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| Wed. July 22 | 3:00 AM | SYFY |
| Matthew Le Nevez | ... | Sheriff Kyle Williams | |
| Rachael Taylor | ... | Teri Elizabeth Richards | |
| Jack Thompson | ... | Frederic Schist | |
| Rawiri Paratene | ... | Pete Horn | |
| Alex O'Loughlin | ... | Deputy Eric Fraser | |
| Steve Bastoni | ... | Rene LaRoque | |
| Robert Mammone | ... | Mike Ploog | |
| Patrick Thompson | ... | Jake Schist (as Pat Thompson) | |
| William Zappa | ... | Steve Gerber | |
| John Batchelor | ... | Wayne Thibadeaux | |
| Ian Bliss | ... | Rodney Thibadeaux | |
| Brett Leonard | ... | Val Mayerick | |
| Imogen Bailey | ... | Sarah | |
| James Coyne | ... | Billy James | |
| Cheryl Craig | ... | Michele | |
| Garry Waddell | ... | Cajun Pilot (as Gary Waddell) | |
| Andrea Leon | ... | Nurse (as Xoqui Pesce) | |
| Conan Stevens | ... | Man-Thing | |
| Shannon Leonard | ... | School boy | |
| rest of cast listed alphabetically: | |||
| Marc Kay | ... | F Schist body double | |
Directed by | |||
| Brett Leonard | |||
Writing credits(WGA) | ||
| Steve Gerber | (character) | |
| Hans Rodionoff | (written by) | |
Original Music by | |||
| Roger Mason | |||
Cinematography by | |||
| Steve Arnold | |||
Film Editing by | |||
| Martin Connor | |||
Casting by | |||
| Gregory Apps | (as Greg Apps) | ||
Production Design by | |||
| Tim Ferrier | |||
| Peter Pound | |||
Art Direction by | |||
| Charlie Revai | |||
Set Decoration by | |||
| Faith Robinson | |||
Costume Design by | |||
| Cappi Ireland | |||
Makeup Department | |||
| Tina Gordon | .... | hair stylist | |
| Tina Gordon | .... | makeup artist | |
| Anna Gray | .... | assistant hair stylist | |
| Anna Gray | .... | assistant makeup artist | |
| Jennifer Lamphee | .... | hair stylist supervisor | |
| Jennifer Lamphee | .... | makeup supervisor | |
Production Management | |||
| Colleen Clarke | .... | post-production supervisor | |
| Sandy Stevens | .... | production manager | |
Art Department | |||
| Brian Nickless | .... | set designer | |
| Ross Perkin | .... | assistant storyboard artist | |
| Gregg Thomas | .... | greens supervisor | |
| Bill Undery | .... | scenic artist | |
Sound Department | |||
| Adrienne Alexander | .... | sound attachment | |
| Mark Cornish | .... | sound recordist | |
| Gethin Creagh | .... | sound re-recording mixer | |
| Liam Egan | .... | sound designer | |
| Les Fiddess | .... | foley artist | |
| Mike Jones | .... | foley recordist | |
| Phil Judd | .... | dialogue editor | |
| Phil Judd | .... | sound re-recording mixer | |
| Tony Murtagh | .... | adr editor | |
| Alicia Slusarski | .... | sound effects editor | |
Special Effects by | |||
| Paul Katte | .... | special makeup and creature effects supervisor | |
| Nick Nicolaou | .... | special makeup and creature effects supervisor | |
| Luke Polti | .... | workshop assistant | |
| Stuart Rowsell | .... | creature technician | |
Visual Effects by | |||
| Roger Bolton | .... | digital compositor | |
| Tina Braham | .... | visual effects coordinator: the LaB sydney | |
| Tony Clark | .... | visual effects supervisor: Rising Sun Pictures | |
| Ian Cope | .... | visual effects coordinator: Rising Sun Pictures | |
| Luke Emrose | .... | technical director | |
| Alex Fry | .... | senior compositor: Rising Sun Pictures | |
| William Gammon | .... | compositor: Rising Sun Pictures | |
| Richard Geluk | .... | animator: The Lab, Sydney | |
| Kyle Goodsell | .... | digital compositor | |
| Malcolm Humphreys | .... | animation supervisor | |
| Bryan Jones | .... | compositor: Rising Sun Pictures | |
| Dan Kripac | .... | senior technical director | |
| Grant Laker | .... | effects animator | |
| Steve Leacey | .... | senior compositor: the LaB sydney | |
| Rosano Lepri | .... | digital compositor | |
| Jason Madigan | .... | digital compositor | |
| Matthew Ozerski | .... | assistant visual effects editor | |
| Adam Paschke | .... | digital compositor | |
| Ben Roberts | .... | digital compositor: Rising Sun Pictures | |
| Chris Spry | .... | CG Supervisor: the LaB sydney | |
| Matthew Unwin | .... | visual effects artist | |
| Phil Watts | .... | visual effects producer: the LaB sydney | |
| James Whitlam | .... | visual effects producer: Rising Sun Pictures | |
| Dan Wills | .... | digital effects artist | |
Stunts | |||
| Sam Elia | .... | stunts | |
| Charlie Hobson | .... | stunts | |
| Brett Praed | .... | stunts | |
| Leon Stripp | .... | stunts | |
| Glenn Suter | .... | assistant stunt coordinator | |
