In a post-apocalyptic future, a deadly virus has wiped out most of humanity. The only ones who survived, were those who hadn't yet reached puberty. Now a decade has gone by, and a man ... See full summary »
An unknown virus pandemic kills more than 90% of the world's population. Those immune must strive to survive and overcome the difficulties of this new world order, hoping that the virus will not mutate.
A small town in Kansas is literally left in the dark after seeing a mushroom cloud over near-by Denver, Colorado. The townspeople struggle to find answers about the blast and solutions on how to survive.
With Earth rapidly becoming uninhabitable, pioneers seek to colonize the harsh terrain of the planet Carpathia. 10 years later, the town of Forthaven faces danger as the planet's dark secrets are revealed.
The outbreak of a deadly virus sends the UK into a state of emergency, into a war it appears destined to lose. In a world without laws, without order and without anybody watching... how far would you go to survive?
When a genetically engineered virus kills ninety-five percent of the world's population, the survivors must rebuild humanity in the face of overwhelming odds. "Survivors" is a study of man ... See full summary »
A marine biologist, an insurance salesman and a teen-aged boy find their lives fundamentally changed by the emergence of a new, and often dangerous, species of sea life, while government agents work to keep the affair under wraps.
The young Jeremiah grows up in a priest's family in the village of Anathoth, near Jerusalem. God appears to Jeremiah in different human guises on several occasions, and makes it clear to ... See full summary »
Klaus Maria Brandauer
In a post-apocalyptic future, a deadly virus has wiped out most of humanity. The only ones who survived, were those who hadn't yet reached puberty. Now a decade has gone by, and a man called Jeremiah is set on a quest to find a mysterious place his father spoke of, a place called Valhalla. Written by
Fredrik Adolvsson <email@example.com>
I must admit that I like Sci-Fi, but what I don't like are fairy tale sci-fis (Star Wars) or Techy-Sci-Fi (Star Gate, Star Trek-Franchise). I rather enjoyed Battlestar Galactica and Babylon 5 and Jeremiah (which is thought out by the very same Jay Michael Strazynski) has everything of a good classical drama: Action, structure and plot items (short per episode plots and longer plots over a whole season).
In the two seasons filmed (I think they cancelled the show afterwards and even the ending of Season two was rushed!), JMS has again shown his capability of handling TV series in theatrical fashions. We have the classical 3 tiered system of Exposition, Climax and Ending with the weapon showed in the Second Act (I am not going to reveal that one).
The show lacked financial support in the first season, but the second one showed what could have been possible. And I especially liked the focus on an anarchic world trying to find itself and the two major themes: the generational conflict between new and old in the first season and the exploring of fascism and totalitarianism in the second season.
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