A brilliant plastic surgeon, haunted by past tragedies, creates a type of synthetic skin that withstands any kind of damage. His guinea pig: a mysterious and volatile woman who holds the key to his obsession.
A trip to the mental institution hell. This odyssey is lived by Neto, a middle class teenager, who lives a normal life until his father sends him to a mental institution after finding drugs... See full summary »
The Brazilian badlands, April 1910. Tonho is ordered by his father to avenge the death of his older brother. The young man knows that if he commits this crime, his life will be divided in two: the 20 years he has already lived and the few days he has left to live, before the other family avenges their son's death. He is torn between fulfilling his ancestral duty and rebelling against it, urged by his younger brother Pacu. That's when a tiny traveling circus passes through the vast badlands where Tonho's family lives. Written by
After reading some of the comments from American film fans on IMDb I must admit I was a little wary about going to see this movie. I needn't have worried though. To put it simply, this is the most beautifully shot film I think I have ever seen.
Walter Salles seems to bring so much colour and life out of the screen and into the theatre it was just an awesome experience. That scene with Clara on the rope, the scene with Tonio on the beach and the chase sequence at the beginning were just stunningly shot.
It was strange that I was the only person in the cinema to see this movie, and at the same time it's a pity that people would rather suffer the likes of Kate and Leopold or Collateral Damage (!) than a masterpeice like this. No matter how "clunky" you think some of the symbolism is, it was refreshing to see something as moving.
I read a review of this by Anthony Minghella, and he said, "It's as close to poetry as cinema gets", and I couldn't agree more.
Top marks 10 out of 10. And no mistake!
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