Two couple of friends, one very rich the other almost homeless, decides to go on Holiday. Julie, a single mother, joins them too. Once at seaside, it starts a complicate love cross among ...
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Jack is encouraged to take the romantic Paris vacation he won, despite just being dumped by his girlfriend. His trip soon devolves into chaos and adventure, when his luggage is swapped for ... See full summary »
Lucrèce, the best killer in the business, accepts a final job: eliminate an opera singer who threatens the interests of a corporation. She's hired as a soprano for a festival her target is singing in, but things don't happen as planned.
Two couple of friends, one very rich the other almost homeless, decides to go on Holiday. Julie, a single mother, joins them too. Once at seaside, it starts a complicate love cross among them that will involve also a transsexual, a jealous brother,a Latin Lover and another nervous stressed couple. Not to mention about the daughter of one of them that is secretly in Chicago with one of his father's employee... More, at the end of the summer all of them will join the same party... Written by
Let's face it: the people in this film of vacationing Frenchmen are often unpleasant, sometimes downright loathsome. And yet, I had a good time watching, owing to Michel Blanc's skill at keeping all the balls in the air. I don't know how many speaking parts there are, maybe 20, but the energy never flags because of the marvelous actors. Karin Viard is my favorite actress for comedy; here she is wonderful as the frustrated wife of Podalydès trying to scrimp through a holiday that their finances really don't allow. The scene of Podalydès standing on the cliff, with Rampling quietly trying to buck him up, Ulliel crouched below, his tryst with Mélanie Laurent interrupted, and Viard gabbing away unwittingly with her friends until her husband jumps is a comic masterpiece.
Carole Bouquet is another favorite of mine, since she stole Bunuel's last picture Cet obscur objet du désir over 30 years ago. She too is great in comedy--here she is saddled with the most jealous husband in recent film memory (go back to François Cluzet's harassing of Emmanuelle Béart in L'enfer). Blanc keeps yelling at her, accusing her of infidelities, and she grimly makes the best of it, helped by her new-found friends Rampling and Viard. As I said at the outset, sometimes the characters do unpleasant things, but you don't get the feeling that the deck is stacked against them.
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