| John Walton | .... | stunt coordinator | |
| Min Windle | .... | stunts | |
Camera and Electrical Department | |||
| Robert Agganis | .... | Steadicam operator | |
| Matt Buchan | .... | rigging gaffer | |
| Paul Johnstone | .... | gaffer | |
| Jonas Juhanson | .... | key rigging grip (as Jo Juhanson) | |
| Michael Pedder | .... | lighting technician | |
| John Platt | .... | director of photography: second unit | |
| Brett Tracey | .... | second assistant camera | |
| Mark Watson | .... | best boy electric | |
Animation Department | |||
| Alex Goodwin | .... | animator | |
| Tim Kings-Lynne | .... | animator | |
Costume and Wardrobe Department | |||
| Natasha Monaghan | .... | costume supervisor | |
| Dan Owen | .... | costume assistant | |
| Carolyn Wells | .... | costume stand-by | |
Editorial Department | |||
| Jenny Hicks | .... | film conform editor | |
| David Hollingsworth | .... | colorist | |
| Brett McManus | .... | first assistant editor | |
Music Department | |||
| Laura Bishop | .... | music preparation | |
| Christo Curtis | .... | orchestra recordist | |
| Coralie Hartl | .... | orchestra contractor | |
| Phillip Hartl | .... | concert master | |
| Gregg Leonard | .... | composer: additional music | |
| Gregg Leonard | .... | music supervisor | |
| Larry Rench | .... | orchestrator | |
Other crew | |||
| Teresa Barker | .... | production secretary | |
| Sue Collins | .... | production accountant | |
| Gerry Conway | .... | creator: Man-Thing | |
| Jill Coverdale | .... | post-production accountant | |
| Sophie Fabbri-Jackson | .... | script supervisor | |
| Jane Forrest | .... | production coordinator | |
| Fabian Frohne | .... | intern | |
| Steve Gerber | .... | creator: F.A. Schist | |
| Kasper Graversen | .... | assistant to producer | |
| Peter Hicks | .... | location manager | |
| Chris Kelly | .... | production runner | |
| Stan Lee | .... | creator: Man-Thing | |
| Rob Macdonald | .... | production runner | |
| Reza Mokhtar | .... | caterer | |
| Adam W. Rosen | .... | legal services | |
| Bruce Shapiro | .... | dialogue coach | |
| Kat Slowik | .... | assistant accountant | |
| Diana Snape | .... | assistant production coordinator | |
| Roy Thomas | .... | creator: Man-Thing | |
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| Full cast and crew | Company credits | External reviews |
| IMDb Action section | IMDb USA section | Add this title to MyMovies |
Something evil is living in a swamp, something that kills all that enter its territory, the "dark waters". As more people are killed, the local town sheriff learns that a swamp-monster of Indian legend is responsible. Can he stop the creature before it can continue killing? "Man-Thing" has gotten primarily bad reviews here on IMDb, but I thought it was not terrible. Not great either, loaded with clichés, yes, but I've seen much worse films released courtesy of the Sci-fi channel. Any of you ever seen of "Boa Vs. Python"?!?!? There's plenty of stuff to like here. The swamp photography is beautiful. The shades of greens gave the film a very nice look, and the swamp is setting is effectively creepy. Director Brett Leonardwho you may remember as the guy behind 1992's "Lawn Mower Man"gives the film good atmosphere, and there were even a couple of creepy moments towards the finale. The monster was scary and looked very, very impressive, to say the least. There was some pretty weak CG used for its tentacles among other things but thankfully the creature itself is a good old-fashioned man-in-a-suit creation, and a darn good one at that. Kudos to the effects team on this memorable, nasty-looking beast. Oh, there's the abundant gore too, which is certainly a plus. I won't give away what happens in the film, but I will say gore fans will be very happy. I also liked Roger Mason's creepy, atmospheric score.
Problems begin with two things: The script and the actors. The screenplay offers lots of typical horror conventions: Throwaway monster victims, cheap pop scares, greedy and unrealistic bad guys, wise Indians who know about the monster, and so on. If you know the genre, you're probably familiar with this set-up by now, and it can be very tiring. The actors are mostly weak (Save for lead actor Matthew Le Nevez who wasn't bad), and those "southern" accents sure sound Australian if you ask me!
"Man Thing" is flawed and offers a familiar set-up, but if you can overlook that you'll be treated to a gory, creepy monster movie. Better than most made-for-TV horror films I've seen, and I've seen a lot.
6/10.