A self-loathing, alcoholic writer attempts to repair his damaged relationships with his daughter and her mother while combating sex addiction, a budding drug problem, and the seeming inability to avoid making bad decisions.
The story of a young group of siblings pretty much abandoned by their parents, surviving by their wits - and humor - on a rough Manchester council estate. Whilst they won't admit it, they ... See full summary »
A mockumentary about life in a mid-sized suboffice paper merchants in a bleak British industrial town, where manager David Brent thinks he's the coolest, funniest, and most popular boss ever. He isn't. That doesn't stop him from embarrassing himself in front of the cameras on a regular basis, whether from his political sermonizing, his stand-up 'comedy', or his incredibly unique dancing. Meanwhile, long-suffering Tim longs after Dawn the engaged receptionist and keeps himself sane by playing childish practical jokes on his insufferable, army-obsessed deskmate Gareth. Will the Slough office be closed? Will the BBC give David a game show? Will Tim and Dawn end up with each other? And more importantly, will Gareth realize what a hopeless prat he is? Written by
In every episode, there is a shot, from the exact same angle, of the photocopier making multiple copies of a document. See more »
That's one reason why gays shouldn't be allowed into the army. Because if we're in battle, is he going to be looking at the enemy, or is he going to be looking at me and going "Ooh. He looks tasty in his uniform". And I'm not homophobic, all right? Come round, look at my CDs. You'll see Queen, George Michael, Pet Shop Boys. They're all bummers.
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While admitting to being a general Britcom slut (Fawlty Towers, Ab Fab, Monty Python,) with the exception of Coupling which I wasn't that big a fan of, I think The Office is quite possibly one of the greatest TV shows ever to be put on TV. The show takes a few viewings to really get all of the humor/tragedy that the brilliant Ricky Gervais and Stephen Merchant have built into the script of the show. The first time it seems sort of blah, but if you watch the whole 1st season, by episode 4 or 5 you pick up on the style of humor and realize that it lies mainly in the simple throwaway lines that the abhorrent David Brent and other employees of Wernham Hogg's Slough branch utter throughout the show. Also, like Gosford Park, the dialogue is very quiet and to an American not used to British accents it is tremendously helpful to put on the subtitles to understand what the characters are saying (it also makes the cringeworthy things that much more cringeworthy when you see them written out). Once you get the humor further viewing will allow you to appreciate the horror of "The Office." Watching all of Season 2 in a marathon viewing session left me so emotionally drained (even though I have never laughed harder in my life) that I was crying by the end and I couldn't tell if they were tears of sadness or laughter. At the same time I was relishing David Brent's demise, the new levels of obsequiousness and insensitivity he descends to by the end of the series is almost painful to watch. Tim and Dawn's will it happen/it won't happen relationship is one of the sweetest and most soul-crushing romances I have seen in television history ranking right up there with Sam and Diane from Cheers and Ross and Rachel from Friends. The beauty of "The Office" is it mixes some of the most hilarious sitcom humor with a level of epic tragedy that is hard to capture in any performing art form and does it so effortlessly that it is hard to tell where one begins and one ends. I cannot wait to see the special and finally finish the emotional roller coaster that was "The Office."
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