminded me of why I like the movies. I like a good heavy drama as much as anyone,but as I sat there in the dark packed house that night flying over the most beautiful lush Chinese landscapes,and really being involved in the three characters plights,amid tears and sniffles scattered throughout the theatre(i got choked up a bit too) I realized that sometimes less is more in filmmaking,and it can mean the difference between connecting with the story and characters,and just being along for the ride du jour. This film plays like a classical piece of music you never want to end.
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