Tim's world is rocked when Dawn turns up at the office to say hello. Despite a stern warning from Gareth and wise words from Keith in Accounts, Tim can't help but get his hopes up again. Meanwhile, ...
It's the annual comic relief day fund raiser at the office and the employees are up to their usual silliness. Tim raises money from his mates by playing a prank on Gareth. Dawn is selling kisses at ...
It's been three years since the BBC documentary crew first arrived at the office. Back for one last visit, they find Gareth Keenan now in charge and is running the office with a military precision. ...
Mark and Jez are a couple of twenty-something roommates who have nothing in common - except for the fact that their lives are anything but normal. Mayhem ensues as the pair strive to cope with day-to-day life.
Alan Partridge a failed television presenter whose previous exploits had featured in the chat-show parody Knowing Me, Knowing You with Alan Partridge, and who is now presenting a programed on local radio in Norwich.
Brit Karl Pilkington has led a sheltered life. Not having done any traveling, he enjoys living within the comforts of what he knows, basically that being what is purely British. As such, ... See full summary »
A mockumentary about life in a mid-sized suboffice paper merchants in a bleak British industrial town, where manager David Brent thinks he's the coolest, funniest, and most popular boss ever. He isn't. That doesn't stop him from embarrassing himself in front of the cameras on a regular basis, whether from his political sermonizing, his stand-up 'comedy', or his incredibly unique dancing. Meanwhile, long-suffering Tim longs after Dawn the engaged receptionist and keeps himself sane by playing childish practical jokes on his insufferable, army-obsessed deskmate Gareth. Will the Slough office be closed? Will the BBC give David a game show? Will Tim and Dawn end up with each other? And more importantly, will Gareth realize what a hopeless prat he is? Written by
While admitting to being a general Britcom slut (Fawlty Towers, Ab Fab, Monty Python,) with the exception of Coupling which I wasn't that big a fan of, I think The Office is quite possibly one of the greatest TV shows ever to be put on TV. The show takes a few viewings to really get all of the humor/tragedy that the brilliant Ricky Gervais and Stephen Merchant have built into the script of the show. The first time it seems sort of blah, but if you watch the whole 1st season, by episode 4 or 5 you pick up on the style of humor and realize that it lies mainly in the simple throwaway lines that the abhorrent David Brent and other employees of Wernham Hogg's Slough branch utter throughout the show. Also, like Gosford Park, the dialogue is very quiet and to an American not used to British accents it is tremendously helpful to put on the subtitles to understand what the characters are saying (it also makes the cringeworthy things that much more cringeworthy when you see them written out). Once you get the humor further viewing will allow you to appreciate the horror of "The Office." Watching all of Season 2 in a marathon viewing session left me so emotionally drained (even though I have never laughed harder in my life) that I was crying by the end and I couldn't tell if they were tears of sadness or laughter. At the same time I was relishing David Brent's demise, the new levels of obsequiousness and insensitivity he descends to by the end of the series is almost painful to watch. Tim and Dawn's will it happen/it won't happen relationship is one of the sweetest and most soul-crushing romances I have seen in television history ranking right up there with Sam and Diane from Cheers and Ross and Rachel from Friends. The beauty of "The Office" is it mixes some of the most hilarious sitcom humor with a level of epic tragedy that is hard to capture in any performing art form and does it so effortlessly that it is hard to tell where one begins and one ends. I cannot wait to see the special and finally finish the emotional roller coaster that was "The Office."
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